Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting an unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.
A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Brian De Palma
Harry Valentini and Moe Dickstein are goons for the Newark mob boss Castelo. They are sent to the race track to place a bet on a horse but screw it up by betting on the wrong horse. Now they owe $250,000 but they separately get an offer to work it off; by killing the other one. Together they go off to Atlantic City where Harry's mobster uncle Mike may be able to bail them out.Written by
The title characters bet on a thoroughbred horse race at The Meadowlands Racetrack but they are reading from a program that is strictly designed for harness racing since The Meadowlands is primarily a harness racing track. See more »
Some video versions, including the one released in the UK, eliminate the Bruce Springsteen song Pink Cadillac from the soundtrack for copyright reasons. In the original, this song can be heard as Danny De Vito and Joe Piscopo drive to Atlantic City, trashing Frankie the Fixer's prized Cadillac en route. See more »
I don't know why this film was so horribly panned when it was first released, its just a harmless and lightweight gangster comedy. I will admit that director Brian DePalma who has directed such classics as Scarface and The Untouchables was taking a huge risk by agreeing to take on this lightweight comedy, but I think it ended up turning out just fine. DeVito and Piscopo have surprisingly good on-screen chemistry and DePalma's directing style shows through and works well in this film. This was certainly one of Danny DeVito's better comedies in the 1980's. I was also glad to see that Roger Ebert actually gave this fun comedy a good review. ***/****. Great fun.
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