Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
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Brian De Palma
Robert De Niro,
Harry Valentini and Moe Dickstein are goons for the Newark mob boss Castelo. They are sent to the race track to place a bet on a horse but screw it up by betting on the wrong horse. Now they owe $250,000 but they separately get an offer to work it off; by killing the other one. Together they go off to Atlantic City where Harry's mobster uncle Mike may be able to bail them out.Written by
This mob comedy movie's French title had the unusual English translation of "Mafia Salad". See more »
When Harry shows Bobby DiLea the box of money, all the cash is rubber banded into neat piles. Later Harry shows Moe the same box and the cash is loose and there doesn't appear to be as much in the box as earlier. Then, when Harry and Moe go down to the casino, the money is in neat piles and the box is filled up again. See more »
Happy birthday, t'me. Happy birthday, t'me. Happy birthday dear Mo-oe. Happy brithday, t'me.
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Some video versions, including the one released in the UK, eliminate the Bruce Springsteen song Pink Cadillac from the soundtrack for copyright reasons. In the original, this song can be heard as Danny De Vito and Joe Piscopo drive to Atlantic City, trashing Frankie the Fixer's prized Cadillac en route. See more »
Mildly enjoyable diversion seems grossly out of place it De Palma's canon. The premise is interesting - two loser hoodlums (Danny DeVito and Joe Piscapo) try to screw over a mob boss and end up getting hunted down. However, it is never particularly funny and the story isn't really that interesting. De Palma's directorial mastery is nowhere to be seen here - the direction is competent but the script never really gives him a chance to demonstrate his skills. Not as bad as some make it out to be, but certainly a failure, especially considering that it came between Body Double and Casualties of War, two of De Palma's best films.
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