One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
Stan installs a state-of-art satellite TV system for his dysfunctional family. However, he accidentally picks up a signal from another planet and his television system becomes the gateway between the two planets. A ravenous alien creature comes to his apartment and only their son Sherman (Chad Allen) sees the monster, but his parents do not believe in the boy.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The initial appearance of Bert Remsen's(Grandpa) character is based on "General Hersheybar", the well-known 1960's Los Angeles anti-war street performer. See more »
When Pluthar is talking to Suzy and Sherman, his skin is glossy and reflective of light. Upon learning that the "beast has ingested earthlings," cutting back from Suzy and Sherman, his skin appears dull and muted. See more »
[Raquel watches her exercise program while Stanley works on the satellite dish]
Stanley! Stanley! Quit screwing around... Stanley! Stanley, I'm right in the middle of my program. For Christ's sakes, Stanley!
Lay off me, Beautiful. I almost got this baby wired.
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This is a movie I've kind of been wanting to see. I am ready to add this to my list of personal favorites after watching it for the first time, so I know they did some stuff right. While it's still fresh in my mind, there are some things I definitely want to say. First off, I am extremely surprised that this doesn't seem to have a cult following to it. "TerrorVision" is a great film that should have definitely achieved cult status. From the start (after some credits set to music by Siouxsie and the Banshees imitators!), this has a definite John Waters look and feel. When the fast-paced story moves into grotesque monster territory, it gets even better. And, regardless of how goofy it is, I dig the commentaries the filmmakers are sprinkling all throughout this movie, the main one of all being the most obvious: television giving birth to monsters. This is definitely one of those wild movies that gets weirder and more bizarre as it moves along. As for people quoting favorite lines from Bert Remsen's "Gramps" character, I love it when he refers to MTV as a secret conspiracy to rot the brain. "TerrorVision" wasn't as gory as I've heard, relying more on gooey FX than gory ones, but there are no complaints here. I love this, it was a real upper of a flagrant horror satire. I am so glad I saw this, and I would give it no less than a definite 9 on a scale of one to ten. In fact, I'm tempted to give it a full 10.
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