To save Earth from an alien probe, Admiral James T. Kirk and his fugitive crew go back in time to San Francisco in 1986 to retrieve the only beings who can communicate with it: humpback whales.
Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis Planet to recover Spock's body.
Director:
Leonard Nimoy
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.
Director:
Nicholas Meyer
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.
Director:
William Shatner
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
When an alien spacecraft of enormous power is spotted approaching Earth, Admiral James T. Kirk resumes command of the overhauled USS Enterprise in order to intercept it.
Director:
Robert Wise
Stars:
William Shatner,
Leonard Nimoy,
DeForest Kelley
With the help of long presumed dead Captain Kirk, Captain Picard must stop a renegade scientist willing to murder on a planetary scale in order to enter a space matrix.
Director:
David Carson
Stars:
Patrick Stewart,
William Shatner,
Malcolm McDowell
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochran makes his maiden flight reaching warp speed.
Director:
Jonathan Frakes
Stars:
Patrick Stewart,
Jonathan Frakes,
Brent Spiner
The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
Director:
Stuart Baird
Stars:
Patrick Stewart,
Jonathan Frakes,
Brent Spiner
Set almost 100 years after Captain Kirk's five-year mission, a new generation of Starfleet officers set off in the U.S.S. Enterprise-D on their own mission to go where no one has gone before.
Stars:
Patrick Stewart,
Brent Spiner,
Jonathan Frakes
Pulled to the far side of the galaxy, where the Federation is seventy-five years away at maximum warp speed, a Starfleet ship must cooperate with Maquis rebels to find a way home.
Stars:
Kate Mulgrew,
Robert Beltran,
Roxann Dawson
The most acclaimed Star Trek adventure of all time with an important message. It is the 23rd century, and a mysterious alien probe is threatening Earth by evaporating the oceans and destroying the atmosphere. In their frantic attempt to save mankind, Admiral Kirk and his crew must time travel back to 1986 San Francisco where they find a world of punk, pizza and exact-change buses that are as alien to them as anything they have ever encountered in the far-off reaches of the galaxy. William Shatner and Leonard Nimoy return as Kirk and Spock, along with the entire Star Trek crew.Written by
Robert Lynch <docrlynch@yahoo.com>
Vijay Amritraj: Captain of the U.S.S. Yorktown was played by a professional tennis player and television commentator who at the time was attempting to transition into an acting career. See more »
Goofs
The whalers speak Finnish, so what are they doing in the Bering Sea, part of the north Pacific Ocean? *** Finland has not hunted whales in well over a century, but Finnish sailors could hunt whales for another country that is still involved in commercial whaling in 1986, such as Japan. See more »
Quotes
Punk on bus:
[Playing loud music on the bus]
Kirk:
Excuse me.
Punk on bus:
[He ignores him]
Kirk:
Excuse me. Would you mind stopping that noise?
Punk on bus:
[He turns it up louder]
Kirk:
[louder and firmer]
Excuse me! Would you mind stopping that damn noise?
Punk on bus:
[He flips him off]
Kirk:
[He looks at Spock]
Spock:
[He gives the punk the Vulcan neck-pinch, followed by the delighted applause of the grateful bus passengers]
See more »
Crazy Credits
The ending credits play on top of photos and clips from the film. See more »
Alternate Versions
The German theatrical version contains a short summary of the two previous movies, instead of the challenger-dedication. Later video versions had both the summary and the dedication. See more »
The fourth entry in the "Star Trek" movie series is the most popular and unarguably the best-liked of these entertaining movies. It has a fine variety of scenes, intelligent comedy to leaven the more serious adventures. it is fast paced, beautifully directed by Leonard Nimoy who also plays "Spock". What prevented it from being even better perhaps appreciated is a deliberate attempt by the writers to write short, choppy-sentence dialogue that in some scenes does not work as well as more formally-structured words might have worked. The film is bright, the art direction is very good, the music by Leonard Rosenmann is outstanding. And the story line is one of the best that sci-fi filmmakers have yet devised, in my judgment, because it has everything. As Captain James T. Kirk of the 23rd century starship Enterprise, William Shatner acts with unusual intelligence and even strength to get by. As his half-alien First Officer Spock, just recovering from a traumatic experience that caused him to have to be reeducated from ground zero, Leonard Nimoy is even better. Everyone of Jim Kirk's crewmen, including James Doohan as Engineer Montgomer Scott, De Forest Kelley as CMO Leonard McCoy, Nichelle Nichols as Lt. Uhura of Communications, talented George Takei as Helmsman Sulu, and Walter Koenig as Navigator Pavel Chekhov, have good scenes to perform and do them seamlessly and with professional style. Others in the cast including Brock Peters, Jane Wyatt, Mark Lenard, Grace Lee Whitney, Alen Henteloff, Robert Ellenstein and a relative unknown as the earthwoman who becomes enmeshed in the Enterprise officers' mission,are given telling moments. There are many memorable visual moments, including the departure of a stolen Klingon warbird from the planet Vulcan, the near-wreckage of Starfleet Headquarters, the landing of an invisible vessel in Golden Gate Park, a slingshot run around the sun, a descent from the invisible craft to the ground, scenes around the Alameda Navy Yards, a chase in a hospital and scenes at the cetacean Institute all make themselves hard-to-forget. It is the sheer fun and adventure of the storyline--sending a starship back in time to rescue two hump-backed whales and save the earth from alien destruction--that sets this film apart. Ignored by critics who have nearly always ignored sci-fi achievements, this cinematic attainment set a standard for future sci-fi to which hardly any film's maker has yet approached. The revelation of character could have been deeper, but the relevance of every moment to the plot line could hardly have been bettered. Harve Bennett deserves some of the credit for this script's excellences; so do the special-effects creators, since for once in Hollywood, every such effects serve to further the progress the central character and his helpers are making. This is probably a film to be watched over and over; I wish there were more such adult sci-fi efforts that eschew pretension and present so much intelligent dialogue, acting and intriguing "differences".
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The fourth entry in the "Star Trek" movie series is the most popular and unarguably the best-liked of these entertaining movies. It has a fine variety of scenes, intelligent comedy to leaven the more serious adventures. it is fast paced, beautifully directed by Leonard Nimoy who also plays "Spock". What prevented it from being even better perhaps appreciated is a deliberate attempt by the writers to write short, choppy-sentence dialogue that in some scenes does not work as well as more formally-structured words might have worked. The film is bright, the art direction is very good, the music by Leonard Rosenmann is outstanding. And the story line is one of the best that sci-fi filmmakers have yet devised, in my judgment, because it has everything. As Captain James T. Kirk of the 23rd century starship Enterprise, William Shatner acts with unusual intelligence and even strength to get by. As his half-alien First Officer Spock, just recovering from a traumatic experience that caused him to have to be reeducated from ground zero, Leonard Nimoy is even better. Everyone of Jim Kirk's crewmen, including James Doohan as Engineer Montgomer Scott, De Forest Kelley as CMO Leonard McCoy, Nichelle Nichols as Lt. Uhura of Communications, talented George Takei as Helmsman Sulu, and Walter Koenig as Navigator Pavel Chekhov, have good scenes to perform and do them seamlessly and with professional style. Others in the cast including Brock Peters, Jane Wyatt, Mark Lenard, Grace Lee Whitney, Alen Henteloff, Robert Ellenstein and a relative unknown as the earthwoman who becomes enmeshed in the Enterprise officers' mission,are given telling moments. There are many memorable visual moments, including the departure of a stolen Klingon warbird from the planet Vulcan, the near-wreckage of Starfleet Headquarters, the landing of an invisible vessel in Golden Gate Park, a slingshot run around the sun, a descent from the invisible craft to the ground, scenes around the Alameda Navy Yards, a chase in a hospital and scenes at the cetacean Institute all make themselves hard-to-forget. It is the sheer fun and adventure of the storyline--sending a starship back in time to rescue two hump-backed whales and save the earth from alien destruction--that sets this film apart. Ignored by critics who have nearly always ignored sci-fi achievements, this cinematic attainment set a standard for future sci-fi to which hardly any film's maker has yet approached. The revelation of character could have been deeper, but the relevance of every moment to the plot line could hardly have been bettered. Harve Bennett deserves some of the credit for this script's excellences; so do the special-effects creators, since for once in Hollywood, every such effects serve to further the progress the central character and his helpers are making. This is probably a film to be watched over and over; I wish there were more such adult sci-fi efforts that eschew pretension and present so much intelligent dialogue, acting and intriguing "differences".