The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of ... See full summary »
A group of Devonport-based Royal Navy ratings, due to sail to America for a six-month NATO exercise, go out on the town on their last night in port, hitting Plymouth's notorious Union ... See full summary »
The life and death of the legendary Ludwig van Beethoven. Besides all the work he is known for, the composer once wrote a famous love letter to a nameless beloved, and the movie tries to ... See full summary »
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A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular ... See full summary »
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, Vicious attempts a solo career while in the grip of heroin addiction. One morning, Nancy is found stabbed to death and Sid is arrested for her murder.Written by
Alexander Lum <aj_lum@postoffice. utas.edu. au>
According to Alex Cox, both he and Andrew Schofield did meet with John Lydon before the filming. According to Cox, Lydon noticed that Schofield was, like Cox, a Liverpudlian, rather than a Londoner like Lydon, and encouraged him to play the part as a Scouser rather than a Londoner. Cox took this as a sign that both of them agreed that it would be better to portray a more fictionalized version of the characters rather than a cold re-telling of facts. Cox claims that Lydon drank heavily at these meetings, which may explain why Lydon did not recall them. Cox stated in a book that contrary to Lydon's claims, his meeting with Schofield was not after the film's completion, but rather before Schofield had even been given the part. He was offered the part the next day. See more »
Nancy puts the famous chain and padlock necklace around Sid's neck, as if it was a present from her. In fact, it was not given to him by Nancy, but by Chrissie Hynde, from the band The Pretenders. See more »
This vivid recreation of the last, not quite desperate days of Sex Pistol Sid Vicious and his junkie/lover Nancy Spungen celebrates all the pathetic excesses of punk rock anarchy, but without the overwrought clichés Oliver Stone would later use to embalm kindred rock martyr Jim Morrison. It would be hard to find a more honest and unsettling portrait of show biz degradation, and yet the two lovers shared an almost tender (if self-destructive) affection for each other, conveyed by director Alex Cox with a gritty, forthright lyricism (their silhouetted embrace amidst a hail of garbage provides the film's most telling image). If nothing else, the pair were certainly more loyal to the nihilistic punk aesthetic than their contemporaries, and the film chronicles their slow, co-dependent suicide from the gutters of swinging London to the alleys of New York City, with an ill-conceived detour to Nancy's white-bread Middle America homestead. Gary Oldman brilliantly captures the ignorant anger (and sometimes disarming innocence) of the man described by Sex Pistols manager Malcolm McLaren as a "fabulous disaster", and Chloe Webb is equally fine as the ugly duckling drug addict Nancy.
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