Number 5, one of a group of experimental military robots, undergoes a sudden transformation after being struck by lightning. He develops self-awareness, consciousness, and a fear of the reprogramming that awaits him back at the factory. With the help of a young woman, Number 5 tries to evade capture and convince his creator that he has truly become alive.Written by
Jean-Marc Rocher <firstname.lastname@example.org>
The house, used as Stephanie's house, still exists, and is located at 197 Hume Avenue, Astoria, Oregon. In November of 2019 it sold for $340,000. See more »
No explanation is given as to how Stephanie and Crosby were able to leave while under arrest in a heavily guarded area. Perhaps they were allowed to leave but that doesn't help explain how they were allowed to take a company van which was stolen in the first place. See more »
Enemy neutralized. Ladies and gentlemen, objective completed.
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The credits are played out over a montage of scenes from the movie, including a pair of scenes that failed to make the final cut. One involves an encounter between Number 5 and a toy robot, the other involves a scene in a scrap yard where a scrapped car that Number 5 is currently sitting in is crushed. See more »
I'm sorry, I can't see why this film has been given such a low rating. This film is wonderfully life-affirming through the character of robot Jonny 5 (the scene where he realises what it means to be alive through crushing a grass hopper is beautifully portrayed), Ally Sheedy brings a bucket load of positive energy to the character of the naive but loving Stephanie, and to top it all there is a subtle but powerful comment on American militarism. There is a real emphasis on quality screen writing here which only comes through on a small ratio of films. The characters could easily have become 2 dimensional stereotypes, but instead given some interesting dialogue and motives (science, military etc). Yes it is cheesy, and I think many people label it as a cheap and tacky 80's movie, but having watched it again recently I think history may well judge it a minor classic.
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