Shanghai Surprise

Back in the 1980s, "Shanghai Surprise" was a notorious stinker...a film EVERYONE seemed to hate. And, with a score of 3.1, it's obvious that even today many people hated the film....and with good reason.

The story is a confusing mess. A missionary girl (??) (Madonna) seeks the help of a ne'er do well (Sean Penn) to locate some jewels or opium (they never seem sure WHICH they are seeking) in China in 1937. All sorts of bad people try to kill them and along the way they take time to have sex (which is quite strange for a missionary who just met this guy).

So why did I hate the film? There were many reasons and the most obvious is Madonna. Her performance mostly consists of her shrieking and whining...to the point where you wonder who, if anyone, would find her character anything other than 100% annoying and hateful. It was much like her poor performance in "Swept Away"...but even worse and more grating. Second, the script was inept....with lots of story elements that simply didn't fit together...such as the missionary girl who boinks the hero AND spends much of the film trying to find opium. What sort of religious mission is this she's running? Our Lady of Perpetual Whining, perhaps?! Third, having the ultimate treasure being opium suggests the 'heroes' want to get rich by selling horribly dangerous drugs...which seems anything other than heroic....and so it's hard to like or care about them. Fourth, the direction was poor and many re-shoots SHOULD have been made (such as any time Madonna opened her mouth). Overall, a painful vanity project with several songs by, of all people, George Harrison! Odd and not enjoyable....just grating.

In 1938 China, a pretty but prim missionary needs to find a hidden stash of smuggled opium (for medicinal purposes!) and attempts to recruit the help of a ratty-looking con-man; his latest get-rich-quick scheme is glow-in-the-dark ties! After an OK opening (without Sean Penn and Madonna), this falls completely apart, weighed down by lethargic attempts at screwball comedy and no chemistry whatsoever between the leads (then a married couple). Based on Tony Kenrick's novel "Faraday's Flowers" (a better title), this failure from George Harrison's HandMade Films must have been a devastating blow to the ex-Beatle, who also executive produced, co-wrote the score and wrote and performed the songs (which are heavy on the camp-Asian allure). Just getting through the picture is a chore, and everything about it seems eternally misjudged. NO STARS from ****

I can't think of a single thing to recommend about this turgid load of old codswallop.

I can't even imagine who they thought this would appeal to.

Madonna can't act the film has zero intrigue, suspense, or involvement. Not a single character is engaging. The entire film can only be compared to a mild migraine that you can't wait to be over.

OK. So someone took an A-list actor and his famous singer/ part time kind of-sort of actress wife and decided that the movie would be carried on the weight of the names alone. Substitute "fiancee" for wife and one has Gigli.

But it is not- it is Shanghai Surprise, possibly the most ill-conceived movie of the 1980's (and yes, I have seen "Hobgoblins.")

This movie has no redeeming qualities whatsoever. Ridiculous plot, painfully bad acting (Madonna as a missionary? She didn't buy it either, so she says her lines in a flat tone which just screams "get me out of this costume and get me my check"), cinematography worthy of an old episode of "Fantasy Island," lame ending.

If, by some chance, you stumble across a copy of this in an unused corner of your local video rental store, call your local hazardous waste disposal hotline- do not rent it.

But do not forget that this horror exists. Some people forgot- and thus "Gigli" was born.

If nothing else this film has heart. I remember years ago all the hype that was injected into this film aimed at adolescent girls (i.e. Madonna fans), with the angle being that they would get to see the then infamous couple of Penn and Madonna frolic on the big silver screen.

Well, it didn't take a rocket scientist to know where this film was headed. Like with all films when the hype exceeds previously good, yet unhyped, films you know something's up.

The story itself isn't bad. It's kind of hackneyed at points, but that's its genre, and for what the film is it works after a fashion. There're only two real problems with this film;

1) Madonna's then acting capabilities. It's not bad for a performer who's more used to singing and dancing, and it's unfair to expect anything more from her, but her acting talent then was what it was; lacking. Let's face it, she's a better singer and dancer than an actress, and this comes from a man who is not one of her fans.

2)The second problem is the actual filming and execution of this film. The storie's there, the acting's there (Madonna not withstanding), and so forth, but there's little in the way of coverage or good cinematography. It's passing. It gets the job done. But the shots are those of a low budget flick. I believe there was a real opportunity to create atmosphere with good camera direction, but the focus of the film wasn't art so much as it was to capitalize on the then Madonna-Penn phenomenon (the film itself was riding the coat tails of Indiana Jones and The High Road to China films).

And that last part is really too bad, because this film could've been much more. At least when I saw it on HBO years ago the print I saw then was clear, corrected, crisp and otherwise very viewable. Today I had a gander at the recently released DVD, and it looks like the owners of the property took an old 16mm broadcast print and had some fly by night tranfer company encode it on a DVD master; complete with a couple of scratches on grainy film stock.

In short, if you didn't like it the first time, then don't bother with the DVD because it's even worse. If you got a spare evening, and your friend loaned you the disk, or it's available at the library, then give it a look, but don't expect too much.