Jonathan Frid portrays a horror novelist who has a recurring nightmare about three figures out of his book who terrorize him and his family and friends during a weekend of fun. Then the ... See full summary »
The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 military dictatorship, including the assasination of Archbishop Oscar Romero. He forms an uneasy alliance with both guerillas in the countryside who want him to get pictures out to the US press, and the right-wing military, who want him to bring them photographs of the rebels. Meanwhile he has to find a way of protecting his Salvadorean girlfriend and getting her out of the country.Written by
Tony Bowden <email@example.com>
Director Oliver Stone admitted in an interview that at the time of production, he had been certain the movie was going to be his last chance, having already made Seizure (1974) and The Hand (1981). See more »
When Richard Boyle is being attacked by the thugs, you can clearly see that the blows do not hit him, yet he reacts as if it were so. See more »
First I'll take your arms, then I'll take your legs! Then I'll take your balls, sounds like a fun game?
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With a touch of the Hunter Thompsons, Oliver Stone created a quality film about reporter Richard Boyle and his troubles in El Salvador during a civil war that breaks out around him.
Compared to other Stone films, I think this is his best, he has managed to take the true story of Boyle and craft it into a film in which you actually care about the on-screen characters, something he lost later on.
The performances are classic; James Woods, he was clearly on edge and it shows, he produces one of his finest to date. Doc would really have been only a fringe character if it wasn't for the fact he was played by James Belushie in fine form, he fits into the role of the degenerate with ease, he begins as somewhat uptight, but slowly dissolves into the seedy culture of Salvador in contrast to Boyle being ostracised by everyone he deals with.
As with most Stone biopics, there is an element of "you weren't there man!" anger as he unleashed another tirade against the US government and military through this film. You can take that as you like, what I found most fascinating about this film is the similarity to Fear and Loathing, right down to the battered red car they make most of the journey in. I found it fascinating that Boyle could live the kind of story that Thompson made his name creating, the two would make a cracking team, should they not die getting the story, just make it up.
If you're undecided on Olly Stone, but haven't seen this film, give it a try before you decide whether he is an overrated paranoid madman or an impassioned filmmaker with a message in there somewhere if you can get past all the shouting.
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