Several shady and shallow people try to profit, one after the other, from a physically deformed teenager whose face looks like a snout of a rodent and who lives hidden in a city garbage dump, alone and miserable.
Lottie Mason is a police vice cop who has just the right looks to be a decoy for the whore-mungers on the streets of Los Angeles. She seems to always be where the action is whether it be ... See full summary »
Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. Supposedly based on a song by Leonard ... See full summary »
One night Nancy Lyon awakes in pain and dies shortly after - poisoned with arsenic. Her family immediately suspects her husband Richard, who left her temporarily the year before because of ... See full summary »
The Prophet has arrived in the ultimate playing ground... Los Angeles. It has taken an innocent childhood game and twisted it into a deadly match of wits, where the only prize is survival. ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A physically deformed and somewhat feral teenager whose face looks like the snout of a rodent lives in solitude and misery in a city dump. Two rednecks come across his lair and kidnap him. They inform the papers about their find in case someone might want to see or interview the "Ratboy". Only Nikki, a bored fired window dresser pretending to be a reporter shows up. She wants to profit off of the child as well, so she calls the cops who arrest the rednecks and she takes the child with her to her flat. She and her two dummy brothers try to think of a way to profit on the boy, but he tends to get easily agitated and depressed and no one wants anything to do with him except possibly hurt him emotionally or even physically.Written by
Sondra Locke was conspicuously absent when longtime boyfriend Clint Eastwood was sworn in as mayor of Carmel on April 8, 1986, citing conflicts with Ratboy (1986)'s production schedule. She'd actually been in Tennessee visiting her mother-in-law on her deathbed, but told journalists a different story because she didn't want to draw attention to the fact that she was still legally married to Gordon Anderson. Margaret Anderson passed away April 24. See more »
During the drive through Hollywood, shots from the driver's side of the car show Hollywood Blvd., but shots from the passenger's side show Sunset Blvd. See more »
"Ratboy" is not a good movie by any means. The freakish protagonist (despite the movie´s theme song) lacks personality. In fact, he´s disgusting in every way. The script is incredibly lame without being funny. As can be expected of a Sondra Locke movie, it is just as bland as her cutesy modern cowboy farces with Clint Eastwood. The plot is all over the place. In spite of all these flaws, though, the film is so unique that it´s fascinating. It pretty much gives the message that monsters do not necessarily have to have a hidden beauty and are best left alone. The plot concerns a reporter named Nicky (Locke) finding a rat-human hybrid named Eugene and adopting him while seeing him as nothing more than a news story that would dramatically improve her career. Her human associates don´t treat him much better. In spite of this, Eugene falls in love with Nicky (which is never particularly sad or funny). She does not love him back but is torn between exploiting him and feeling sorry for him. There are some crime related subplots too and Christopher Hewitt from "Mr. Belvedere" makes some appearances playing (surprise) a snooty British guy. This plot keeps the viewer interested if nothing else but only because it is so weird that anyone would wonder what will happen next. Basically, what´s great about the movie is that people with good sense would never have made it but Locke and company went ahead and made it anyway ! Therefore, "Ratboy" is every bit as punk as the Sex Pistols´ first album. Its audacity is remarkable.
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