Damien the Antichrist, now about to turn thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple - he wants the angelic Carol Anne; but the love of her family and the power of psychic Tangina once again unite, along with an elderly native American, to fight for her life.Written by
The film was at one point to have been filmed in 3D; several scenes such as the appearance of the Beast and the flying chainsaw were filmed to take advantage of the process. See more »
(at around 1h 11 mins) When Steve and Diane back away from the Beast, Steve knocks down a picture frame, but in the following shot of the floor, it's gone. See more »
WHY THE HELL WON'T YOU LEAVE US ALONE?
[Steve is then thrown across the living-room from his armchair]
[in spirit form]
You can't keep her. I am not dead.
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The last shot of the family running after the car forms an initial backdrop for the end credits. See more »
During post production, at least 15 minutes were cut from the film during the final editing stages, and some of the remaining scenes were re-arranged chronologically. Scenes rumored to be cut included: 1. A line mentioning "Dana," (the eldest daughter from the original film) being away at college. 2. A scene involving JoBeth Williams, Craig T. Nelson and a floating toaster oven in their kitchen. 3. A scene in which the "Rev. Kane" appears at the house again and is confronted by "Tangina" right before she is about to leave after visiting "Diane" (Zelda Rubinstein was said to be very upset that this sequence was cut, as she felt it was one of her best scenes). 4. A longer "other side" sequence at the end featuring the family's battle with the Beast. 5. Longer versions of existing scenes featuring additional dialogue. Publicity stills from some of these scenes can be seen at: the fan site: http://www.poltergeistii.poltergeistiii.com/deleted.html See more »
Poltergeist II (1986) was the second film of the Poltergeist Trilogy. With the amount of money the first film made. the studio decided to make another film. The principal players from the Freeling family are here (sans Dominique Dunne, for reasons known) along with an old friend from part one. A new character is added to the mix as well. Poltergeist II is darker than the first one (if you can believe that) but not as brilliant as the first one.
The Freelings have moved away from the remnants of the home. After the horrific events of part one, things can't get any worse (or can they...). An evil entity is following the family on the run. For awhile things are relativity calm. They've set up a new residence (with a family member) but the family has fallen on some pretty hard times. But they're about to get even harder. A dark man has been visiting them hurling religious epitaphs at them. Like a family house guest he doesn't want to leave and is even more bothersome than a Fuller Brush salesman or a religious solicitor. Does this strange figure intended to harm the Freelings or is he a person from the family's past?
A scary sequel. Not bad, if you want to follow the exploits of the Freelings then this movie is for you. Poltergeist II is a worthy sequel. I enjoyed it very much. Followed by the final entry in the Poltergeist trilogy, the ever so dark and (surprisingly frightening) part three.
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