The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple - he wants the angelic Carol Anne; but the love of her family and the power of psychic Tangina once again unite, along with an elderly native American, to fight for her life.Written by
The film was at one point to have been filmed in 3D; several scenes such as the appearance of the Beast and the flying chainsaw were filmed to take advantage of the process. See more »
During the shopping mall scene, where Carol Anne is running to find her mom and brother, you can see where there is plexiglass or glass between Kane and Carol Anne twice. See more »
He's still here. He feels she belongs to him.
I'm not sure, but he's used to getting what he wants.
Taylor, who is he? What is he?
He's a man filled with the demon, lost in a dimension that surrounds our world. This entity believes that his world and ours are the same.
But why doesn't he know he's dead?
Because he isn't.
But how can that be?
Nothing really dies, like when a caterpillar becomes a butterfly. Death only transforms us into another state of being. This man was evil, and his...
[...] See more »
In the credits, the words "Cavern and Mountaintop set materials by Foam-Tec" do not match with the rest of the closing credits. They seem to have been added on later. See more »
During post production, at least 15 minutes were cut from the film during the final editing stages, and some of the remaining scenes were re-arranged chronologically. Scenes rumored to be cut included: 1. A line mentioning "Dana," (the eldest daughter from the original film) being away at college. 2. A scene involving JoBeth Williams, Craig T. Nelson and a floating toaster oven in their kitchen. 3. A scene in which the "Rev. Kane" appears at the house again and is confronted by "Tangina" right before she is about to leave after visiting "Diane" (Zelda Rubinstein was said to be very upset that this sequence was cut, as she felt it was one of her best scenes). 4. A longer "other side" sequence at the end featuring the family's battle with the Beast. 5. Longer versions of existing scenes featuring additional dialogue. Publicity stills from some of these scenes can be seen at: the fan site: http://www.poltergeistii.poltergeistiii.com/deleted.html See more »
In this follow-up to Poltergeist, the Freeling family call on the big Native American fella from One Flew Over the Cuckoo's Nest to help them once again defeat evil malevolent spirits that seem to not like them very much.
As with virtually all sequels this one is inferior to the original. However, the first film wasn't all that great and this one isn't a complete washout either. The story is modified somewhat from the first episode so that now the source of the poltergeist unrest is attributed to the dead followers of a cult leader, as opposed to the dead disturbed by unscrupulous property developers. The change has really only been made so that they can have a sequel to be perfectly honest, however, it does mean that the series is able to introduce the evil Reverend Kane. Kane is probably the best character in the series and his scene where he confronts the Freeling family on their front porch is the scariest and most well-crafted moment in any of the films. Julien Beck is excellent and unforgettable as the skeletal preacher. The rest of the cast play it strictly by numbers, although once again Heather O'Rourke is fab as the little girl. The other daughter is completely written out of this film with no explanation. Although it's a well documented fact that the actress who played her, Dominique Dunne, was murdered shortly after the first film was released, I still don't think it would have trashed her memory to have explained her absence; quite the opposite in fact.
The Poltergeist series was perhaps most famous at the time for its spectacular visual effects and this film is no exception. The demon Kane is a well rendered creation, and there are a number of cool 80's effects throughout. Unfortunately, though, it all ends in a somewhat underwhelming finale where the family enter some vortex or something. I think it would have been better if they had cut back on the special-effects here and simply re-introduced Reverend Kane, as he was much scarier. But I guess having a big effects-laden ending is one of the in-built rules of the Poltergeist movies sadly.
Overall, there's good stuff in this sequel but it's ultimately squandered on a rubbish ending.
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