Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Chris Taylor is a young, naive American who gives up college and volunteers for combat in Vietnam. Upon arrival, he quickly discovers that his presence is quite nonessential, and is considered insignificant to the other soldiers, as he has not fought for as long as the rest of them and felt the effects of combat. Chris has two non-commissioned officers, the ill-tempered and indestructible Staff Sergeant Robert Barnes and the more pleasant and cooperative Sergeant Elias Grodin. A line is drawn between the two NCOs and a number of men in the platoon when an illegal killing occurs during a village raid. As the war continues, Chris himself draws towards psychological meltdown. And as he struggles for survival, he soon realizes he is fighting two battles, the conflict with the enemy and the conflict between the men within his platoon.Written by
In a television interview, Charlie Sheen credited Keith David with saving his life. While shooting in an open-door Huey gunship, the helicopter banked too hard and Sheen was thrown towards - and would have gone through - the open door. David grabbed him and pulled him back in. See more »
Staff Sergeant Barnes and Sergeant Elias use the Colt Model 653 which was not
available until 1973. See more »
[seeing body bags]
Oh, man. Is that what I think it is?
All right, you cheese-dicks, welcome to the Nam. Follow me!
See more »
The 1980s in general and the mid 1980s in particular aren't highly regarded where pop culture is concerned , this is most especially true in cinema where films seemed to be written around their soundtrack in much the same way as Hollywood movies nowadays seem to be written around their special effects . PLATOON is one of the very few films from that period that has an emotional impact , an impact that it still retains while watching it in 2003.
Everyone else seems to have mentioned what makes PLATOON a classic anti-war ( Note it's anti-war , not anti American or anti soldier ) movie along with being a classic movie , so I won't go over old ground except to say THAT death scene is up there with all the other tear jerking scenes from 20th century cinema , don't be ashamed to say you cried
If PLATOON has a flaw it's in its duality , there's the good Sarge/bad Sarge , good officer/bad officer , good white guy/bad white guy , good black guy/bad black boy etc which is maybe a bit clichéd and possibly leads me to believe Stone is making an excuse/reason that the Americans lost in Vietnam because that spent so much fighting each other rather than the VC ( Though I do concede I'm possibly misinterpreting that as an excuse or even a reason since no one will confuse the politics of Stone with the politics of John Wayne ) while Taylor's character comes across as being more of a literary device rather than a real human being , but these are minor flaws
It's a shame to see war films from the last few years devoid of scathing anti-war sentiments like the ones seen here . PLATOON screams at you " War is hell and whatever the rights and wrongs of conflict you need a bloody good reason to wage war . Vietnam wasn't a good enough reason to sacrifice human lives "
166 of 226 people found this review helpful.
Was this review helpful to you?
| Report this