7.7/10
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9 user 11 critic

Pisma myortvogo cheloveka (1986)

The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit ... See full summary »
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Cast

Cast overview:
Rolan Bykov ... The Professor
Iosif Ryklin Iosif Ryklin
Viktor Mikhaylov
Aleksandr Sabinin Aleksandr Sabinin
Nora Gryakalova
Vera Mayorova
Vatslav Dvorzhetsky
Svetlana Smirnova
Nikolai Alkanov Nikolai Alkanov
Vadim Lobanov
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Storyline

The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit still sees somewhere the dim light of a new and better future. The next generation starts the walk towards a new life. Written by Jens Bertheau <bertheau@mi-lab.fh-furtwangen.de>

Plot Summary | Add Synopsis

Genres:

Drama | Sci-Fi

Certificate:

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Details

Country:

Soviet Union

Language:

Russian

Release Date:

September 1986 (Soviet Union) See more »

Also Known As:

Cartas de un hombre muerto See more »

Company Credits

Production Co:

Lenfilm Studio See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

First feature film directed by Konstantin Lopushanskiy. See more »

Quotes

Unknown: We should acknowledge the fact that the whole history of mankind is a story of a slow suicide commited by a living matter that by sheer accident acquired the abilty to think, but that did not know what to do with this fateful capacity. Full stop.
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User Reviews

 
Earth's dying breath

This is a post-apocalyptic movie where a group of Russian intellectuals, living in the airtight vaults of a museum, cling on in the twilight, going slowly mad according to their own pompous wonts.

The movie is unremitting in its depressing depiction of a dead world. I was stuck between turning it off because it was almost sacrilegiously depressing, and remaining because of the sheer cataclysmic beauty. The images are mostly tinted yellow, although some shots are in tints of blue. There is no way this experience is going to allow you the respite of polychromatic images.

There is a body of work that deals with the end of humankind in cinema, but any example I can think of seems completely notional in conception, this one actually felt like a recording of the end of days, as unflinchingly profane as a documentary of viaticums.

I think it's also a tombstone for communism in Russia, suggested as a blind alley, and advocates a return to pre-revolutionary values regarding family and religion. But only in an intensely personal way, as if recounting the death of a close family member. It is more than a warning against nuclear war. In its parodying of ridiculous, pontificating, and obstructive authority, it's an emesis of authoritarian communism, a whole-hearted, wholesale rejection.

As an endnote, there's a dolly-out in the first few minutes of the film that left my jaw on the floor, practically the best shot I've ever seen in cinema, my congratulations to Konstantin Lopushansky and his team.


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