In 1327, an enlightened friar and his young apprentice investigate a series of mysterious deaths at an abbey risking the wrath of a powerful Inquisitor. Television adaptation of Umberto Eco's novel 'The Name of the Rose'.
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Richard C. Sarafian
1327. After a mysterious death in a Benedictine Abbey, the monks are convinced that the apocalypse is coming. With the Abbey to play host to a council on the Franciscan's Order's belief that the Church should rid itself of wealth, William von Baskerville, a respected Franciscan friar, is asked to assist in determining the cause of the untimely death. Alas, more deaths occur as the investigation draws closer to uncovering the secret the Abbey wants hidden, and there is finally no stopping the Holy Inquisition from taking an active hand in the process. William and his young novice must race against time to prove the innocence of the unjustly accused and avoid the wrath of Holy Inquisitor Bernardo Gui.Written by
Rick Munoz <firstname.lastname@example.org>
According to Ron Perlman, Director Jean-Jacques Annaud had purposely not written a lot of the movie's dialogue, in order to more easily secure funding. When they started filming however, he wanted Perlman to talk in all his scenes. Since Salvatore was described as a character who speaks "six languages at once" (among them Latin, Italian, German, English, and French), Perlman got copies of the book in all of those languages. He then composed mixed-language sentences by combining words from Salvatore's sentences from each book. See more »
The secret message on the parchment is exposed three times. The translator heated it to reveal the location of the library, William of Baskerville heated it again when he was in the scriptorium and yet again to show the others the message. When a message is written in lemon juice, heating it will cause it to become exposed because the sugar in the juice is caramelized and thus would not disappear again. See more »
Voice of Adso as an Old Man:
Having reached the end of my poor sinner's life, my hair now white, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I witnessed in my youth, towards the end of the year of our Lord 1327. May God grant me the wisdom and grace to be the faithful chronicler of the happenings that took place in a remote abbey in the dark north of Italy. An abbey whose name it seems, even now, pious and prudent to omit.
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The opening credits read - A palimpsest of Umberto Eco's Novel The Name of the Rose See more »
Certain prints of the movie have the sex scene between Adso and The Girl removed in order to comply with local laws. See more »
The Name of The Rose is a superb film but requires thinking.
A murder mystery set in a monastery in the late middle ages, at a time when the Franciscan order and the Holy Inquisition were at odds, mostly over the extravagances of the Papacy, is a dark and moody film, which matches the period of the story well. Once again Sean Connery takes a difficult role and makes it uniquely his. Fifteen year old Christian Slater is seen in his breakout role. But the real star of the film is the library of the monastery, a labyrinthine building that is many floors high and created with stairways that seem to always lead away from where you want to go. I found the book, frankly tedious. Umberto Eco writes in a style that is very pedantic at times, and just plain confusing at others. But the story translated well to the screen, but you must be willing to exhaust a little brain sweat to get anything out of the story. Be well rested before you watch this one.
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