In 1327, an enlightened friar and his young apprentice investigate a series of mysterious deaths at an abbey risking the wrath of a powerful Inquisitor. Television adaptation of Umberto Eco's novel 'The Name of the Rose'.
1327. After a mysterious death in a Benedictine Abbey, the monks are convinced that the apocalypse is coming. With the Abbey to play host to a council on the Franciscan's Order's belief that the Church should rid itself of wealth, William von Baskerville, a respected Franciscan friar, is asked to assist in determining the cause of the untimely death. Alas, more deaths occur as the investigation draws closer to uncovering the secret the Abbey wants hidden, and there is finally no stopping the Holy Inquisition from taking an active hand in the process. William and his young novice must race against time to prove the innocence of the unjustly accused and avoid the wrath of Holy Inquisitor Bernardo Gui.Written by
Rick Munoz <firstname.lastname@example.org>
From the story perspective, William von Baskerville and Adso of Melk are take-offs of Sherlock Holmes and Dr. Watson. The Hound of the Baskervilles is a well-known Sherlock Holmes story and, particularly in the book, William is presented as master of deductive reasoning from evidence. Meanwhile, Adso is his ignorant sidekick who writes down the stories. See more »
While William and Adso go to the library through the secret passageway at night, the establishing shot outside of the library shows the building in daylight. See more »
Voice of Adso as an Old Man:
Having reached the end of my poor sinner's life, my hair now white, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I witnessed in my youth, towards the end of the year of our Lord 1327. May God grant me the wisdom and grace to be the faithful chronicler of the happenings that took place in a remote abbey in the dark north of Italy. An abbey whose name it seems, even now, pious and prudent to omit.
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The opening credits read - A palimpsest of Umberto Eco's Novel The Name of the Rose See more »
Certain prints of the movie have the sex scene between Adso and The Girl removed in order to comply with local laws. See more »
"The step between ecstatic vision and sinful frenzy is all too brief."
The film opens in 1327, with a Franciscan monk and his young novice arriving to a remote abbey in the dark north of Italy to participate in a crucial debate between the emissaries of Pope John XXII and leaders of the Franciscan order, to decide whether the church should take vows of poverty or wealth...
After a series of murdersattributed to the presence of a supernatural force that are taking place within the cold walls of the godforsaken battlement, Brother William of Baskerville (Connery) ends up undertaking an investigation to solve the secrets surrounding these unexplainable crimes All of them bearing blackened fingers and blackened tongues
What follows, brings William face to face with Bernardo Gui (F. Murray Abraham), the sadistic Grand inquisitorappointed by the Pope to hunt down and free the Church of hereticswho sees the abbey enshrouded in a terrifying mystery and the devil roaming behind every foul deed Gui burns every last suspected devil-worshipper in the village, forcing Baskerville to uncover the truth before innocent blood is shed
As always, Connery lends dignity, intelligence as the acute and prudent monk who has knowledge, both of the human spirit and the wiles of the evil one Connery plays his role with gusto
Newcomer Christian Slater plays Connery's faithful sidekick, Adso, the youngest son of the Baron of Melk who sure does like to watch his master at work One nightexpressing fear and confusion he gets feminine carnal delights from a peasant girl, 'a creature that rose like the dawn, was bewitching as the moon, radiant as the sun, terrible as an army poised for battle '
For a moment, Ron Perlman steals the show as the heretical hunchbacked monk named Salvatore who is ugly yet phenomenal His scenes with Abraham are stirring
"The Name of the Rose" is atmospheric, but disturbing at many levels Some might say, contradictory, leaving plenty of twists and turns unresolved and unexplained, but the film was a smash hit in Europe Annaud succeeds in capturing the claustrophobia and panic of being truly lost in the menacing, creepy Dark Ages
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