The Name of the Rose

Annaud's adaptation of Eco's novel looks authentic on screen. The raw sets have an unpolished Gothic look, the location is quite 'dirty', the costumes look genuine...all of it adds to the realness. Speaking of sets, I loved how the labyrinth was created. It looks so dense, complex and claustrophobic. It was one of the most enjoyable sequences of the film. The camera-work, which is very good overall, is exceptional here. The empty Italian landscape contributes to the isolation of the little village. The lighting is used in such a way as to stress on the gloominess. Moreover, the viewer can sense a tense chilling atmosphere that hangs in the air as William and his student try to solve the mystery. Each of the characters have a distinct look which only adds to the mystery element.

Though the story does involve intricate historical details, it is basically a whodunnit. As the story proceeds, the mystery gets more complex and also proves to be more dangerous for our heroes, William and Adso. Yet, the details that are unraveled after each murder only draws the viewer further into the story.

Connery is in great form as William. He pulls it off with ease. A teenage Christian Slater correctly portrays the innocence and naivety of Adso. F. Murray Abraham is commendable in a small role. Of the supporting cast, Ron Perlman stands out as the insane Salvatore.

'Der Name Der Rose' is a suspenseful murder mystery and what makes this one different from others is its treatment, presentation and layers.