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Life Is a Dream (1986)

Mémoire des apparences (original title)
Not Rated | | Drama, Fantasy | 6 January 1988 (USA)
A baroque mix of revolutionary politics, pop culture and semiotics loosely based on the play by Pedro Calderón de la Barca. A young prince learns that life is just a dream from which we ... See full summary »

Director:

Raoul Ruiz

Writers:

Raoul Ruiz (screenplay), Pedro Calderón de la Barca (play) | 1 more credit »
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Director: Raoul Ruiz
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Cast

Cast overview:
Sylvain Thirolle Sylvain Thirolle ... Ignacio Vega
Roch Leibovici Roch Leibovici
Bénédicte Sire Bénédicte Sire ... Astrea
Laurence Cortadellas Laurence Cortadellas
Jean-Bernard Guillard Jean-Bernard Guillard ... Prince Segismundo
Jean-Pierre Agazar Jean-Pierre Agazar
Alain Halle-Halle Alain Halle-Halle
Jean-François Lapalus Jean-François Lapalus
Alain Rimoux Alain Rimoux
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Storyline

A baroque mix of revolutionary politics, pop culture and semiotics loosely based on the play by Pedro Calderón de la Barca. A young prince learns that life is just a dream from which we wake when we die. And that dreams may be as real as life. Written by International Film Circuit <ifcplanet@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy

Certificate:

Not Rated
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Details

Official Sites:

International Film Circuit

Country:

France

Language:

French

Release Date:

6 January 1988 (USA) See more »

Also Known As:

Life Is a Dream See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono
See full technical specs »
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Connections

Featured in Exiles: Raoul Ruiz: Chilean Film Director (1988) See more »

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User Reviews

 
An inventive exercise in semiotics
26 May 2009 | by timmy_501See all my reviews

Life is a Dream is the name of a 17th century play by Calderon de la Barca. Whiler there are scenes from this play in Raoul Ruiz's film it is not actually an adaptation of the play. The film begins by explaining that Ignacio Vega memorized the play and then later used it as a mnemonic device to help him remember the names of (and other important information about) 15,000 members of a political group. Later Vega was captured and he forced himself to forget both the play and the coded information he had memorized.

As the story begins Vega has returned to his hometown where he has been asked to remember the forgotten information. His efforts to do so are in vain until he happens to go to the movie theater he frequented as a child. Coincidentally, that theater is playing the exact same movies it had played twenty years earlier and somehow seeing these movies again also causes him to slowly remember the play. From this point on Ruiz's film switches between the films Vega is watching in the theater (all of which were created by Ruiz as pastiches of various genre movies), his day to day life including his experiences at the theater and with his political allies, and scenes from the play he is slowly remembering. This being a Ruiz film these three things are in no way separate from one another: sometimes Vega sees himself and his fellow moviegoers in the films he watches and sometimes the action of the films spills into the theater; eventually the same begins to happen with the play.

Ruiz's characteristic visual inventiveness is utilized to great effect in Life is a Dream. This is very much in the same vein as his other 80's work so there are many monochromatic scenes and odd juxtapositions of characters and backgrounds. Ruiz also uses this film to express some of the ideas he had recently gleaned from his academic career. The main idea here is that the subconscious mind maintains its equilibrium by creating associations between experiences and sometimes those associations are obscure while other times they are oddly coherent and appropriate. Ruiz was evidently especially interested in the study of semiotics at this time and this film is a logical result of that interest.

Life is a Dream is very often hard to follow but as usual for Ruiz the film isn't really about plot details but rather about imagery and ideas. These are so successful so often that it's easy to forgive the less successful segments of the film. If approached with the right attitude this should be a thought provoking and diverting viewing experience.


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