Considered too dangerous to be on the force, ex-cop Mickey McCardle is tormented by the brutal murder of his partner. When a serial killer begins to stalk the streets of New York, McCardle ... See full summary »
J. Christian Ingvordsen,
J. Christian Ingvordsen,
A hitchhiker named Martel Gordone gets in a fight with two bikers over a prostitute, and one of the bikers is killed. Gordone is arrested and sent to prison, where he joins the prison's ... See full summary »
Leon Isaac Kennedy,
Wilbur 'Hi-Fi' White,
Thomas M. Pollard
Apprentice lawyer Robin Weathers turns a civil suit into a headline grabbing charade. He must re-examine his scruples after his shenanigans win him a promotion in his firm, and he must now ... See full summary »
The original ad campaign prominently featured a Rolls-Royce in it, but had to be changed after the Rolls-Royce company threatened to sue on the grounds of copyright infringement. See more »
When Casey stops the car so Cat Fight can get the panties from the "blue woman with the blue dog" it's broad daylight, even when Cat Fight and his girls get back in the car. When they drive away, it's completely dark. See more »
Rise and shine.
[Popping up from under covers]
Take off your clothes and get into bed.
See more »
The lovely lady was one of the brightest stars of the 1980s, bringing an irresistible presence to such other favourites as "Valley Girl", "April Fool's Day", and "Waxwork". Here she shines as Casey Meadows, a kooky free spirit hired by a limousine company. Unfortunately, she's not welcomed with open arms as the place is staffed almost exclusively by miserable, stuffy chauvinists. They do everything that they can to discourage her, including giving her the problem clients, such as an outrageous rock star. However, Casey finds that her most problematic client will be Battle (Sam Jones of the 1980 "Flash Gordon" movie), whose identity is going to come as a surprise to her. "My Chauffeur" is certainly very likable stuff. It goes far on the charms of Foreman, and while it gets very silly at times, it's nice that writer / director David Beaird gives it such a screwy quality, while toning down the kind of raunchiness to be found in many other comedies of the period. (That said, it's still an utter riot to see a drunken Jones run around nearly naked!) Among the memorable sequences are the extended episode with Penn & Teller (making their feature film debut) as Teller plays a sheik and Penn a fast talking con man, and the episode where the nutty rock singer Catfight (Leland Crooke) robs a "blue lady" (Diana Bellamy) of her panties as part of an ongoing game with his background singers. And Casey and Battle bicker a lot on their way to falling in love. The movie is very much of its time, with a catchy pop soundtrack as accompaniment. The supporting cast is very solid, with Howard Hesseman, Julius Harris, Laurie Main, and John O'Leary as some of the sour old chauvinist pigs; veterans Sean McClory, as O'Brien, and E.G. Marshall, as Witherspoon, are particularly endearing and effective. The pacing drags in places, but overall this is a very hard movie not to like, creating some good vibes for a pleasant enough 98 minutes. Seven out of 10.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this