7.2/10
313
7 user 1 critic

La mitad del cielo (1986)

Rosa is an cantabrian woman who travel to Madrid after the Civil War. With the help of Don Pedro, a chief supplies, she opens a restaurant that transforms in a political and intelectual center.
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Cast

Cast overview, first billed only:
Ángela Molina ... Rosa
Margarita Lozano ... Abuela
Fernando Fernán Gómez ... Don Pedro
Antonio Valero ... Juan
Nacho Martínez ... Delgado
Santiago Ramos ... Antonio
Carolina Silva Carolina Silva ... Olvido
Francisco Merino ... Ramiro
Enriqueta Carballeira ... Hermana de Rosa
Julia Martínez ... Cuñada de Don Pedro (as Julita Martínez)
Mercedes Lezcano Mercedes Lezcano ... Hermana de Rosa
Concha Leza Concha Leza ... Cuñada de Don Pedro
Mónica Molina Mónica Molina ... Rosa (joven)
Raúl Fraire ... Padre de Rosa
Concha Hidalgo ... Madre de Rosa
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Storyline

Rosa is an cantabrian woman who travel to Madrid after the Civil War. With the help of Don Pedro, a chief supplies, she opens a restaurant that transforms in a political and intelectual center.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Spain

Language:

Spanish

Release Date:

10 October 1986 (Spain) See more »

Also Known As:

Half of Heaven See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color
See full technical specs »
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Connections

References West Side Story (1961) See more »

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User Reviews

 
Atmospheric intimistic piece
14 February 2004 | by khatcher-2See all my reviews

Nicely cradled in José Luis Alcaine's tender and mood-setting photography, combining so tastefully with music mostly by Milladoiro, modern-day Galician troubadours, `La Mitad del Cielo' (one of Mao Tsé Tung's snippets, maybe?) is an enchanting if sometimes slightly long-winded story set in the beautiful valley of Pas, Santander, and in Madrid, between the late fifties and the early part of the sixties.

Angela Molina carries out an acceptable performance, mostly enhanced by Alcaine's clever use of light and camera-work so as to bring out her haunting look so frequently in this film. Ably backed up by some actors who were to become well-known a little later, such as Santiago Ramos (Como un Relámpago, qv), she survives fairly well. But both Margarita Lozano and Fernán Gómez tower above her with really fine performances. Personally I prefer to listen to her father Antonio Molina who was a great singer of fine Spanish songs, and who, like other singers of the times, appeared in numerous films of doubtful parentage in the 50s and 60s.

A leisurely approach is adopted in the telling of the story as Rosa grows up in the beautiful valley, marries a travelling knife-sharpener, and later gets employed as a wet-nurse in Madrid. Sociological and political aspects of the times form a back-cloth without being obtrusive but to useful effect. However I do feel that a goodly part of the last 15-20 minutes or so were unnecessary. Indeed I have noted a 90 minute version of this film, which would seem to suggest somebody has cut out some of the superfluous scenes, which, generally, would be dead against my principles with almost any film.

However, do not misunderstand me: I would see this film again as it has many sensitive scenes skillfully handled.

Slightly above seven out of ten on my scale.


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