David Merrill (Robert De Niro), a fictitious 1950s Hollywood Director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
During the era of Prohibition in the United States, Federal Agent Eliot Ness sets out to stop ruthless Chicago gangster Al Capone and, because of rampant corruption, assembles a small, hand-picked team to help him.
Brian De Palma
Robert De Niro
Jeremy Irons plays a Spanish Jesuit who goes into the South American wilderness to build a mission in the hope of converting the Indians of the region. Robert DeNiro plays a slave hunter who is converted and joins Irons in his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.Written by
Deep in the jungles of South America two men bring civilization to a native tribe. Now, after years of struggle together, they find themselves on opposite sides in a dramatic fight for the natives' independence. One will trust in the power of prayer. One will believe in the might of the sword.
The character of Father Gabriel, played by Jeremy Irons, was loosely based on Jesuit and Paraguayan Saint Roque González de Santa Cruz. See more »
The movie uses the Spanish honorific "Don" as a translation of the English "Lord" or "Mister", leading to Cabeza being repeatedly addressed as "Don Cabeza". "Cabeza" is a surname and "Don" is used only before a first name. The correct Spanish equivalent would be "Señor Cabeza". See more »
Your Holiness, the little matter that brought me here to the furthest edge of your light on Earth is now settled. The Indians are once more free to be enslaved by the Spanish and Portuguese settlers. I don't think that's hitting the right note. Begin again... Your Holiness, I write to you in this year of Our Lord 1758 from the southern continent of the Americas, from the town of Asunción, in the Province of La Plata, two weeks march from the great mission of San Miguel. These ...
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At the film's very end, after the final credits, Altimarano gives the audience an ambiguous, almost accusing look, as if he were asking it, "Would you or would you not have done this?" See more »
I found myself emotionally devastated after seeing this film the first time. The film packs a punch in its contrast between the beauty of nature and human self-sacrifice on the one hand and the depths of human self-interest and ruthlessness on the other. Its theme is as relevant today as it was in the 1600s - what are the consequences of my actions, and what price must be paid by me and by others as a result? The film depicts several characters with whose choices the viewer can identify - the missionary, the repentant killer, the papal legate - and gives no easy answers to the choices that confront them. But the fact that there are no easy answers doesn't let them off the hook. In the end, they all have to take responsibility for what they do or fail to do.
The magnificent visuals of the Iguassu Falls and the moving score by Morricone (surely his best) all contribute to an unforgettable picture.
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