Lady M. wades every morning through the sea in order to heal her pain. But she is not what she pretends to be: Together with her partner Pompilius she finances her luxurious life by fraud ... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing ... See full summary »
Beauvoir, lonely, aging private detective, is put on the bloody track of beautiful Catherine Leiris who kills and robs her rich husband(s) on their wedding night. Although he never ... See full summary »
Sickened to see his students always sleeping in class, a teacher with a colleague and an anarchist start a war against the television. They climbed on Paris roofs to coat the T.V. antennas ... See full summary »
Left heartbroken by the death of his beloved wife, a rich banker tries to commit suicide. When he learns from his former maid that his wife was unfaithful he fakes his own death and comes back under a new identity
Jean-Paul Le Chanois
Auntie Danielle, supposedly in ailing health but in reality just a nasty old bitch, lives with a paid housekeeper who she regularly abuses. When the housekeeper dies falling off a ladder, ... See full summary »
Here's one of Mocky stabs at religion and a good one too! Not that it's the first time he tackles the subject (remember Un Drôle de Paroissien in the 1960's) but this time he's really angry about it. His target: Lourdes and all the business and the money that's made out of people's credulity; the "religion shops" where you can buy plastic Jesuses and Holy Marys... He's greatly helped by a duo of actors on top of their game: Jean Poirte and Michel Serrault, both of which have made numerous other films with this director. And Jeanne Moreau, in one of her rare outrageous comedy roles. Very spiky dialogues, the usual Mocky freewheeling liberating feel about it all, and you get one of his most coherent and enjoyable films. One not to miss, and which (delightfully) shocked me as a kid...
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