A young boy's life in turn-of-the-century France. Marcel, witnesses the success of his teacher father, as well as the success of his arrogant Uncle Jules. Marcel and family spend their ... See full summary »
Every holiday Marcel and his family go to their cottage in the Provence (France). He likes the hills in this region. Before they arrive at the cottage they have to walk about 5 miles. With ... See full summary »
In 1999, Claire's life is forever changed after she survives a car crash. She rescues Sam and starts traveling around the world with him. Writer Eugene follows them and writes their story, as a way of recording dreams is being invented.
After being thrown out of her house, Maria encounters a married woman who complains of not having children. Maria ends up in an abandoned house, where she meets Matthew. When a baby is kidnapped Maria sets out to find the woman.
Two tapes, two Parisian mob killers, one corrupt policeman, an opera fan, a teenage thief, and the coolest philosopher ever filmed. All these characters twist their way through an intricate and stylish French language thriller.
In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She determines to take revenge upon the men responsible for the death of her father in the first film.Written by
Martin Urch c/o <email@example.com>
Yves Montand was raised in the area where the story takes place and had been a friend of Marcel Pagnol. Nevertheless he rejected the role when it was first offered. Montand was ultimately persuaded to take his role by wife Simone Signoret, who died during production. See more »
When Cesar lies 'apparently' dead, a woman enters the room, opens the drapes then checks Cesar. She blesses herself, then there's a zoom in on Cesar's hand wrapped in a rosary. His 'ring' finger twitches a few times until the zoom in stops. Appears to go to still frame thereafter. See more »
[dialog in French, lines from English subtitles]
Next time I won't pay this much. The competition from Italy is ruining me.
This barely pays for the fertilizer for the flowers. Next year we'll grow chickpeas.
I'll miss our aperitifs together.
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This is my favourite French movie of all time. The cycle of life and death, as symbolized at the wedding at the end while one of the characters visits the cemetary, is so poetically portrayed in this movie. Nobody is crudely and simply drawn here--you understand motivation, human nature, and the capacity for both good and evil that exists in all of us. The film would also be an excellent travelogue of Provence, and its slow, deliberate pacing enables you to envelop yourself in a story that unveils itself in its own sweet time. Even though Daniel Auteil's character was supposed to be evil, his love for Manon was so heartbreakingly portrayed you couldn't help but feel for him. And of course what can be said about Yves Montand--he can say more with one raised eyebrow on that great wrinkled face than Bruce Willis can mumble in an entire movie...the highest recommendation for both Jean de Florette and Manon of the Spring
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