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Manhunter (1986)

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Former FBI profiler Will Graham returns to service to pursue a deranged serial murderer named "the Tooth Fairy" by the media.

Director:

Michael Mann

Writers:

Thomas Harris (based on the book "Red Dragon" by), Michael Mann (screenplay by)
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Popularity
2,072 ( 355)
1 win & 1 nomination. See more awards »

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Stars: William Petersen, Willem Dafoe, John Pankow
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Cast

Cast overview, first billed only:
William Petersen ... Will Graham
Kim Greist ... Molly Graham
Joan Allen ... Reba McClane
Brian Cox ... Dr. Hannibal Lecktor
Dennis Farina ... Jack Crawford
Tom Noonan ... Francis Dollarhyde
Stephen Lang ... Freddy Lounds
David Seaman David Seaman ... Kevin Graham
Benjamin Hendrickson ... Dr. Frederick Chilton
Michael Talbott ... Geehan
Dan Butler ... Jimmy Price (as Dan E. Butler)
Michele Shay Michele Shay ... Beverly Katz
Robin Moseley Robin Moseley ... Sarah
Paul Perri ... Dr. Sidney Bloom
Patricia Charbonneau ... Mrs. Sherman
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Storyline

Will Graham is a former FBI agent who recently retired to Florida with his wife Molly and their young son. Graham was a 'profiler'; one who profiles criminal's behavior and tries to put his mind into the minds of criminals to examine their thoughts while visiting crime scenes. Will is called out of his self-imposed retirement at the request of his former boss Jack Crawford to help the FBI catch an elusive serial killer, known to the press as the 'Tooth Fairy', who randomly kills whole families in their houses during nights of the full moon and leaves bite marks on his victims. To try to search for clues to get into the mind of the killer, Will has occasional meetings with Dr. Hannibal Lecktor, a charismatic but very dangerous imprisoned serial killer that Will captured years earlier which nearly drove him insane from the horrific encounter that nearly cost Will's life. With some help and hindrance, Will races against the clock before the next full moon when the 'Tooth Fairy' will ... Written by matt-282

Plot Summary | Plot Synopsis

Taglines:

Will Graham Has The Mind Of A Psychopath - Thank God He's On The Right Side Of The Law See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

15 August 1986 (USA) See more »

Also Known As:

Red Dragon See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$2,204,400, 17 August 1986, Wide Release

Gross USA:

$8,620,929
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (video)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The translation of the film's French title is "The Sixth Sense". See more »

Goofs

The pulse dialing telephones, such as the one given to Lecktor in his cell, had the ability to dial a number even without the rotary dial. All Lecktor needed to do is tap the digits of a telephone number on the switch hook to establish connection. While Lecktor in 'Manhunter' seems unaware of that fact, Lecter in 'Red Dragon' uses this method to dial the number he needs. See more »

Quotes

[first lines]
Jack Crawford: We should have talked at the boatyard. You don't wanna talk about it here.
Will Graham: I'm not fallin' all over myself to talk about much anywhere, Jack.
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Soundtracks

FREEZE
Performed by Klaus Schulze
Courtesy of METRONOME MUSIC GMBH, WEST GERMANY
Written by Klaus Schulze
Published by P.O.E.M. MUSIKVERLAG
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Frequently Asked Questions

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User Reviews

 
What? No Tattoos?!
14 October 2002 | by billymac72See all my reviews

I'm starting to think that I may be one of the only people who saw this film when it was originally theatrically released! Years after that, as a freshman in college, I was managing a video store when a woman came in looking for the recently released `Silence of the Lambs.' She said she knew William Petersen from childhood and told me that he was in THE first Hannibal the Cannibal movie. Having not read the novel or seen the movie for a while, I never related the two before that. But I specifically remembered `Manhunter' for its creepy killer, spectacular use of Iron Butterfly, and the strange & frightening notion (for then) of FBI profiling. These three details alone speak volumes for the film's acting, style and writing. The irony of forcing oneself to share the same maniacal thoughts as a killer in order to catch them is the stuff of nightmares. Since reconnecting with `Manhunter' back then, I've remained a constant fan of the film.

But the film suffers today in several ways. First off, any comparison to `Silence of the Lambs' is going to come up short. `Silence' is simply a better film – a classic of the highest caliber that will continue to sustain itself with the passage of time. Those already acquainted with Jonathan Demme's world will probably have a hard time accepting `Manhunter.' But audiences should judge the film on its own merits, and recognize that unlike `Red Dragon' it was not designed to resemble an established world of a classic movie – which is both a curse and an advantage for both films. I recently saw `Red Dragon,' by the way, and loved it. Walking out, I found myself asking whether I liked it better than `Manhunter.' These comparisons can get very silly because not only am I basing my impressions on a book, but also a previously filmed version and a closely related `sequel.' Best method: let each stand alone, THEN decide if either was successful. Both films succeed for similar and different reasons.

The approach of `Manhunter' is much more cold and observational than `Red Dragon.' This style (often concerned with widely symmetrical composition), like Kubrick's, can greatly benefit the story if used properly. I really liked it here. The neatness and sterility of the 80s décor also works perfectly in this format, providing a nice contrast to the horrors sometimes contained within its walls.

As for the music, it has not aged well. The synthesized stuff in the first hour is effective at times (especially when it's just a single, sustained note a la John Carpenter, or those bits that sound like `Blade Runner'), and the inclusion of In-a-Gadda-da-Vida is inspired, but the electronic balladry during Dolarhyde's romance is simply awful and detract from the scenes. Obviously, the danger of using such modern music is that it can become outdated and cheesy very quick. Is it just me, or does this especially seem true of 80s music? Given Michael Mann's career, he clearly wouldn't agree. I guess one never knows. The Tangerine Dream score for `Risky Business' or Phillip Glass' for `Thin Blue Line,' for example, still hold up remarkably well from this period.

The performances, however, are still wonderful. Petersen (whom I've heard didn't like the job he did) reaches just the right blend of seeming haunted, detached, morose, and as Dolarhyde describes him, purposeful. Dennis Farina, himself a former Chicago cop, exudes realistic authority as Jack Crawford. Tom Noonan obtains a disturbing childlike innocence and deliberation in his terror. And Brian Cox…poor guy, will always be compared to Anthony Hopkins. It's unfair because he gives us a Lecter that is different, to be sure, but intelligent in a way that, to me, is more realistic, intriguing and ultimately frightening. Hopkins' Hannibal is so supremely horrible that he's practically supernatural at this point, not unlike Dracula or the Wolfman. I enjoy all of that too, but just on a different level.

8/10


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