Lady Jane (1986)

The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a ... See full summary »

Director:

Trevor Nunn

Writers:

Chris Bryant (story), David Edgar

Stars:

Helena Bonham Carter, Cary Elwes, John Wood

Cast

Cast overview, first billed only:
Helena Bonham Carter	...	Lady Jane Grey
Cary Elwes	...	Guilford Dudley
John Wood	...	John Dudley, Duke of Nothumberland
Michael Hordern	...	Dr. Feckenham
Jill Bennett	...	Mrs. Ellen
Jane Lapotaire	...	Princess Mary
Sara Kestelman	...	Frances Grey, Duchess of Suffolk
Patrick Stewart	...	Henry Grey, Duke of Suffolk
Warren Saire	...	King Edward VI
Joss Ackland	...	Sir John Bridges
Ian Hogg	...	Sir John Gates
Lee Montague	...	Renard, the Spanish Ambassador
Richard Vernon	...	The Marquess of Winchester
David Waller	...	Archbishop Cranmer
Richard Johnson	...	The Earl of Arundel

Storyline

The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a scheming minister John Dudley marries off his son, Guildford to Lady Jane Grey, whom he places on the throne after Edward dies. At first hostile to each other, Guildford and Jane fall in love. But they cannot withstand the course of power which will lead to their ultimate downfall.

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Plot Keywords:

decapitation | horse drawn carriage | female nudity | starvation | brothel | 

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Taglines:

Together they ruled England for 9 days.

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Genres:

Biography | Drama | History | Romance

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Certificate:

PG-13

Details

Country:

UK

Language:

English Spanish

Release Date:

7 February 1986 (USA)

Also Known As:

La joven reina

Filming Locations:

Compton Wynyates, Warwickshire, England, UK

Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend USA:

$55,964, 9 February 1986, Limited Release

Gross USA:

$277,646

Company Credits

Production Co:

Capital Equipment Leasing, Paramount Pictures

Technical Specs

Runtime:

136 min

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This movie portrayed Jane as a dark eyed, dark haired girl when in actuality, Lady Jane Grey was very fair, with blonde hair and light eyes. She was described as very pleasant looking, except for her freckles, which were considered unbecoming on a young lady at the time.

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Goofs

Though Wyatt's Rebellion was a real plot, its purpose was not to put Jane back on the throne, its purpose was to put her cousin, Elizabeth, on the throne.

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Quotes

Guilford: On the night I was informed I was to be transformed into---untold bliss---I had attended several taverns, witnessed a bear-baiting and was actually located in the Suffolk stews, sampling the pleasures of a lady of the night.

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Connections

Referenced in As You Wish: The Story of 'The Princess Bride' (2001)

User Reviews

God is in the details

It's difficult to know how to take a film that begins with a history lesson (to the self-important sound of a beating drum, no less) and ends with a quote from Plato. Between the two is a narrative that wants to be both a conventional love story and an unconventional period film. It doesn't quite succeed at either, but for viewers of LADY JANE, the pleasure is in the details, and there are plenty of those.

To first dispense with the glaring historical inaccuracy that lies at the film's center, Lady Jane Grey, the Nine-Day Queen of England in 1553, did not in truth have a passionate love match in her husband, Guilford Dudley. Theirs was an arranged marriage, highly political in nature and masterminded by Dudley's ambitious father, the Duke of Northumberland. In reality, Jane resented and distrusted her husband, who was a spoiled and rather empty-headed young man with none of the high intellectual achievement so prominent in Jane.

For the second dispensation, Helena Bonham Carter, who plays Jane, is still unskilled at acting in this, her first role. She can furrow her brow with admirable dexterity to denote every emotion from confusion to embarrassment to sexual fulfillment, but there's little evidence of much going on behind, in the furrows of an actor's brain. However, since those afore-mentioned details surround her, it becomes fairly easy for a more demanding audience to overlook her callowness.

Now for the details, beginning with everyone else in the cast. Has John Wood ever utilised his supercilious half-smile to better advantage? As Northumberland, he's perfect - driven by the need to consolidate his power when Jane's cousin Edward VI falls into a fatal illness, he conceives a scheme that will require relentless control over nearly everyone at court. While his fellow ministers, all burly toughs, inevitably knuckle under to his combination of silken flattery and outright threats, he's thwarted by two seemingly weak women - Jane and Mary Tudor (played with real grit and bitterness by Jane Lapotaire). It's a tossup whether Wood is better at the threats or at two points of emotional breakdown - one, when he must cast the die and order the agonising prolongation of Edward's death to complete his plans, or when, mud-pelted and dishevelled following his defeat by Mary's army, he ends up in the Tower, where all he can offer to his sons and followers is a weary, `I'm sorry.' It's the rare film where Wood's comic instincts don't get the better of his serious performance - this is one of them.

As Jane's equally controlling parents, Patrick Stewart and Sara Kestelman are almost as good. Stewart's character, the Duke of Suffolk, isn't a bright man, but his pursuit of his ambitions never quite overrides his notion of family honor, and this keeps him sympathetic, as all the supposed villains of the film remain. That's another of the details that deserves cherishing - the refusal to go for simplistic characters. Stewart is especially good when he throws all caution to the wind and raises an army to rescue his daughter, overriding even the objections of his formidable wife.

Other details are in the costuming, the suitably squalid tavern and brothel scenes, the bit where the aristocratic Kestelman chows down on her dinner, gnawing on a greasy chop and wiping her mouth with her sleeve, and the achingly beautiful winter deer hunt that runs under the opening credits. All this and more make up for a downbeat ending and a central failure to come up with a satisfying examination of that most enigmatic of queens, Lady Jane Grey.