This movie features a character who is a descendant of the character played by Steve McQueen in the television series of the same name. And like McQueen's Josh Randall, Hauer's Nick Randall... See full summary »
A young man transporting a car to another state is stalked along the road by a cunning and relentless serial killer who eventually frames the driver for a string of murders. Chased by police and shadowed by the killer, the driver's only help comes from a truck stop waitress.Written by
Keith Loh <email@example.com>
Fox ultimately rejected the project over the budget and saw it as a "straight-out horror movie". David Madden also admitted that he would have "argued to soften the movie. There were some people at the studio who thought it was pretty gross". Ed Feldman and Charles Meeker optioned the film themselves, paying Eric Red $25,000. Major studios like Universal Pictures and Warner Bros. passed on it, as did smaller ones like Orion Pictures and New World Pictures. Many executives liked the script but balked at the girl being ripped apart scene. At least two studios were willing to consider making it but only if Robert Harmon was replaced. However, the film's producers had faith in their director and stuck by Harmon. See more »
When State Trooper Ed and Captain Esteridge escort Jim to the Semi, the police are talking nervously without stopping. However you can hear the English "Hold-your-fire" in almost audio tracks of almost every language, such as French, German, Italian, Spanish. This is because the maker forgot to treat it as audio rather than environment noise. See more »
Murder Spree Road Flick. Contains many fairly stupid moments ("plot holes") and yet remains gripping throughout its length. Graphic, stunning violence; be warned.
Howell is slightly vapid yet pretty and his relations with Rutger Hauer verge on the homo-erotic. Hauer is a near-perfect villain, demonstrating the steely resolve and psychological impenetrability that have made him a favorite "bad guy" in other films.
A great movie for the paranoid who wish to feed their fantasies. Owes something to Spielberg's "Duel" but remains its own film. Relatively spare visual style well-suited to the theme. Recommended, but not for the faint of heart.
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