The Hitcher (1986)

A young man who escapes the clutches of a murderous hitch-hiker is subsequently stalked by the hitcher and framed for his crimes.

Director:

Robert Harmon

Writer:

Eric Red

Stars:

Rutger Hauer, C. Thomas Howell, Jennifer Jason Leigh

3 wins.

Cast

Complete credited cast:
Rutger Hauer	...	John Ryder
C. Thomas Howell	...	Jim Halsey
Jennifer Jason Leigh	...	Nash
Jeffrey DeMunn	...	Captain Esteridge
John M. Jackson	...	Sergeant Starr (as John Jackson)
Billy Green Bush	...	Trooper Donner (as Billy Greenbush)
Jack Thibeau	...	Trooper Prestone
Armin Shimerman	...	Interrogation Sergeant
Gene Davis	...	Trooper Dodge (as Eugene Davis)
Jon Van Ness	...	Trooper Hapscomb
Henry Darrow	...	Trooper Hancock
Tony Epper	...	Trooper Conners
Tom Spratley	...	Proprietor
Colin Campbell	...	Construction Man

Storyline

A young man transporting a car to another state is stalked along the road by a cunning and relentless serial killer who eventually frames the driver for a string of murders. Chased by police and shadowed by the killer, the driver's only help comes from a truck stop waitress.

---

Plot Keywords:

hitchhiker | sociopath | homosexual subtext | homoeroticism | murder | 

---

Taglines:

Whatever you do, don't stop for The Hitcher

---

Genres:

Thriller

---

Certificate:

R

Details

Country:

USA

Language:

English French

Release Date:

21 February 1986 (USA)

Also Known As:

Liftaren

Filming Locations:

Roy's Motel and Cafe, Amboy, California, USA

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$2,134,214, 23 February 1986, Wide Release

Gross USA:

$5,844,868

Company Credits

Production Co:

HBO Pictures, Silver Screen Partners

Technical Specs

Runtime:

97 min

Sound Mix:

Dolby Stereo (4 channels)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Eric Red, (writer), said that the film was inspired by The Doors song, "Riders on the Storm".

---

Goofs

The guards in the prison transfer bus carry guns which they then lay aside so they can start playing with cards during the ride. Guards are forbidden to carry guns in a situation with the slightest possibility of prisoners grabbing the weapons, and no competent guard on such a dire job would dare to take his attention off prisoners to engage in frivolities such as card-playing on duty.

---

Quotes

Nash: Why didn't he kill us?
Jim Halsey: Let's go...
Nash: WHY DIDN'T HE KILL US?
[pause]
Jim Halsey: Let's go.

---

Connections

Featured in The Black Republic (1990)

---

Soundtracks

DON'T STOP LOVIN' ME
Performed by Mickey Jones
Published by Mickey Jones Music (ASCAP)

User Reviews

Incredible achievement in the art department, but not for everybody

The Hitcher (1986) was a directing debut for Robert Harmon, who had previously worked as a cameraman. The film is written by Eric Red whose other credits as a writer include brilliant Near Dark by Kathryn Bigelow. The Hitcher tells the story of an ordinary young man, who is taking his friend's car to other state/destination through the empty and deserted roads of America. He is very tired and almost collides with a huge truck. It rains hard. Soon he notices a figure standing by the side of the road raising his thumb..Our youngster unwisely stops and says the legendary line: "My mom always told not to do this." And then, the incredible and surrealistic nightmare begins...

This film is unbelievably beautifully shot and it is easy to see that Harmon was cinematographer before this directing debut. Camera flows and moves so smoothly and gently that the atmosphere is guaranteed to last throughout the film. The music by Mark Isham is also extremely important element and with the exceptional camerawork, these are the greatest elements in this piece of difficult art. The scenes are very similar in mood to Kathryn Bigelow's Near Dark which has the unforgettable music by Tangerine Dream, and both films are scripted by Eric Red, as mentioned earlier. The Hitcher is one of the most beautiful terror films I've ever witnessed.

The Hitcher is not a realistic film and the hitcher character played by Rutger Hauer is not a realistic human being as he can follow the young protagonist (C.J Howell) anywhere and always knows where he is. He will kill the youngster no matter what and no one can tell why. Even the hitcher himself doesn't give a clear answer when he is asked why he kills and does these horrific things. My opinion is that the hitcher is a double side of Howell's personality (everyman's personality) and he is the bad and evil side of human beings' nature. The hitcher is pure evil and no one can change his thoughts and mind, because evil cannot be changed or turned into "good." It is about which side, evil or good, is one's primary personality. There are always both sides, but the both cannot influence at the same time..Howell has to destroy the hitcher/his bad and evil side in order to continue his life and recognize and accept his and others' "dual personality" in the future. There are no good persons in the world, there are only persons who can control their bad/evil side and keep it "un-active", and so they can be considered "good."

Couple of scenes are totally outstanding in their virtuosity such as the scene where two police cars are destroyed by a shotgun blast and they fly and crash in a slow motion. That kind of thing would never happen in real world, but those unrealistic scenes make this film even more nightmarish and effective. Also, the end scene between these two protagonists, Hauer and Howell, is memorable and gorgeously shot. I will definitely not spoil how this one ends, but at the end, the main character is much more wiser and knows that human beings and thus himself are not as simple as one might think..

There is no point in describing the greatest scenes in the film because the whole film is so great. It is unmatchable nightmare that has no equal in history of cinema. It handles the theme of wickedness in a form of road movie and horror movie and the result is perfect piece of art. When I said earlier "difficult art" I meant that due to the film's violence (there is not plenty, but that what is on screen is brutal and disturbing) this may be too hard to take and understand for most of the viewers. So this cannot be recommended for everybody like some mainstream movie, but people with open minds and hunger for intelligent and symbolic cinema should love this film, even though it is pretty difficult to "love" !

I have seen this three times now and it unfolds more and more with each viewing time. 10 out of 10 masterpiece.