Highlander (1986)

An immortal Scottish swordsman must confront the last of his immortal opponent, a murderously brutal barbarian who lusts for the fabled "Prize".

Director:

Russell Mulcahy

Writers:

Gregory Widen (story), Gregory Widen (screenplay)

Stars:

Christopher Lambert, Sean Connery, Clancy Brown

Cast

Cast overview, first billed only:
Christopher Lambert	...	Connor MacLeod
Roxanne Hart	...	Brenda Wyatt
Clancy Brown	...	Kurgan
Sean Connery	...	Ramirez
Beatie Edney	...	Heather (as Beattie Edney)
Alan North	...	Lt. Frank Moran
Sheila Gish	...	Rachel Ellenstein
Jon Polito	...	Det. Walter Bedsoe
Hugh Quarshie	...	Sunda Kastagir
Christopher Malcolm	...	Kirk Matunas
Peter Diamond	...	Fasil
Billy Hartman	...	Dugal MacLeod
James Cosmo	...	Angus MacLeod
Celia Imrie	...	Kate
Alistair Findlay	...	Chief Murdoch

Storyline

In New York City, the owner of a sophisticated antique shop Russell Edwin Nash is challenged to a sword fight in the parking lot of the Madison Square Garden by a man called Iman Fasil that is beheaded by Russell. He hides his sword and is arrested by the police while leaving the stadium. Russell recalls his life in the sixteenth century in Scotland, when he is Connor MacLeod, and is fatally wounded in a battle against another Clan. However, he surprisingly survives and his Clan believes he has a pact with the devil and expels him from their lands. Then he meets Juan Sanchez Villa-Lobos Ramirez, who explains that he is immortal unless he is beheaded. Further, the immortals dispute a game killing each other and in the end only one survives receiving a prize with the power of the other immortals. Russell is released by the police, but the snoopy forensic agent Brenda J. Wyatt is attracted by the case since she found fragments of an ancient Katana and follows Russell. But the also ...

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Plot Keywords:

immortal | swordsman | scotland | cult film | combat | 

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Taglines:

Don't lose your head

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Genres:

Action | Adventure | Fantasy

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Motion Picture Rating (MPAA)

Rated R for strong action violence, a scene of sexuality and some language

Details

Country:

UK

Language:

English

Release Date:

7 March 1986 (USA)

Also Known As:

Dark Knight

Filming Locations:

The Storr, Isle of Skye, Highland, Scotland, UK

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$2,453,021, 9 March 1986

Gross USA:

$5,900,000

Cumulative Worldwide Gross:

$12,885,193

Company Credits

Production Co:

Thorn EMI Screen Entertainment, Highlander Productions Limited, Davis-Panzer Productions

Technical Specs

Runtime:

116 min 110 min (theatrical)

Sound Mix:

Dolby Stereo 70 mm 6-Track

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Clancy Brown improvised the line in which he poignantly addresses the sparse congregation and clergy in the church, "I have something to say! It's better to burn out... Than to fade away!!!" "It's better to burn out than to fade away" were also lyrics to the Neil Young song " Hey Hey, My My (Into the Black)" released on his 1979 album "Rust Never Sleeps", and the Def Leppard song "Rock of Ages", released on their "Pyromania" album in 1983.

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Goofs

Immortals are blessed with healing powers, yet the Kurgan keeps the throat scar after Ramirez cuts him that should have healed.

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Quotes

Connor MacLeod: Wanna hear another theory?
Lieutenant Frank Moran: Uh-huh.
Connor MacLeod: This Fasil was so upset about the lousy wrestling tonight, that he went down to the garage and in a fit of depression cut off his *own* head!

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Alternate Versions

Versions shown on the Sci-Fi Channel and USA Networks are heavily cut, and not just because of the head-chopping sequences. Many parts of the movie were removed for airing on these networks, including much of the Ramirez training sequence, most of the "Who Wants to Live Forever" sequence, all of the flashback to 1783, and other various pieces of scenes and their dialogue, making for an extremely chopped-up movie.

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Connections

Referenced in Doctor Who: The Almost People (2011)

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Soundtracks

One Year Of Love
(uncredited)
Performed by Queen
Written by John Deacon

User Reviews

Largely panned by the critics, but surprisingly a good, ingenious sci-fi offering.

Highlander is an ingenious and very entertaining science fiction film which has come in for rather a lot of (unwarranted) scathing criticism. Although the plot jumps around with reckless abandon, the scripters Gregory Widen, Larry Ferguson and Peter Bellwood manage to pull in all the loose ends by the climax. The word "confusing" has been used to describe the film quite often as well, but if you stick with it the confusing moments are explained quite cleverly towards the closing reels. This is, in fact, not a bad film at all. I'd venture to say it's a pretty good one.

The opening sequence has Russell Nash (Christopher Lambert) at a wrestling match in New York's Madison Square Gardens. He leaves early, and while walking through the underground car park is confronted by a man with a sword. Nash is not perturbed by this - he merely brandishes a sword of his own, and the pair of them fight to the death, resulting in the decapitation of Nash's opponent. Slowly, we learn (via flashbacks) that Nash is an immortal swordsman who has spent centuries duelling with like immortals. The only way they can die is by decapitation at the hands of one of their counterparts. Each swordsman has spent the whole of history pursuing the others, hoping to be the last one alive whereupon he will gain mortality, virility and vast knowledge.

The film is very energetic (what would you expect from a former music video director?) with dazzling camera work and a pounding, Flash Gordon-style soundtrack by Queen. Sean Connery has a pleasant supporting role as an immortal who teaches Lambert the art of swordplay, and Alan North has a funny part as a bewildered cop who can't figure out why headless corpses keep turning up in his city. The film's intentionally muddled structure is slightly irritating on the first viewing, but with repeated viewings it becomes more comprehensible, even clever. Highlander is a good, inventive piece of hokum.... and it's a real shame that those very same critics who are always grumbling about the lack of cinematic imagination these days didn't give it some merit when it was first released.