A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
1983. Tom Highway is a well-decorated career military man in the United States Marine Corps, he who has seen action in Korea and Vietnam. His current rank is Gunnery Sergeant. His experiences have led him to become an opinionated, no nonsense man, who is prone to bursts of violence, especially when he's drunk, if the situation does not suit him, regardless of the specifics or people involved. Because of these actions, he has spent his fair share of overnighters behind bars. Close to retirement, one of his last assignments, one he requested, is back at his old unit at Cherry Point, North Carolina, from where he was transferred for insubordination. He is to train a reconnaissance platoon. His superior officer, the much younger and combat inexperienced Major Malcolm Powers, sees Highway as a relic of an old styled military. Highway's commanding officer, Lieutenant Ring, the platoon leader, is also a younger man who has no combat experience, but is academically inclined and happy-go-lucky...Written by
I had forgotten how funny this film really is. Shown on British TV last night, I found myself laughing like a loon all the way through it. Being a big fan of Eastwood, it's been quite a while since re-viewing this mini classic. And although it does take a drastic turn at the end, with a slightly misjudged comment on war, this is by far his funniest movie.
I also found that his character is his most interesting. A hard, no-nonsense gunnery sergeant who looks for advice in women's magazine is a dream characterization. And the one-liners are perfectly attacked.
I did find Mario Van Peebles character a little annoying, but then I suppose that was the whole point, and it's always good to see Marsha Mason, who I think is totally underrated as a screen actress.
But this is Eastwood's movie, through and through and a real delight. See it, but don't take the ending too seriously.
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