A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
After 13 years in prison, the mad scientist from Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.
Tommy Dean Musset,
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
One morning, a young man wakes to find that a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but demands human victims in return.
Dr. Edward Pretorius and his assistant, the physician Crawford Tillinghast, have developed the Resonator, a machine to stimulate the sixth sense through the pineal gland. When Crawford activates the apparatus, he sees creatures flying in the air and he summons Dr. Pretorius. The experiment goes out of control and Dr. Pretorius refuses to turn off the Resonator. Meanwhile their neighbor calls the police, and when the police officers arrive, they see Crawford trying to escape from his house and Dr. Pretorius beheaded. Crawford is sent to a mental institution under the supervision of the sadistic Dr. Bloch. However, the prominent psychiatrist Dr. Katherine McMichaels requests the custody of Crawford and Detective Bubba Brownlee that is investigating the case stays with them. Katherine goes with Crawford and Bubba to see the Resonator and turns the machine on. Dr. Pretorius returns in a mutant shape and attacks them, in the beginning of a gore night with weird life forms.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
An interviewer in 2016 asked Barbara Crampton if her 13-year old daughter and 14-year old son had seen From Beyond and her other early films. She said "No, but my son's friends have seen all my stuff on the internet and they're like, 'Dude, your mom's naked and in black leather." And my son's like, 'Mom, you should've told me before my friends saw it.' And I'm like, 'Oh man, I'm sorry, okay.' So then I showed my son everything." See more »
When Bubba tackles Crawford and they fall down the stairs, for a brief moment just before they hit the landing "Bubba's" face is shown (from the camera at the top of the stairs), and it is obviously a stunt double. See more »
The original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius. See more »
Great little horror flick from a very accomplished team of horror film makers.
From the team that brought us the horror classic; Re-Animator comes From Beyond; a tale of a mad scientist and his search for the ultimate pleasure.
Like Re-Animator, From Beyond is based on a story by the fantastic horror writer H.P. Lovecraft. The acting here comes courtesy of two of Re-Animator's best actors; Jeffrey Combs, a man that is well known in the world of B-Movie, and Barbara Crampton; the scream queen that we all remember from the infamous 'head' sequence in Re-Animator. There is also a role in this movie for Ken Foree, whom horror fans will instantly recognize from the classic film, Dawn of the Dead. I didn't know he was in this movie, so it was a nice surprise for me. From Beyond is also brought to the screen by the same team that brought Re-Animator to the screen; Stuart Gordon in the director's chair and Brian Yuzna producing. With a group of people as accomplished in the horror genre as this fine bunch, what could possibly go wrong?
The plot of this movie is good because it very much plunges into the unknown, and as well all know; it is that which makes horror frightening. This movie is also made good by the fact that once the horror starts, it doesn't stop and that's always a good thing for a horror movie as nobody likes waiting for the next horror sequence to turn up. The team of Gordon and Yuzna obviously knows that relentlessness makes a good horror movie as it is evident in all horror movies that they have worked on, together or separately. The idea behind it is also an original one, as ever with H.P. Lovecraft and it leaves a lot open for creativity, which is capitalized upon very well by Stuart Gordon with his interesting and effective creatures that are brought into the film as a result of the scientist's foray into 'the beyond'. The story, it could be said, is unrealistic, which is true of most horror films. However, the way it is brought to life seems realistic and as there is some explanation to the point of the machine and that which it does, so the audience can somewhat believe it; much to the film's credit.
In the 80's, horror reached a new point; gone was the creativity of the 60's and 70's, and a new area of over the top and extremely gory horror was opened up. From Beyond very much capitalizes on this 'new wave', but unlike a lot of the 80's films that did, From Beyond manages to pull it off so it is both interesting and creative and therefore it is a cut above the majority of other 80's films of the same ilk. From Beyond is not a masterpiece, but it is very good and fans of the horror genre will certainly find something to like about it. Recommended.
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