Scripted, but never filmed, was a segment meant to have followed the deleted monkey-cat scene: A homeless lady screams after interrupting Brundlefly as he feeds out of an open dumpster. Brundlefly seizes the bag lady and disintegrates her face with his vomit drop. Before he finishes feeding on the woman's corpse, Brundlefly's humanity emerges for a moment; just long enough to contemplate the horror of his sub-human existence.
After watching some of his early films, director Martin Scorsese asked to meet David Cronenberg. Upon meeting him, Scorsese said he looked like a Beverly Hills plastic surgeon. This inspired Cronenberg to give himself a cameo as a doctor.
In a 1987 interview on Sinister Image (1987) Vincent Price revealed that when this remake was released, star Jeff Goldblum wrote him a letter saying, "I hope you like it as much as I liked yours." Price was touched by the letter, he composed a reply and went to see the film, which he described as "wonderful right up to a certain point... it went a little too far."
The infamous cat-monkey scene where Brundlefly fuses a cat and the remaining baboon and then beats it to death with a lead pipe was cut following a Toronto screening. According to producer Stuart Cornfeld the audience felt that there was no turning back for Seth and they lost all sympathy for his plight, which caused the rest of the film to not play as well. In Cornfeld's own words: "If you beat an animal to death, even a monkey-cat, your audience is not gonna be interested in your problems anymore".
The line, "I'm saying, I'm an insect who dreamt he was a man and loved it, but now that dream is over, and the insect is awake." is a reference to author Zhuangzi's famous Butterfly Dream story. It's also a reference to Franz Kafka's famous short story, The Metamorphosis.
The first name mentioned in the end credits is Chris Walas, Inc. as the creator and designer of the fly. After a screening the audience cheered upon seeing this first credit. Producer Stuart Cornfeld turned to Walas and said, "You're getting the Oscar". Cornfeld's prediction came true when Walas did in fact win the Academy Award for Best Makeup. Walas claims that this was probably because his name was listed first.
David Cronenberg met with some opposition when he announced that he wanted to cast Jeff Goldblum in the lead role. The executive at Fox who was supervising the project felt that Goldblum was not a bankable star, and Chris Walas felt that his face would be difficult to work with for the make-up effects. Both, however, deferred to Cronenberg's judgment. Cronenberg himself later had reservations when Goldblum suggested Geena Davis, his girlfriend at the time, for the other lead role, as he did not want to have to work with a real-life couple. Cronenberg was convinced after Davis's first reading that she was right for the role. Producer Stuart Cornfeld suggested that they audition more actresses saying that it's the "script that is brilliant". Cornfeld relented after "nobody else even came close".
Seth's saying, "Drink deep, or taste not, the plasma spring", is a reference to a famous quote from Alexander Pope's "An Essay on Criticism". The full quote is: "A little learning is a dang'rous thing; drink deep, or taste not the Pierian Spring: Their shallow draughts intoxicate the brain, and drinking largely sobers us again."
Mel Brooks didn't want people to know he was a producer for the film because, he thought people wouldn't take it seriously if they knew he was involved. When people did find out he decided to make the most of it by handing out deely boppers at the premiere.
The scene where Seth and Ronnie are having coffee at the restaurant, and Seth is talking endlessly, was only half scripted when production began. The remainder was written the night before the scene was going to be filmed, as Jeff Goldblum felt that he could add more to the character.
David Cronenberg noted on his DVD audio commentary that the baboons used in the film frightened him personally, as they are potentially dangerous, physically very strong and, as very intelligent and very wild animals, are highly unpredictable. However, Cronenberg believed due to his tall and muscular physique, the baboons behaved affectionate and deferential towards Jeff Goldblum, who had trained and worked out in preparation for the role, making the scenes with them easy to film. Other films using baboons often have mixed success, such as during the filming of The Omen (1976), when Lee Remick had to be rescued from an overly-excited baboon during the zoo attack scene.
Several sequences were filmed but cut from the final release, including: a sequence where Brundle sends a cat and the surviving baboon through the telepods, resulting in a mutated creature he beats to death with a pipe; a scene where Brundle climbs the outside of his building as an insect limb emerges from his side; and an alternate ending in which Veronica has another dream of her unborn child, this time as a baby with beautiful butterfly wings.
While working at Fox, it was Scott Rudin's suggestion to Stuart Cornfeld that they hire David Cronenberg as director. Cornfeld agreed and after Mel Brooks had written an eloquent letter to the bosses at Fox, they agreed. Cronenberg's asking salary at the time was 750,000 dollars. Brooks, Cornfeld, and Fox, countered with an offer of 1 million dollars, which sealed the deal.
During his audition, John Getz recalls having a terrible migraine the entire time. Later, while filming Stathis' first scene where he and Veronica discuss the tape, David Cronenberg asked if he could have the headache again. This is why Getz has his fingers on his head throughout much of the scene (especially during the line, "He's conning you.")
Chris Walas had a meeting with his crew prior to production. He said they could do this film or Gremlins 2: The New Batch (1990). Working on this film meant that they would have to come up with all of the designs and begin construction in three months. Walas' crew unanimously agreed that it wasn't possible in that time frame but decided to do it anyway because it was more of a challenge.
Although his script was extensively rewritten, Charles Edward Pogue still receives onscreen credit for the screenplay. David Cronenberg demanded that Pogue receive credit claiming that he would have never known how to write the script if not for Pogue's version.
The Chris Walas, Inc. designers studied graphic books on disease as a starting point for their "Brundlefly" makeup/creature designs. The final "Brundlefly" creature is horribly deformed and asymmetrical. This reflects director David Cronenberg's idea that the creature shouldn't be a giant fly, but rather a literal fusion of a man and an insect that embodies elements of both.
Those involved with the making of the film, including David Cronenberg, remember that the baboon (whose name was Typhoon) was very much a wild animal, and not an actor. Visual effects supervisor Hoyt Yeatman said in a special features documentary that Typhoon was once startled by the flashing lights in the telepod and broke the door off to get out. The wrangler and Jeff Goldblum (who is 6'4") were the ones who had to keep the primate in check. "They're very volatile, and there's no such thing as a tame baboon," Cronenberg said. "Jeff, because he was much bigger and stronger than the baboon, was able to dominate him, and the baboon's wrangler said it was a good thing that the baboon formed that relationship ... Otherwise there could have been big trouble on the set with some of the female members of the crew."
David Cronenberg was surprised when the film was seen by some critics as a cultural metaphor for AIDS, since he originally intended the film to be a more general analogy for disease itself, terminal conditions like cancer and, more specifically, the aging process.
Screenwriter Charles Edward Pogue wrote the first draft of the script. When David Cronenberg was hired as director, one condition was that he be able to rewrite the script to his satisfaction. Cronenberg substantially altered the characters (and their names), the dialogue, and much of the plot. However, key details from Pogue's script (the fusion of man and fly and details of the metamorphosis) were retained.
An opera in two acts based on the movie was produced for the stage in 2008. David Cronenberg served as director, Howard Shore composed the music and the lyrics were written by David Henry Hwang (with whom Cronenberg collaborated on M. Butterfly (1993)).
An early treatment for a sequel, written by Tim Lucas, involved Veronica Quaife dealing with the evils of the Bartok company. Brundle's consciousness had somehow survived within the Telepod computer, and the Bartok scientists had enslaved him and were using him to develop the system for cloning purposes. Brundle becomes able to communicate with Veronica through the computer, and he eventually takes control of the Bartok complex's security systems to gruesomely attack the villains. Eventually, Veronica frees Brundle by conspiring with him to reintegrate a non-contaminated version of his original body. David Cronenberg endorsed the concept at the time. Geena Davis was open to doing a sequel (and only pulled out of The Fly II (1989) because her character was to be killed off in the opening scene), while Goldblum was not (although he was okay with the cameo), and this treatment reflects that. However, a later treatment written by Jim Wheat and Ken Wheat was used as the basis for the final script, written by Frank Darabont. Mick Garris also wrote a treatment, with elements incorporated into the final film.
The inspiration for the design of the telepods came from the shape of the cylinder in David Cronenberg's vintage Ducati motorcycle. Brundlefly's "vomit drop" was, in reality, made from honey, eggs, and milk.
Originally, David Cronenberg turned down the film because of scheduling conflicts with the shooting of Total Recall (1990) for Dino De Laurentiis. The producers then hired Robert Bierman; unfortunately, Bierman experienced a terrible family tragedy just prior to the beginning of production and decided he couldn't make such a dark film. At about the same time, Cronenberg realized that he and De Laurentis were not seeing eye to eye on Total Recall and backed out, leaving him free to direct this film. Bierman has since stated that he has never seen the film, as it brings back bad memories and he does not want his own vision of it compromised.
The first bar and the last bar of music on the soundtrack is taken from the last bar of music from Puccini's tragic opera 'Madame Butterfly'. Perhaps a reference to the deleted dream sequence of the heroine giving birth to a butterfly.
This film recycles the line "Help me," said by the main character in both versions. Famously, stars Vincent Price and Herbert Marshall required several takes to film the scene with that dialogue in the original, because they could not stop laughing. In the remake the context of the line is completely serious and not comedic at all.
Musician Bryan Ferry originally composed a song called Help Me at Mel Brooks and Stuart Cornfield's commission and was originally going to be played in the movie's closing credits. However, David Cronenberg, despite liking the song, felt that it was inappropriate to the film itself and after screening to Brooks and Cornfield, they all agreed that the song didn't mesh with the film, resulting with the song being played only in the film's bar scene and not being included in the movie's soundtrack album making the song extremely rare.
Veronica tells Seth (Jeff Goldblum) that "Something went wrong." Ellie Sattler tells Ian Malcolm (Goldblum) the same thing in Jurassic Park (1993). Brundle and Malcolm are also both in the habit of wearing the same set of clothes every day.
Co-producer Kip Ohman was the person who originally had the idea of remaking the original film. He had recently landed Charles Edward Pogue as a client, and suggested that he should be the one to write it. They pitched the idea to Twentieth Century-Fox, who agreed to finance it. After reading Pogue's first draft, however, they rescinded the offer. Not only would they not finance the picture, they refused to relinquish the rights so that Ohman and Pogue could take it to another studio. Ohman finally convinced Fox to distribute the picture if they could get someone else to finance it. Ohman ultimately found producer Stuart Cornfeld, who had previously produced The Elephant Man (1980), and therefore knew Mel Brooks. Brooks agreed to allow Cornfeld to use Brooksfilms to produce the picture, but decided a new writer was needed. Pogue was therefore booted off the project, and Walon Green was hired in his place. It was decided that Green's draft was even worse than Pogue's, so he was fired and Pogue was re-hired. Pogue was ultimately booted off the project once again once David Cronenberg demanded to be able to re-write the script to his own satisfaction, as a condition of coming on board to direct. Cronenberg and Pogue didn't actually meet until after the film had come out. When they spoke, Cronenberg told him "apparently we made a hit movie together."
Linda Hamilton was David Cronenberg's first choice for the role of Veronica based on her performance in The Terminator (1984). But she turned it down, because the because she was disturbed by the script. Particularly the scene where Veronica gives birth to a maggot baby disturbed her the most.
After bringing Veronica, a journalist, to his apartment, the first thing Seth does to impress her is play the piano. In real life, David Cronenberg's mother played the piano, while his father was a journalist.
After the successful teleportation of the baboon, Veronica tells Seth that he'll never have to be carsick again, to which Seth says "or airsick or seasick." In The Right Stuff (1983), Jeff Goldblum played a man who got seasick. In Independence Day (1996), he played a man who got airsick.
Chris Walas asked Jeff Goldblum to give a physical characteristic to his performance he could easily transfer over to the end 'spacebug' puppet. Goldblum thought about it, then added his trademark twitches which they could then easily add to the their puppeteering.
Prior to production, Robert Bierman was hired to direct the film. But, Robert Bierman pulled out of the production because his daughter had died and when production on Total Recall (1990) was canceled, David Cronenberg took over to direct the film.
The transformation was broken up into seven distinct stages, with Jeff Goldblum spending many hours in the makeup chair for Brundle's later incarnations. Stages 1 and 2: subtle, rash-like skin discoloration that leads to facial lesions and sores, with tiny fly hairs dotting Goldblum's face, in addition to the patch of fly hairs growing out of the wound on Brundle's back. Stages 3 and 4-A: piecemeal prosthetics covering Goldblum's face (and later his arms, feet, and torso), wigs with bald spots, and crooked, prosthetic teeth (beginning with stage 4-A). Stage 4-B: deleted from the film, this variant of stage 4 was seen only in the "monkey-cat" scene, and required Goldblum to wear the first of two full-body foam latex suits, as Brundle has stopped wearing clothing, at this point. Stage 5: the second full-body suit, with more exaggerated deformities, and which also required Goldblum to wear distorting contact lenses that made one eye look larger than the other. Stage 6: the final "Brundlefly" creature (referred to as the "space bug" by the film's crew), depicted by various partial and full-body cable- and rod-controlled puppets. Stage 7: another puppet which represented the mortally-injured Brundlefly-Telepod fusion creature (initially dubbed the "Brundlebooth" and later the "Brundlething" by the crew) as seen in the film's final moments.
Seth mentions earlier because of his motion sickness he had vomited on his tricycle as a child, forshadowing his transformation,in which he has gained the ability to vomit corrosive substance to digest food.
While the setting is never explicitly discussed by the characters, the CN Tower, Kensington Market, and various other Toronto landmarks are shown throughout the film. Lingo-savvy viewers will note that the local barfly in the arm-wrestling scene uses the Canadian term "chocolate bars" instead of the American "candy bars."
Geena Davis wasn't acting when Jeff Goldblum's right ear falls off and her reaction in the film was genuine and she was genuinely shocked when it was filmed and David Cronenberg kept the take of Geena Davis's reaction in the film.
The film was later parodied in the ITV sketch comedy show Hale and Pace (1986). Norman Pace is seen going into one telepod and is teleported into the other, and he comes out as a zipper. The word "fly" is slang for the zipper on a pair of pants.
Brundle's mishap results from the computer's confusion at the presence of an extra genetic pattern, and its attempt to rectify the situation by fusing them. This conveniently ignores all the genetic material belonging to the bacteria and other microorganisms that make up a sizable proportion of the human body. Probably Artistic License, as otherwise there is no movie. (Though, it could be argued that the fly's genetic structure was sufficiently complex to confuse the computer, while nascent organisms were considered a part of the human body.)
In the bathroom scene, when Seth squeezes his middle finger, puss splatters on the mirror. It oddly but unintentionally references masturbation which a male and female sexually stimulates their own genitals for sexual arousal to the point of orgasm which semen is released from the genitals. When Seth gets fused with the fly, he gets highly sexually active with Ronnie and Tawny and the film itself was seen by critics as a metaphor for AIDS which is a sexually transmitted disease which lesions is one of the symptoms. As Seth begins his gradual transformation, his face is covered with lesions.
In the bathroom scene, as Seth's gradual transformation into Brundlefly begins, Seth has lesions on his face. Lesions is a skin condition that is related to HIV/AIDS. The film was released during the dawn of the AIDS epidemic and the film had been so by many as a metaphor for the disease and the film deals with even more basic issues that everybody can identify with.
The film explores the ideas and consequences of genetic fusion and what would happen if a human being has his genes fused with a insect on a genetic molecular level and how the genetic fusion of human and insect would affect that person as he gradually transforms into a hideous mutant hybrid creature.
David Cronenberg's previous film was The Dead Zone, which had Christopher Walken, Brooke Adams, and Colleen Dewherst. Jeff Goldblum had previously appeared in Annie Hall with Walken and Dewherst, and another sci-fi/horror remake, Invasion of the Body Snatchers, with Adams.
Before production on the film could begin, the original director Robert Bierman had to pull out of the film due to the death of his daughter whom had been killed in a tragic accident and production was halted for 3 months and Robert Bierman decided not to do the film due to the film's dark film subject matter and Robert Bierman was replaced by David Cronenberg.
The character Mr. Bean, played by Rowan Atkinson, makes at least two references to this film: Mr. Bean's wardrobe is the same as Brundle's, and the sentence "Be afraid. Be very afraid." was used to promote the character's first movie.
The trivia items below may give away important plot points.
Geena Davis claims that the only time she felt "grossed out" by the amount of gore was in the scene where Seth's ear falls off and she holds him. She states that her reaction to holding her face up to Goldblum's was not acting and that she was indeed really grossed out.
Two puppeteers (one of them Chris Walas) were located underneath the floor animating the inside-out baboon while a third pumped blood. All three of them had to wear raincoats because of the large amounts of blood being pumped. Frequently the rest of the crew would break for lunch and forget about the three underneath the floor.
Several versions of a happier ending were shot but ultimately never used. Two were filmed in which Veronica has another dream of her unborn child, this time as a baby with beautiful butterfly wings. She wakes up in both and is revealed to still be pregnant in one while her pregnancy is left open in the other. Another two versions featured her having an unseen nightmare and being comforted by Stathis, who in one version states the baby is his and in the other that it is dead. Jeff Goldblum admits to being angry about the filmed "Stathis" endings, as he felt Veronica ending up with Stathis undermined the tragedy of the film. Eventually it was decided that, although some of the filmmakers - including producer Stuart Cornfeld - liked the alternate ending, it was more appropriate to end with Seth's death as, according to Cornfeld, "Once your hero is dead your movie is over".
In the 1990s, Geena Davis was reportedly involved with an alternate sequel to "The Fly", to be directed by her then-husband, Renny Harlin, titled "Flies". The script was said to feature a story where Veronica does not die in childbirth, and instead gives birth to twin boys.
Chris Walas wanted to avoid the use of bladders for the final transformation in which Brundlefly becomes the "Spacebug" as the technique, created by makeup legend Dick Smith, had been used in films like An American Werewolf in London (1981) and The Howling (1981) so much that "housewives knew about it". He eventually came up with having the Spacebug's head extend and push the prosthetic likeness of Jeff Goldblum's head apart. Walas' crew constructed a puppet that featured a retracting and extending head.
Stathis's melting hand effect was created by sculpting the mutilated hand, then building up an intact hand on top of it out of gelatin. The gelatin was then melted using stage lights and a hair dryer, and filmed at low speed. Chris Walas essentially recreated the same effect he had used earlier for Toht's melting face in Raiders of the Lost Ark (1981).
Stathis' hand and foot both survived for some time after the completion of the film. John Getz claimed to have kept one of the prosthetic feet used in the film for years in his freezer with neighborhood kids visiting almost daily to see it. Conversely the arm with the melted hand was turned into the base of a lamp and put in the Chris Walas, Inc. shop before going to Bob Burns' collection.
The scene in which Seth breaks Marky's arm in the bar almost didn't happen. Chris Walas and his crew kept putting development of the effect on hold to focus on more difficult ones. The prosthetic arm piece and bone was made within a few days, as soon as they realized they were almost out of time.
Throughout the film, Seth does not kill anyone. He only wounds and severely injures. However, in a deleted scene, Seth kills the Baboon/Cat hybrid. Additionally, a scripted scene that was never shot, was one in which Seth kills a bag-lady in an alleyway. In the sequel, The Fly II (1989), unlike this film, Martin Brundle kills four people.
While filming the finale, the puppeteers under the floor would get bored and start gluing pictures to John Getz's real foot, or place it in oatmeal. Getz fondly recalls that he should have realized, being unable to move, that he was a perfect target.
It is believed Seth and Ronnie's baby is conceived when Seth and Ronnie have sex on Brundle's couch 39 minutes into the film. In The Fly II (1989), Martin Brundle inherits Seth's mutant genes, and it is logical that Martin Brundle was conceived after Seth went into the telepod with the housefly trapped inside.
When Ronnie and Stathis go to the abortion clinic, Ronnie says that "the baby will start off normal" foreshadowing the sequel The Fly II (1989). When Martin Brundle is born, he is a normal newborn baby and 5 years later, he begins transforming into Martinfly.
Two of the cues from Howard Shore's score are reused for the climax. "Plasma Pool", from the scene where Brundle storms out on Veronica ignoring her belief that something went wrong, is used when Brundlefly is fused with the telepod. "The Last Visit", from the scene where Brundle tells Veronica to never come back before she can tell him about her pregnancy, is used when Veronica mercy-kills the Brundlefly-telepod fusion.
In the original ending, Ronnie gets back together with Stathis and dreams about a human baby hatching from a cocoon. The original ending was removed because test audiences didn't like Ronnie getting back together with Stathis as it didn't feel right.
In Charles Edward Pogue's draft, the film ended with Ronnie falling into a coma and having a nightmare of giving birth to a giant maggot, but waking up in a hospital and learning she gave birth to a healthy baby boy.
It's Stathis Boran's fault that Seth Brundle transforms into Brundlefly. If Stathis hadn't made his vile threat against Seth by posting the magazine of Seth and his Telepods at his warehouse, Veronica wouldn't had walked out during their celebration of the first successful teleportation and Seth wouldn't hadn't gotten drunk and gotten teleported along with the fly and gotten his genes fused with the fly on a genetic molecule level and he wouldn't had gotten fatally shot in the head by Veronica.
Stathis is both the antagonist and the protagonist and is very much an anti-hero. Stathis rejects Ronnie's recorded interview with Seth about the Telepod and accuses Seth of conning Ronnie. Stathis insults Seth referring him as Ronnie's "playmate". Stathis's jealousy and arrogance gets the worst of him as he follows Ronnie when she leaves Seth's warehouse and follows her to the clothes shop and crudely remarks that Ronnie is interested in Seth's genitals and Stathis makes a vile threat to expose the Telepods in a magazine article by posting a package containing Seth Brundle on the cover and the story about the Telepods, which forces Ronnie to leave and confront Stathis. But, despite his jealousy, Stathis becomes concerned for Ronnie when she tells Stathis she's pregnant and sets out to save Ronnie and kill Seth with a loaded shotgun. In The Fly II (1989) Stathis whom has become a bitter drunken recluse tells Martin and Beth that Seth stole his girl. Ronnie and Stathis were in a relationship and had broken up prior to Ronnie meeting Seth at the Bartok party.