A boy obsessed with 50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?
A 12-year-old boy goes missing in 1978, only to reappear once more in 1986. In the eight years that have passed, he hasn't aged. It is no coincidence that at the time he "comes back", a flying saucer is found, entangled in power lines.Written by
Adverse weather conditions in Los Angeles, CA, and Dallas, TX, forced the production of this movie to move to Florida. The company made its headquarters on a Ft. Lauderdale, FL, houseboat. Other locations included Watson Island in Biscayne Bay near Miami, FL, where the film's opening Frisbee championships took place. The Villa Vizcaya Museum and Gardens doubled as the forest adjacent to David Freeman's house. See more »
Early in the film, a model car box on the desk. It's an AMT 1959 Corvette #6588 with the 2-n-1 box art, released in 1982. See more »
[David looks at a gooey alien]
A very unpleasant creature.
What's his problem?
He has a cold.
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The original print of this starts with the titles "Through PSO Producers Sales Organization PSO And Viking Film Present A New Star Entertainment Production A Randall Kleiser Film Flight Of The Navigator". On the BBC2 TV 2015 print the titles have been changed to display "Walt Disney Pictures[castle logo] Walt Disney Pictures Presents Flight Of The Navigator A Producer Sales Organization Picture A Randall Kleiser Film A New Star Entertainment Production". The broadcast was on 21 December 2015. See more »
This movie is an entertaining fantasy, but there's quite a bit more to it just beneath the surface. The protagonist is a 12-y/o kid raised, as most are in Western culture, to be incompetent, overly dependent on adults, and untrusting of his own judgment. When he finds himself aboard an alien spacecraft, he naturally first attempts to transfer that dependency to the robotic pilot Max, which, all-seeing eye and all, represents the omniscient grown-up. As time goes on, though, David begins to realize that: 1) his own interests do not in fact always coincide with Max's, 2)that therefore he must advocate for himself to achieve a favorable outcome, and 3) that he's the one who has to decide just what outcome will best meet his needs. Much unlike most "kid movies," this character shows real growth, and in the end confronts a real moral and personal dilemma. Whether you agree with his choice or not, you have to respect him for what he has become.
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