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Ferris Bueller's Day Off (1986) Poster

Trivia

Jump to: Director Cameo (1)  | Director Trademark (2)  | Spoilers (3)
During the parade, several of the people seen dancing (including the construction worker and the window washer) originally had nothing to do with the film. They were simply dancing to the music being played, and John Hughes found it so humorous that he told the camera operators to record it.
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Cindy Pickett and Lyman Ward, who played Ferris's parents, married in real life after filming this movie. They later divorced in 1992.
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The idea of a sequel had gone around for years, with Ferris in college, or on the job somewhere, but the idea was dropped. Matthew Broderick felt that the film didn't need a sequel, that this film was about a specific time and place that we'd all like to revisit, and didn't need updating.
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To produce the desired drugged-out effect for his role as the drug addict in the police station, Charlie Sheen stayed awake for more than forty-eight hours before the scene was shot.
The shot of Ferris playing the clarinet was done on the spot. Someone spotted the instrument as part of the set, and Matthew Broderick said he could play it, which of course he couldn't.
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John Hughes told Ben Stein, who had a degree in Economics, to present an actual Economics lecture in his scenes. Hence nothing Stein says (aside from the roll call) is scripted.
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Grace the secretary pretending to be Ed Rooney during the phone call from Cameron was improvised.
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Mia Sara surprised John Hughes when she auditioned for the role of Sloane Peterson. "It was funny. He didn't know how old I was, and said he wanted an older girl to play the seventeen-year-old. He said it would take someone older to give her the kind of dignity she needed. He almost fell out of his chair when I told him I was only eighteen."
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Mia Sara says that Matthew Broderick actually tickled her feet and knees to get her to laugh naturally in the taxicab scene.
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Cameron's father's Ferrari wasn't a real Ferrari. Because it was too expensive to rent one, three replicas were made, using an MG chassis, each with a fiberglass body.
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Even though they played siblings, Matthew Broderick and Jennifer Grey would later become engaged after this movie. Tragically, approximately a year later, after Broderick finished filming Biloxi Blues (1988), and before Grey's premier for Dirty Dancing (1987), the couple was involved in a fatal crash in Northern Ireland, where the passengers of the other vehicle, a mother and daughter, died in the accident.
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In 2010, Edie McClurg told Vanity Fair Magazine that her character's hairdo should be from the 1960s, "because Grace felt she looked best in the 1960s, and kept her look from that era." However, the women's hairdresser on the set had mainly been hired to blow out Mia Sara's long, straight hair, and didn't know how to set the big 1960s hairstyles, so McClurg teased, set, and styled her own character's hair. Once she arrived on the set, John Hughes looked at her hairstyle and the first thing he said was, "How many pencils do you think you can fit in that hair?" They tested it with one pencil, then two and three, but the fourth one fell out, so that was the origin of Grace's first scene in the movie, in which she pulls several lost pencils out of her hair.
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When Grace tells Rooney, "He's a righteous dude," it was not in the original script. Edie McClurg ad-libbed it in her best Chicago accent.
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Alan Ruck, then twenty-nine, worried about the age difference. "I was worried that I'd be ten years out of step, and I wouldn't know anything about what was cool, what was hip, all that junk. But when I was going to high school, I didn't know any of that stuff then, either. So I just thought, well, hell, I'll just be me. The character, he's such a loner that he really wouldn't give a damn about that stuff anyway. He'd feel guilty that he didn't know it, but that's it." Ruck wasn't surprised to find himself cast young. "No, because, really, when I was eighteen, I sort of looked twelve", he said. "Maybe it's a genetic imbalance."
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According to the Inside Story (1986) documentary, Charlie Sheen's character's name is actually Garth Volbeck. There was going to be a whole backstory to his character and family. It was also revealed that the Volbecks are the family to whom Ferris's mom was showing the house in her job as a realtor. If you look closely, the tow truck that tows Rooney's car is from Volbeck's Wrecking Service. Also, a deleted backstory shows that Ferris and Garth were friends in the eighth grade. Garth's family's pretty messed up, and Ferris tried to help him, and be his friend, but Garth eventually dropped out of high school and wound up in the police station next to Jeannie. That's why Ferris is so intent on giving Cameron a good time. He blames himself for not helping Garth enough when he could.
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After working together on Weird Science (1985), John Hughes offered Bill Paxton the role of the garage attendant. However, Paxton turned it down, because he felt the role was too small. He admitted that he regretted turning it down, because Hughes never offered him a role again.
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Mia Sara beat Molly Ringwald to the role of Sloane Peterson because, according to John Hughes, she had elegance. According to Ringwald, "John wouldn't let me do it. He said that the part wasn't big enough for me."
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John Hughes personally designed Ferris' bedroom, mirrored mostly on his own bedroom when he was in high school. Hughes said that the room was a disorganized series of pop references and other things, because it would represent Ferris' mind.
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First Lady Barbara Bush paraphrased the film in her 1990 commencement address at Wellesley College: "Find the joy in life, because as Ferris Bueller said on his day off, 'Life moves pretty fast. If you don't stop and look around once in a while, you could miss it!'" Responding to the audience's enthusiastic applause, she added, "I'm not going to tell George, ya clapped more for Ferris, than ya clapped for George."
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Charlie Sheen was recommended by Jennifer Grey after they did Red Dawn (1984) together.
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Ben Stein was exceptionally moved by the film, calling it "the most life-affirming movie possibly of the entire post-war period." "This is to comedies what Gone with the Wind (1939) is to epics", Stein added. "It will never die, because it responds to, and calls forth such human emotions. It isn't dirty. There's nothing mean-spirited about it. There's nothing sneering or sniggering about it. It's just wholesome. We want to be free. We want to have a good time. We know we're not going to be able to all our lives. We know we're going to have to buckle down and work. We know we're going to have to eventually become family men and women, and have responsibilities and pay our bills. But just give us a couple of good days that we can look back on."
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Rooney's line about leaving "my cheese in the wind" was ad-libbed. John Hughes wanted a comment that was complete nonsense.
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Alan Ruck and Matthew Broderick previously acted together in the Broadway production of Biloxi Blues. Cameron's Mr. Peterson voice was an in-joke imitation of their former director Gene Saks. Ruck felt at ease working with Broderick, often crashing in his trailer. "We didn't have to invent an instant friendship like you often have to do in a movie", said Ruck. "We were friends."
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The hand that presses the speaker button on Cameron's phone belongs to John Hughes. When the crew left, Hughes took the camera and shot it himself, since no one else was getting it right.
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Ben Stein says he got the role of Bueller's Economics teacher through six degrees of separation. "Richard Nixon introduced me to a man named Bill Safire, who's a New York Times columnist. He introduced me to a guy who's an executive at Warner Brothers. He introduced me to a guy who's a casting director. He introduced me to John Hughes. John Hughes and I are among the only Republicans in the picture business, and John Hughes put me in the movie", Stein said. Hughes said that Stein was an easy and early choice for the role of the teacher: "He wasn't a professional actor. He had a flat voice, he looked like a teacher."
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The parade scene took multiple days of filming; Matthew Broderick spent some time practicing the dance moves. "I was very scared", Broderick said. "Fortunately, the sequence was carefully choreographed beforehand. We worked out all the moves by rehearsing in a little studio. It was shot on two Saturdays in the heart of downtown Chicago. The first day was during a real parade, and John got some very long shots. Then radio stations carried announcements inviting people to take part in a John Hughes movie. The word got around fast, and ten thousand people showed up. For the final shot, I turned around and saw a river of people. I put my hands up at the end of the number and heard this huge roar. I can understand how rock stars feel. That kind of reaction feeds you."
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In the scene in which Sloane and Ed Rooney are standing outside, waiting for Mr. Peterson, the school in the background was John Hughes' old high school.
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The restaurant where Ferris and company go to eat is the same one Jake and Elwood terrorized in The Blues Brothers (1980). It is also the same restaurant from St. Elmo's Fire (1985), where Kirby waits for Dale.
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According to John Hughes, Cameron was based, in large part, on a friend of his in high school. "He was sort of a lost person. His family neglected him, so he took that as license to really pamper himself. When he was legitimately sick, he actually felt good, because it was difficult and tiring to have to invent diseases, but when he actually had something, he was relaxed."
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The 1961 Ferrari GT250 was a modified MG sports car. The producers received several angry letters from car enthusiasts who thought the car shown was a real Ferrari that was actually wrecked.
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Ferris laments not having his own car, however he owned a synthesizer, which, in 1984, cost $8,000.
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John Hughes personally selected the songs for the film. He wanted them to be somewhat obscure to the typical moviegoing audience, feeling that he wanted everything about the film to feel new. For example, the song heard when the Ferrari is revealed for the first time (and during the final scene) is "Oh Yeah" by Swiss band Yello. The song was not a hit after its first release, but its inclusion in this movie rapidly popularized it, prompting a re-release. It has since been used in dozens of other movies and series, often in scenes featuring a desirable object or person.
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While filming the scene in which Ferris is using the clarinet, Matthew Broderick improvised the line "Never had ONE lesson!".
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Most of the license plates are all abbreviations for titles of films by John Hughes. Katie's = VCTN (National Lampoon's Vacation (1983)); Jeannie's = TBC (The Breakfast Club (1985)); Tom's = MMOM (Mr. Mom (1983)); Rooney's = 4FBDO (Ferris Bueller's Day Off (1986)). The exception is Cameron's father's Ferrari (seen when Ferris first pulls out of the garage), the license plate of which reads NRVOUS.
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The short scene with the coughing keyboard was improvised by Matthew Broderick. This is explained in the commentary on the DVD.
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Jeffrey Jones recalled, "My part was actually quite small in the script, but what seemed to be the important part to me was that I was the only one who wasn't swept along by Ferris. So I was the only one in opposition, which presented a lot of opportunities, some of which weren't even in the script or were expanded on. John was receptive to anything I had to offer, and indeed got ideas along the way himself. So that was fun, working with him. Hughes told me at the time, and I thought he was just blowing his own horn, he said, 'You are going to be known for this for the rest of your life', and I thought, 'Sure'... but he was right."
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The outfit Ferris is wearing (hat, sunglasses, and trench coat) when he picks up Sloane from school, can be seen on a mannequin in his room, behind his door, as his parents leave his room at the beginning of the movie to go to work.
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The bus scene that plays during the ending credits was a scene cut from the movie. It was meant to take place after Jeanie announced that she called the police, and Rooney had to find a place to hide. This explains why the sky isn't dark, and why a bus is taking students home at 6:00 p.m.
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The final scene in the garage was shot in early fall, so each of the leaves on all the trees outside had to be hand-painted green every morning before shooting. In the shot looking up from the wreck at the three friends, the yellow tree with most of its upper leaves gone can be seen reflected in the window.
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The parade sequence ("Twist and Shout" scene) was filmed during the Von Steuben Day Parade, an annual event in the Chicagoland area.
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According to Alan Ruck, the role of Cameron had originally been offered to Emilio Estevez, who turned it down. "Every time I see Emilio, I want to kiss him," said Ruck. "Thank you!"
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Ferris Bueller was named after John Hughes' life-long friend, Bert Bueller.
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Shermer High School is the same high school in Weird Science, Sixteen Candles (1984) and The Breakfast Club (1985).
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Several key moments in the movie were created in the editing room: Jeanie kicking Rooney three times in the face (when there was in fact only one kick filmed); Ferris and Sloane's kiss in front of Rooney was originally just a brief kiss, but was later edited into the long kiss seen in the film.
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John Hughes said that he had Matthew Broderick in mind when he wrote the screenplay, saying Broderick was the only actor who could pull off the role, calling him clever and charming. "Certain guys would have played Ferris, and you would have thought, 'Where's my wallet?'" Hughes said. "I had to have that look. That charm had to come through. Jimmy Stewart could have played Ferris at fifteen...I needed Matthew."
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The painting that Cameron admires is called "Sunday Afternoon on the Island of La Grande Jatte", by Georges Seurat. It is still on display at the Art Institute of Chicago. It is the inspiration for the long-running Broadway musical "Sunday in the Park with George."
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The text that appears on the screen when Ferris is explaining how to fake being sick to his parents was added later, because John Hughes thought the scene was too flat and not funny enough (according to him in the DVD commentary).
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The line Ferris says in the bathroom at the French restaurant about Cameron's house being very pretty, and very cold, was originally supposed to be said by Allison (Ally Sheedy) in The Breakfast Club (1985), regarding her home life.
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Charlie Sheen's role in this movie was filmed on one of his days off from the film Lucas (1986). His role came up mid-shoot.
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According to Alan Ruck, Cameron wears a Gordie Howe Detroit Red Wings jersey because Cameron had a grandfather in Detroit, who he had a great relationship with, and who used to take him to Red Wings games. It could also be seen as a dig at his Blackhawks-loving father. The two teams are bitter rivals.
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In the scene where the kids are exploring the art museum, the music playing is an enhanced instrumental version of "Please Please Please Let Me Get What I Want" by the Dream Academy (covering The Smiths' original, which appears in "Pretty In Pink".)
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Polly du Pont Noonan, who plays the girl Rooney sits next to on the bus, wore glasses that were specially made by the prop department. The lenses distorted her vision so much that they made her nauseous. Also, the glasses were so heavy that she had to hold her head in a certain position to keep them from falling down.
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There is a poster for Simple Minds' song "Don't You Forget About Me" on Ferris' wall. This song was featured prominently in John Hughes' The Breakfast Club (1985).
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The Cubs game depicted in the movie that Ferris and his friends attend was an actual game played against the Atlanta Braves on June 5, 1985.
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The shot of the street looking down from The Sears Tower was done by the second unit crew. The cameraman got sick, because he had to be held over the side to get the shot.
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Deleted scenes: - Ferris asks his dad on the phone about bonds his father purchased when he was born, he then takes one of them from a shoebox in his father's closet, cashes it at the bank with his girlfriend (telling the hard-of-hearing teller they are pregnant with a Jeep), and uses the money to pay for his day off. It was removed, because it made Ferris look like a thief rather than a lovable rogue. - Ferris orders something in French on the menu, and after everyone at the table tastes it, he is informed by the snooty waiter that he ordered "sweetbreads", which is a French dish made from the thymus gland. It was removed, because it showed the waiter getting the better of Ferris, but later in the movie, when Ferris is recounting the day to Cameron, he remarks "we ate pancreas".
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The hall scenes in which Jeanie is seen walking down the hall, and the kid collecting money to save Ferris, is the hall from The Breakfast Club (1985).
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Ferris wears a different outfit in each scene before he and Cameron go to pick up Sloane.
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While Sir Paul McCartney admitted that he liked the movie, he personally disliked the "Twist and Shout" sequence for its inclusion of brass instruments. Upon hearing McCartney's reaction, John Hughes felt bad for "offend(ing) a Beatle. But it wasn't really part of the song. We saw a band, and we needed to hear the instruments."
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In order to keep the savage rottweiler focused on Ed Rooney, John Hughes had Jeffrey Jones carry a raw steak around in his jacket pocket.
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Rob Lowe, John Cusack, Jim Carrey, Johnny Depp, Tom Cruise, Robert Downey, Jr., and Michael J. Fox were all considered for the role of Ferris Bueller.
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The dance sequence by the group on the stairs during Ferris' lip-synch performance of "Twist and Shout" is taken directly out of Michael Jackson's Michael Jackson: Thriller (1983) video, as well as the Jacksons' performance on the 1983 "Motown 25" TV special.
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At one point in the film, there was a line that Ferris was going to say, "Come next year, I'll be the first kid to ride on the Space Shuttle." It was even featured in the preview for theaters. However, less than five months before the film's release on January 28, 1986, the Challenger exploded, killing all seven aboard, including schoolteacher Christa McAuliffe. Because of this, John Hughes had the preview recalled from theaters, and the line was edited out of the final film.
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When Ferris hacks into the school's computer to change the number of absences he had, it is a subtle nod to WarGames (1983), when Matthew Broderick hacks into the school's computer to change his grades.
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The number "9" was chosen for the number of Ferris' absences because it sounded harsh when spoken by Rooney.
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The first edit of the film had a running time of two hours and forty-five minutes.
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The French restaurant Bueller crashes is "Chez Quis", which is a pun, as said aloud it would be "Shakeys", the pizza chain. "Chez Qui" means "the house of whom" in French.
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According to Matthew Broderick, Ferris singing "Danke Schoen" in the shower was his idea. "Although it's only because of the brilliance of John's deciding that I should sing 'Danke Schoen' on the float in the parade. I had never heard the song before. I was learning it for the parade scene. So we're doing the shower scene, and I thought, 'Well, I can do a little rehearsal", and I did something with my hair to make that Mohawk, and you know what good directors do? They say, 'Stop! Wait till we roll", and John put that stuff in."
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When Cameron is looking down the Sears Tower and says, "I think I see my dad.", he actually was looking at his dad (according to the original script) who was standing on the sidewalk. Later, there was supposed to be another scene where Cameron's dad sees his Ferrari parked along the street downtown. When he attempts to reach in the glovebox to confirm it, the garage attendant confronts him.
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John Candy auditioned for the role of Cameron Frye, but producers turned him down, fearing he was too old for the part.
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According to John Hughes, the scene at the Art Institute of Chicago was "a self-indulgent scene of mine, which was a place of refuge for me, I went there quite a bit, I loved it. I knew all the paintings, the building. This was a chance for me to go back into this building and show the paintings that were my favorite." The museum had not been shot in, until the producers of the film approached them. "I remember Hughes saying, 'There are going to be more works of art in this movie than there have ever been before,'" recalled Jennifer Grey.
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During the scene where Rooney fights with the intercom at Ferris' house, there is a shot of the kitchen. On the refrigerator in that shot is a drawing of John Hughes, done by his son, who was six at the time.
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Although one of the key scenes in the film has Ferris, Sloane, and Cameron enjoying a Cubs game at Wrigley Field, John Hughes stated on the DVD commentary that he was not a Cubs fan. The scene was set there because of the field's iconic status; also, the White Sox rarely played day games in 1985.
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Anthony Michael Hall turned down the role of Cameron to avoid being typecast.
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Matthew Broderick's dance moves were choreographed by Kenny Ortega (later, of Dirty Dancing (1987) fame). Much of it had to be scrapped though, as Broderick had injured his knee badly during the scenes of running through neighbors' backyards. "I was pretty sore", Broderick said. "I got well enough to do what you see in the parade there, but I couldn't do most of Kenny Ortega's knee spins and things like that, that we had worked on. When we did shoot it, we had all this choreography, and I remember John would yell with a megaphone, 'Okay, do it again, but don't do any of the choreography', because he wanted it to be a total mess." "Danke Schoen" was somewhat choreographed but for "Twist and Shout", Broderick said, "we were just making everything up". John Hughes explained that much of the scene was spontaneously filmed. "It just happened that this was an actual parade, into which we put our, unbeknownst to anybody, all the people on the reviewing stand. Nobody knew what it was, including the Governor."
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The two men in the funny hats, who can be seen when Ferris and his friends are at The Sears Tower, were in town on the day of shooting to watch the German Day parade, to which Ferris goes, later on.
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In the scene where Sloane is sitting in the taxi with Ferris and Cameron in the floor, Ferris' dad is in a taxi next to them reading the newspaper. As the scene ends you can see the headline "Community Rallies Around Sick Youth", but the wording in the actual article indicates that it was about a Chicago policeman who killed himself.
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The brief scene of the valets driving the car to the Star Wars: Episode IV - A New Hope (1977) theme was done in post-production.
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John Hughes had wanted to film a scene from the script where Ferris, Sloane, and Cameron go to a strip club. Paramount executives told him there were only so many shooting days left, so the scene was scrapped.
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Alan Ruck had previously auditioned for the Bender role in The Breakfast Club (1985) which went to Judd Nelson, but John Hughes remembered Ruck, and cast him as the seventeen-year-old Cameron Frye.
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The woman playing the accordion on the parade float was a local named Vlasta Krsek. She gained a degree of notoriety from the film, even appearing on The Tonight Show Starring Johnny Carson (1962). On the show she played and sang the song "Twist and Shout", which was one of the songs from that famous scene.
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The movie is set during the spring, but it was shot during the fall of 1985. There are several scenes in the film where you can see the trees changing colors.
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Ferris uses the word "finski" when referring to what he gave the parking lot attendant. "Finski" is regional dialect for a five-dollar bill.
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The address of Ferris's house is John Hughes's address when he was a kid.
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The school nurse who informs Sloane that her grandmother died is named Florence Sparrow, an obvious play on the name of the famous nurse, Florence Nightingale.
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The Ferrari was originally supposed to smash through the window of the garage and land in the backyard. It overshot its mark, however, and hit a fence that was dividing the house from the yard next door.
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No official soundtrack was ever released for the film, as John Hughes felt the songs would not work well together as a continuous album. However, according to an interview with Lollipop Magazine, Hughes noted that he had sent one hundred thousand seven-inch vinyl singles containing two songs featured in the film to members of his fan mailing list.
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The ska-pop group Save Ferris got their name from the words on the water tower in this movie, a favorite of theirs. The band Rooney is named after the principal in the movie, Ed Rooney. They were called the Ed Rooney Band before dropping it to just Rooney.
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When the Ferrari crashed, the fiberglass hood ripped, but branches were put over the rip to make sure the camera didn't record it.
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In an early draft of the script, Ferris had two additional younger siblings, and Jeanie was to be the middle child.
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According to editor Paul Hirsch, in the original cut, the museum scene fared poorly at test screenings until he switched sequences around, and John Hughes changed the soundtrack.
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John Hughes intended the movie to be more focused on the characters than on the plot. "I know how the movie begins, I know how it ends", said Hughes. "I don't ever know the rest, but that doesn't seem to matter. It's not the events that are important, it's the characters going through the events. Therefore, I make them as full and real as I can. This time around, I wanted to create a character who could handle everyone and everything."
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Paul Gleason was considered for the role of Ed Rooney. Gleason had previously played the role of Assistant Principal Richard "Dick" Vernon in The Breakfast Club (1985).
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Cameron's wearing a Detroit Red Wings hockey jersey is actually an insight to his character. When this film was made, the Red Wings were the worst in the league with an embarrassing win record. Cameron wore a Red Wings jersey to show that not only is the character "a lovable loser down on his luck", but that even the team he supports are losers.
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Jeffrey Jones was cast as Rooney based on his performance in Amadeus (1984), where he played the Emperor. John Hughes thought that character's modern equivalent was Rooney.
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Film critic Richard Roeper named this as his favorite film.
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Charlie Sheen said a few years later that watching his one scene in the movie made him want to punch himself in the mouth.
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Ranked at #10 on "Entertainment Weekly"'s 50 Best High School Movies (2006).
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Kristy Swanson was originally cast in the small role of the girl who talks on the phone with Ferris in the school hall. However, the role was re-cast with Kristin Graziano, because John Hughes felt it was better to film the scene in Chicago. Hughes had liked Swanson so much, though, that he offered her the part of the Economics student, which was shot in Los Angeles.
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In 2014, Ferris Bueller's Day Off (1986), was added to the National Film Registry by the United States Library of Congress.
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Mia Sara almost didn't play Sloane, because at the same time she auditioned, she was simultaneously auditioning to play Sarah in Labyrinth (1986).
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The scene in which Ferris is drawing the nude woman on his computer was going to be broadcast onto a jumbotron in Chicago, but the scene was later cut.
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According to the original script, Sloane has a brother, and her father left the family for a twenty-five year old bimbo.
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John Hughes wrote the screenplay in less than a week, as his logbook notes: "2-26 Night only 10 pages ... 2-27 26 pages ... 2-28 19 pages ... 3-1 9 pages ... 3-2 20 pages ... 3-3 24 pages."
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Sloane is named for Sloane Tanen, daughter of then-Paramount head Ned Tanen.
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Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.
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Ferris's "Life moves pretty fast" line was not originally the last line of the movie before the closing credits. The last line before the credits in the script was, "Yeah, life is a carousel. A great big crazy ball of pure living, breathing joy and delight. You gotta get one." John Hughes decided the change the line on the day of filming the scene.
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The house portraying Cameron's home has four bedrooms and four bathrooms, and is four thousand square feet. It was designed in 1953 by A. James Speyer and David Haid.
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Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies.
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Breakfast Club and Ferris Bueller's Day Off were both inducted into the National Registry for being Culturally significant; Ferris Bueller in 2014 and Breakfast Club in 2016. (Ferris Bueller was actually inducted first!) Those were the only two John Hughes movies that accomplished this.
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The passage that Ed Rooney quotes when he is trying to console Sloane ("man that is born of woman hath but a short time to live...") is the "First Anthem" for the Burial of the Dead from the Book of Common Prayer produced by the Anglican church. The anthem is based on Job 14:1-2.
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During the downtown parade scene, they pass a theater playing the movie Godzilla 1985 (1985). Matthew Broderick would go on to star in Godzilla (1998).
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The name of the Detective to whom Katie Bueller (Cindy Pickett) talks when picking up Jeanie (Jennifer Grey) is Stephen Lim (the name can be seen on the door when Katie exits his office). This is also the name of first assistant director Stephen Lim.
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As he was writing the film in 1985, John Hughes kept track of his progress in a spiral-bound logbook. He noted that the basic storyline was developed on February 25. It was successfully pitched the following day to Paramount Studios chief Ned Tanen. Tanen was intrigued by the concept, but wary that the Writers Guild of America was hours away from picketing the studio.
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Sloane was originally named "Tandy" in earlier drafts of the script.
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John Hughes had originally wanted to film the Wrigley Field scene at the baseball game at Comiskey Park, as Hughes was a Chicago White Sox fan. However, due to time constraints, the location was moved to Wrigley Field at the last minute.
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The high school band playing in front of the float Ferris is on is a real high school band from Lockport Township High School, a small town just south of Chicago.
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Tom Skerritt was considered for the role of Ed Rooney.
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The Ferrari in the movie was a replica of a Ferrari 250GT California Spyder (only 104 of which were actually produced). This version of Ferrari's already famous 250 series was designed specifically for the American market, featuring only two seats, a convertible top and more horsepower than in the standard European version.
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Cameron Frye shares very similar background to the kids from The Breakfast Club especially John Bender. Like the kids Cameron has a poor relationship with his parents, particularly his dad and like Bender, Cameron gets abused by his dad as well.
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John Hughes didn't like Ferris' beret when he is driving the Ferrari, but he really liked Cameron's flat cap.
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The squeak made by Ferris' finger, as he runs it down the car, was actually made by a female crew member.
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Eric Stoltz auditioned for the role of Ferris. Stoltz starred in Some Kind of Wonderful (1987), written by John Hughes.
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Louie Anderson had a small role as a flower deliveryman in this film. One of the episodes of his show Life with Louie (1994) was titled "Pains, Grains, and Allergy Shots", a reference to the John Hughes film Planes, Trains & Automobiles (1987). Anderson's television show also featured the voice talent of Edie McClurg, who is notable for appearing in many of Hughes' films, including this one.
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This is former U.S. Vice President Dan Quayle's favorite movie.
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Burlesque dancer Stephanie Blake was cast to play the singing nurse who shows up at Ferris's door with other delivery people. She said in an interview that when they were about to shoot the scene, Louie Anderson, who was playing one of the delivery guys, was in a bad mood and whispered in her ear, "You'd better get this right the first time because I want to get the Fuck out of here." When she told a friend about it layer, the friend, who had worked with Anderson at The Comedy Store, said, "That's really unusual for him to be mean. He must have had a fight with his boyfriend." Blake found out later that Anderson was upset because he had lines originally, but John Hughes cut them so that she could have lines. Hughes thought she would appeal more to their target teenage audience.
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At 43 minutes, when Ferris' father is holding a newspaper in the taxi, there's a headline reading, "Community rallies around sick youth". The article beneath it, however, is about the suicide of a local policeman, distraught over his estranged wife.
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Included among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 Funniest American Movies.
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Model Lucy Taylor appeared in the background of the parade.
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Despite all of the scenes at the house, and the fact that the Bueller house has a doggy door and the family dog is heard and seen periodically throughout the movie in and out of the house, at no time does the Bueller family interact with their dog. Jeannie does throw Rooney's wallet in the mud where the dog attacks Rooney, but she doesn't actually get near the dog. No one in the family acknowledges the dog and Ferris never closed the doggy door allowing a large angry Rottweiler to run around the neighborhood.
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Katie Barberi's debut,
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Released one day before Cynthia Ireland & Mike Johansen graduated from high school.
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Katie Barberi is of Italian ancestry.
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Director Cameo 

John Hughes: Hughes can be seen in a tiny cameo in one of the early Chicago downtown montage sequences. He's climbing literally across traffic, from right to left of the screen, wearing a light blue jacket and big "'80s hairdo" (from the DVD director's commentary).
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Director Trademark 

John Hughes: [Shermer] When Jeanie is in the police station, you see a quick shot of the chest of a police officer including his badge which identifies him as a police officer in the town of Shermer.
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John Hughes: [The Beatles] Ferris lip-syncs The Beatles' cover of "Twist and Shout". He quotes John Lennon's song "God" ("I don't believe in Beatles, I just believe in me.") Cameron's Detroit Red Wings jersey references Paul McCartney and Wings, as his Epiphone Texan acoustic guitar (which he played on The Beatles' "Yesterday") sported a Detroit Red Wings sticker from the mid-1970s onward. During filming, Hughes "listened to The White Album every single day for fifty-six days".
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Spoilers 

The trivia items below may give away important plot points.

In the scene by the swimming pool where Alan Ruck's character Cameron finally snaps out of his catatonic state and embraces the situation, Matthew Broderick throwing Mia Sara into pool after pushing Cameron in was unscripted. Her screams of surprise were genuine and the playful nature of the moment convinced John Hughes to include the shot in the final cut of the film.
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Cameron's shirts are meaningful in 2 scenes. He is wearing a medic's shirt while catatonic, and when they are running the Ferrari in reverse, he is wearing an inside out Airborne shirt....the logo is seen in reverse, and the Ferrari goes airborne while in reverse.
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According to Alan Ruck (Cameron), in one version of what happened after the movie ends, Cameron's father comes home and kills him by throwing him out of the window and Ferris and Sloane get married and then divorced.
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See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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