High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin.Written by
Polly Noonan, who plays the girl Rooney sits next to on the bus, wore glasses that were specially made by the Prop Department. The lenses distorted her vision so much, that they made her nauseous. Also, the glasses were so heavy, that she had to hold her head in a certain position to keep them from falling down. See more »
When Ferris is running home, his shoes change from dress shoes (saying goodbye to Sloane) to canvas tennis shoes (running down the sidewalk) to running shoes (through his neighbor's house and back yard) and back to dress shoes (confronted by Rooney at the back door). See more »
I'm so disappointed in Cameron! Twenty bucks says he's in his car right now debating on whether or not to go out.
[Cameron's in his car]
He'll keep calling me. He'll keep calling me until I come over. He'll make me feel guilty. This is uh... This is ridiculous, ok I'll go, I'll go, I'll go, I'll go, I'll go. What - I'LL GO. Shit.
[Turns the engine on then turns it off and hits the passenger seat]
God Damn it!
[Turns the car on and revs it up]
[Gets out of the car]
[...] See more »
Polly Noonan ('Girl On Bus' with the the Gummi Bears) has her name appear in the closing credits of the movie BEFORE she appears in the movie. See more »
Two different versions of the closing credits exist. On the widescreen DVD, the scene of Rooney getting picked up by the bus runs, split-screened, next to credits over a black field. On the full-frame NTSC laserdisc, Rooney's scene is in full-frame, with the credits chyroned over the lower quarter of the screen. See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
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