High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin.Written by
Even though they played siblings, Matthew Broderick and Jennifer Grey would later become engaged after this movie. Tragically, approximately a year later, after Broderick finished filming Biloxi Blues (1988), and before Grey's premier for Dirty Dancing (1987), the couple was involved in a fatal crash in Ireland, where the passengers of the other vehicle, a mother and daughter, died in the accident. See more »
The speedometer shown while Ferris is starting the car in the parking garage is not the same speedometer shown at other times (e.g. when the attendants are flying through the air). See more »
Not that I condone fascism, or any -ism for that matter. -Ism's in my opinion are not good. A person should not believe in an -ism, he should believe in himself. I quote John Lennon, "I don't believe in Beatles, I just believe in me." Good point there. After all, he was the walrus. I could be the walrus. I'd still have to bum rides off people.
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Polly Noonan ('Girl On Bus' with the the Gummi Bears) has her name appear in the closing credits of the movie BEFORE she appears in the movie. See more »
Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly.
Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.
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