High school student Ferris Bueller wants a day off from school and he's developed an incredibly sophisticated plan to pull it off. He talks his friend Cameron into taking his father's prized Ferrari and with his girlfriend Sloane head into Chicago for the day. While they are taking in what the city has to offer school principal Ed Rooney is convinced that Ferris is, not for the first time, playing hooky for the day and is hell bent to catch him out. Ferris has anticipated that, much to Rooney's chagrin.Written by
Director Cameo: Hughes finger pressed down on the button on the phone, when Cameron is in bed when the audience first meets him. According to Hughes, no one could do it dramatically, so he did it himself. See more »
The parade in the movie is the Baron von Steuben Parade, which is a real event but takes place on a Saturday in September. While the film was actually in production during early autumn, it is supposed to be taking place in late spring, and obviously the other events in the film do not work if they're not taking place between Monday and Friday. See more »
[Ferris, Sloane and Cameron are in a taxicab. Ferris and Sloane are kissing]
It's getting late, buddy. We better go get the car back home.
We have a few hours. We have until 6:00.
I'm sorry. I know you don't care, but it does mean my ass.
You think I don't care?
I KNOW you don't care.
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Ferris comes out of bathroom: "You're still here? It's over. Go home." See more »
A line in the theatrical version is "The man could squash my nuts into oblivion." The TV version replaces "nuts" with a *very* badly-overdubbed "brains." See more »
Let me first say that the main story here, involving the kids, contains many iconic scenes.
The problem is the sub-plot about the misadventures of the school's principle (Mr Rooney) which seems to come from a different and inferior film. Its lazy slapstick brings to mind the worst parts of Police Academy or Home Alone.
But the problem is deeper than that. It is philosophical.
For here we have 3 affluent kids who have pampered lifestyles (particularly the insufferable Ferris), and our sympathies are supposed to lie with them. Meanwhile the butt of the joke is someone who actually has to work for a living.
The cruelty with which he is subjected to humiliation while the kids swan around at others' expense is actually quite sickening. It is like seeing aristocrats gorging themselves and then being invited to laugh at their servants.
It is no good saying that he is an authority figure. That would only work if the kids were of a lower standing in society as he is. If they were Chaplinesque hobos who needed to kick a cop up the behind or they were acting out of necessity, you could understand it. But they are entirely selfish.
Ferris Bueller is an impossibly perfect youth, good looking, pampered by his parents, with a beautiful girlfriend and an assortment of gadgets which would have cost his adversary, principle Rooney, a year's wages back in the mid 80s. We are constantly told how popular he is in school. Why? I imagine a real life Bueller would annoy the hell out of most people.
His friend Cameron has access to at least two cars, one of which is a fabulous Ferrari which his father keeps in a large garage overlooking a specular wooded area.
And we are supposed to care that these, and Bueller's girl, go on a joyride? Rather like in the old Road Runner cartoons, which suppose our sympathies should lie with a one-dimensional annoying character rather than the harassed workaholic, I guess many people were hoping that Bueller would get his comeuppance in the end. Alas no such luck.
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