Down and Out in Beverly Hills (1986) - News Poster


10 Things You Never Knew About The Nightmare Before Christmas

10 Things You Never Knew About The Nightmare Before Christmas
For many of us, The Nightmare Before Christmas has become as much of a holiday tradition as the stop motion animation classics that inspired it. Jack, Sally, Zero, and the rest of Halloween Town have enchanted our imaginations (and filled our collectibles shelves) ever since the movie arrived in theaters in October 1993. Here, we look at 10 things you never knew about The Nightmare Before Christmas.

The Nightmare Before Christmas began as a poem.

Clement Clark Moore's 1823 poem A Visit from St. Nicholas is more commonly referred to as The Night Before Christmas, thanks to its opening line, "'Twas the night before Christmas." Tim Burton, who grew up in Southern California, has said he was inspired by the collision of holiday decorations in stores as the seasonal sections switched from Halloween to Christmas. As he toiled away as an animator at Disney, he started to work on his own projects,
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Nick Nolte Reflects on What Acting’s Meant for Him Ahead of Walk of Fame Honor

Nick Nolte Reflects on What Acting’s Meant for Him Ahead of Walk of Fame Honor
Nick Nolte lives in a treehouse in Malibu. It’s an actual house. In a tree. A tree runs through the bedroom. He built it on the property he owns, a rustic 2.5-acre lot on which there are several small houses and an organic fruit and vegetable garden and dogs and cats running around. And every morning the first thing Nolte does when he wakes up is reach out and put his hand on the tree. And he feels the tree’s pulse. And he says to himself, “This is so cool. It’s alive.”

Nolte, who is receiving a star Nov. 20 on the Hollywood Walk of Fame, bought the property, within faint earshot of the Pacific Ocean, about 40 years ago, 10 years after he moved to L.A. to become a star. The semi-remote location (Kevin Dillon is a neighbor) is something that Nolte relishes; the fresh smell of dirt and grass, the cool shade
See full article at Variety - Film News »

What Is the Best American Remake of a Foreign-Language Film? — Critics Survey

What Is the Best American Remake of a Foreign-Language Film? — Critics Survey
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: In dubious honor of “Sleepless,” a new Jamie Foxx vehicle that’s been adapted from Frederic Jardin’s “Sleepless Night,” what is the best American remake of a foreign-language film?

Joshua Rothkopf (@joshrothkopf), Time Out New York

Long before I knew and appreciated Jean Renoir, I was in love with “Down and Out in Beverly Hills,” a 1986 comedy based on “Boudu Saved from Drowning” that peppered the flow with some truly eye-opening ideas for Hollywood: class warfare, unequal police treatment, a neurotic dog with its own therapist. The movie holds up beautifully — it’s one of Nick Nolte’s quietest performances, and one
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Giveaway – Win La Bamba Dual Format (Blu-ray and DVD) Edition

We have three copies to give away of the All-American rock to riches story of rock and roll legend Ritchie Valens starring Lou Diamond Phillips.

The life of rock & roll legend Ritchie Valens bursts across the screen in the highly celebrated music-filled biopic La Bamba, starring Lou Diamond Phillips (Young Guns, Che) as the teenage sensation whose rise to fame was tragically cut short at the age of 17.

Phillips gives an electrifying performance as Valens, who has to contend with racial prejudice, a jealous brother (a stunningly intense Esai Morales, NYPD Blue, Caprica) and an overbearing mother, before his unique style of Latino-influenced rock & roll rockets him to fame, but sets him on the path for an unavoidable date with destiny.

Featuring music from Grammy Award winning rock band Los Lobos, and also starring Elizabeth Peña (Jacob’s Ladder, Down and Out in Beverly Hills), director Luis Valdez’s La
See full article at Flickeringmyth »

Remembering Curtis Hanson, Jon Polito, Bill Nunn and More Reel-Important People We Lost in September

Reel-Important People is a monthly column that highlights those individuals in or related to the movies that have left us in recent weeks. Below you'll find names big and small and from all areas of the industry, though each was significant to the movies in his or her own way. Edward Albee (1928-2016) - Playwright. He's best known for writing the play Who's Afraid of Virginia Woolf, which was turned into the classic 1966 movie. Other movies adapted from his plays include A Delicate Balance and The Ballad of Sad Cafe. He died on September 16. (Nyt) Alexis Arquette (1969-2016) - Transgender Actress. Her movies include Last Exit to BrooklynPulp FictionDown and Out in Beverly HillsThe Wedding Singer (see...

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Jeffrey Katzenberg Pushed Forward the Careers of Mike Myers, Angelina Jolie, Justin Timberlake and More

Jeffrey Katzenberg Pushed Forward the Careers of Mike Myers, Angelina Jolie, Justin Timberlake and More
It’s appropriate that Jeffrey Katzenberg is now celebrating his Imprint Ceremony at the Chinese Theatre. After all, his fingerprints are all over Hollywood.

Over the years Katzenberg has discovered, mentored and nurtured talent, and his long-standing relationships with such actors as Julia Roberts, Eddie Murphy, Tom Cruise, John Travolta, Mike Myers, Richard Gere, Angelina Jolie, and Justin Timberlake have been a key their success as well as his own.

Katzenberg personally casts all his movies. He put Murphy in the “Beverly Hills Cop” and “Shrek” franchises and helped glamorous stars such as Jolie and Cameron Diaz broaden their fanbase by moving into animated films, “Kung Fu Panda” and “Shrek,” respectively.

He raised the trajectories of such comedians as Myers (“Shrek”) Jack Black (“Kung Fu Panda”), and Ben Stiller (“Madagascar”). He helped pair Roberts and Gere in “Pretty Woman,” guided Cruise through such hits as “Color of Money” and “Minority Report,
See full article at Variety - Film News »

Films of 1986; Aliens Hits The 30 Year Mark

“Game over, man, game over!” It’s rare for a sequel to live up to the original film, but James Cameron managed to fulfill expectations with Aliens (July 18, 1986). This summer marks the 30th Anniversary of the action-packed sci-fi classic, so “stop your grinnin’ and drop your linen.”

Tune-in Saturday, July 23, to an exclusive Aliens YouTube live stream Q&A with the filmmakers and cast from San Diego Comic-Con! Submit your questions in the comments below for a chance to get them answered. #Aliens30th

To celebrate the 30th anniversary of Aliens (1986), San Diego Comic-Con will host an Aliens reunion on Saturday, July 23. Attendees include director James Cameron, producer Gale Anne Hurd, Sigourney Weaver, Bill Paxton, Lance Henriksen, Paul Reiser, Michael Biehn, and Carrie Henn.

Subscribe to Fox Movies and follow on so you don’t miss this exclusive live event.

The terror continues in James Cameron
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Review: “La Chienne” (“The Bitch”; 1931; Directed by Jean Renoir) Blu-ray Criterion Special Edition

  • CinemaRetro
“The Streetwalker And The Sucker”

By Raymond Benson

Fans of Fritz Lang’s film noir of 1945, Scarlet Street, may do well to take a look at this little French gem from 1931. Lang’s film was a Hollywood remake of La Chienne, which was based on a novel by Georges de La Fouchardière (it was also adapted into a stage play by André Mouëzy-Éon). More significantly, La Chienne was the second—and first feature length—sound film by the great Jean Renoir.

Renoir had done well in the silent era, but the invention of talkies presented the filmmaker with a larger palette of tools with which to craft some of his greatest works. Beginning with La Chienne, Renoir became France’s premiere director, a position he held for a decade.

La Chienne translates as “The Bitch,” and viewers may question which woman in the picture the title is referring to—the lead, Lulu, a beautiful blonde “street woman” (a con artist and often a prostitute), who serves as the femme fatale of the story (and wonderfully played by Janie Marèze)... or the wife of our protagonist, such a shrew of a woman that there’s no wonder why we sympathize with the poor schmuck, Maurice (portrayed by the brilliant Michel Simon), a banker and part-time painter who does everything he can to get away from his marriage and set up Lulu as his mistress. Of course, Lulu is really being played by her lover and pimp, the nasty Andre (played by real-life Parisian gangster Georges Flamant, who was also an amateur actor). Maurice is merely the mark, the sucker who is seduced by lust and led to his ruin.

Unlike Scarlet Street, La Chienne is more melodrama than film noir. Renoir handles the material well without making it overwrought, and he succeeds in developing fine character studies of the three leads. Those familiar with the director’s later masterpieces such as Grand Illusion (1937) and The Rules of the Game (1939) will find this early work fascinating. Renoir’s signature mise-en-scène is easily identifiable, even in its baby steps. Also impressive are the street scenes shot on location—this was the real Paris of 1931, displayed in glorious black and white.

Michel Simon, like Renoir, was one of France’s biggest film artists. Originally Swiss, Simon made French silent films and later had a long run as an actor in talkies. He has a distinctive Bassett Hound face, perfect for betraying first the joy and then the pain Lulu puts him through. According to Renoir scholar Christopher Faulkner, who talks about the movie in one of the disk’s supplements, apparently Simon fell in love with the actress playing Lulu off-screen. But, like in the film, Janie Marèze was seeing Flamant, and this relationship was encouraged by Renoir. Not long after production was completed, Marèze was killed in an automobile accident with Flamant at the wheel. At the funeral, Simon allegedly threatened Renoir with a gun, but he must have calmed down, for Simon starred in a subsequent Renoir feature, the excellent Boudu Saved from Drowning (1932; incidentally, this was remade in Hollywood in 1986 as Down and Out in Beverly Hills).

The Criterion Collection’s release features a new, restored 4K digital transfer that looks so pristine and sharp you might think the film was made last week. There’s an uncompressed monaural soundtrack and a new English subtitles translation. Supplements include an introduction to the film by Renoir himself, shot in 1961; the aforementioned interview with Faulkner on the movie; a sparkling new restoration of Renoir’s first sound film, the short On purge bébé (also 1931), a comic bauble based on a one-act play by Georges Feydeau and also starring Michel Simon; and a ninety-five minute 1967 French TV program featuring a conversation between Renoir and Simon. An essay by film scholar Ginette Vincendeau adorns the booklet.

A fine, notable release, and a must for lovers of European cinema.

Click Here To Order From Amazon
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Cloris Leachman, Ed Asner & Florence Henderson to Star in Drama on Streaming Service Feeln (Exclusive)

Cloris Leachman, Ed Asner & Florence Henderson to Star in Drama on Streaming Service Feeln (Exclusive)
Feeln, the Svod service of Hallmark Cards, has greenlit a new scripted drama, “The Eleventh,” which will star Cloris Leachman, Ed Asner and Florence Henderson, Variety has learned exclusively.

“The Eleventh” follows a young girl’s journey to getting to know her estranged grandmother in order to bring closure to the past and unite her family. The show is currently in production for multi-platform distribution.

Aside from “The Mary Tyler Moore Show” and “Brady Bunch” alums, Chris Atkins (“The Blue Lagoon”) and Tracy Nelson (“Down and Out in Beverly Hills”) will also star in the series.

“Uniting iconic television legends to share the screen again has been an incredible experience, and we can’t wait to share the final product,” said Feeln CEO Rob Fried, who will serve as an exec producer on “The Eleventh” with Cristina Malavenda and Laurence Braun. John Dion created the series.

“The Eleventh” marks a
See full article at Variety - TV News »

Here’s What’s Coming To Netflix and Amazon Prime in March

Lousy Smarch is almost here and the debut schedules for all the movies and series that will be hitting Netflix in March have arrived. We also have the Amazon Prime folks covered as well! The second season of Marvel’s Daredevil and the premieres of the fourth season of House of Cards and the first season of the new comedy Flaked, with Will Arnett hit the small screen. Did you forget about the premiere of the Judd Apatow-produced Pee-wee’s Big Holiday? We didn’t.

On the Amazon Prime front, check out below to see what you’ll be able to stream for free and what’s going to have a cost. Let’s watch!

All Title Dates are Subject to Change

Netflix U.S. Release Dates Only

Available 3/1

Adult Beginners (2015)

Ahora o Nunca (2015)

Aldnoah.Zero: Season 2

American Pie Presents: Beta House (2007)

American Pie Presents: The Naked Mile
See full article at City of Films »

What's Leaving Netflix in March 2016

  • Moviefone
March 2016 is a sad month for some Netflix subscribers.

Say goodbye to '90s films "American Pie" (1999), "Hackers" (1995), Mel Gibson's "Hamlet" (1990), "Indecent Proposal" (1993) and "Jumanji" (1995) in March. Also disappearing: Will Smith movies "Hitch" (2005) and "Men in Black II" (2002), as well as oodles of TEDTalks that are all expiring next month.

Here's the complete list of what's leaving Netflix streaming in March.

Leaving March 1, 2016

"Alvin and the Chipmunks Meet the Wolfman" (2000)

"American Pie" (1999)

"American Wedding" (2003)

"Atlantis: The Lost Empire" (2001)

"The Babysitters" (2007)

"The Chosen One" (2010)

"Down and Out in Beverly Hills" (1986)

"Emily Bronte's Wuthering Heights" (1992)

"Gone in 60 Seconds" (2000)

"Hackers" (1995)

"Hamlet" (1990)

"Hannie Caulder" (1971)

"Hardball" (2001)

"Hart's War" (2002)

"Hitch" (2005)

"Indecent Proposal" (1993)

"Johnny Dangerously" (1984)

"Jumanji" (1995)

"Masters of the Universe" (1987)

"Men in Black II" (2002)

"The Monster Squad" (1987)

"Not Another Teen Movie" (2001)

"Paycheck" (2003)

"Switchmas" (2013)

"The United States of Leland" (2003)

"Wings" (1927)

Leaving March 2, 2016

"Stevie Nicks: In Your Dreams" (2013)

Leaving March 3, 2016

"Night Catches Us" (2010)

Leaving March 4, 2016

See full article at Moviefone »

These Movies and TV Shows Are Kissing Netflix Goodbye in March

It's time to bulk up your Netflix queue, people, because the streaming giant is putting quite a few movies and TV shows on the chopping block throughout March. From hilarious titles like American Pie to tearjerkers like Hardball, check out which of your favorites are disappearing soon, and then see everything that's definitely here to stay, plus the new movies and shows coming in March! Expiring March 1 Switchmas Alvin and the Chipmunks Meet the Wolfman American Pie American Wedding Atlantis: The Lost Empire Down and Out in Beverly Hills Emily Bronte's Wuthering Heights Gone in 60 Seconds Hackers Hamlet Hannie Caulder Hardball Hart's War Hitch Indecent Proposal Johnny Dangerously Jumanji Masters of the Universe Men in Black II Not Another Teen Movie Paycheck The Babysitters The Chosen One The Monster Squad The United States of Leland Wings Expiring March 2 Stevie Nicks: In Your Dreams Expiring March 3 Night Catches Us
See full article at BuzzSugar »

You're Already Dead: Celebrating 25 years of 'Jacob's Ladder'

  • Hitfix
You're Already Dead: Celebrating 25 years of 'Jacob's Ladder'
"Eckhart saw Hell too. He said: The only thing that burns in Hell is the part of you that won't let go of life, your memories, your attachments. They burn them all away. But they're not punishing you, he said. They're freeing your soul. So, if you're frightened of dying and you're holding on, you'll see devils tearing your life away. But if you've made your peace, then the devils are really angels, freeing you from the earth." -- Louis (Danny Aiello) in "Jacob's Ladder" I first viewed "Jacob's Ladder" on VHS several years after its release in theaters, when it received a lukewarm response from audiences (it grossed around $26 million by the end of its run) and received a polarizing response from critics: Roger Ebert called it "powerfully written, directed and acted" while The Washington Post's Hal Hinson charged it with being "garbled and cliched."  My initial reaction to
See full article at Hitfix »

What was the best year in film history? HitFix readers continue the debate

  • Hitfix
What was the best year in film history? HitFix readers continue the debate
HitFix's recent spate of "Best Year in Film History" pieces inevitably spurred some furious debate among our readers, with some making compelling arguments for years not included in our pieces (2007 and 1968 were particularly popular choices) and others openly expressing their bewilderment at the inclusion of others (let's just say 2012 took a beating). In the interest of giving voice to your comments, below we've rounded up a few of the most thoughtful, passionate, surprising and occasionally incendiary responses to our pieces, including my own (I advocated for The Year of Our Lynch 2001, which is obviously the best). Here we go... Superstar commenter "A History of Matt," making an argument for 1968: The Graduate. Bullit. The Odd Couple. The Lion in Winter. Planet of the Apes. The Thomas Crown Affair. Funny Girl. Rosemary's Baby. And of course, 2001, A Space Odyssey. And that's only a taste of the greatness of that year. "Lothar the Flatulant,
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Richard Dreyfuss on Why Blockbusters are 'Coming to an End'

Richard Dreyfuss on Why Blockbusters are 'Coming to an End'
The Academy Award winning actor and star of "American Graffiti," "Jaws" and "The Goodbye Girl" attended the Belgrade International Film Festival as one of its guests of honor. Among the event's many changes and novelties that include several brand new competition programs, the festival has created the Victor Lifetime Achievement Award and Dreyfuss was the first recipient of this brand new recognition. In honor of the achievement, the festival not only screened seven of his most important films such as the above-mentioned three -- as well as "Rosencrantz and Guildenstern Are Dead," "Dillinger," "Close Encounters of the Third Kind," "Postcards from the Edge" and "Down and Out in Beverly Hills" in the recently inaugurated new building of the renowned Yugoslav Film Archives -- but the institution also recognized the actor’s invaluable body of work by honoring him with its famed Golden Seal. Read More:...
See full article at Indiewire »

Remembering the filmmaking talents of Leonard Nimoy

  • Hitfix
Remembering the filmmaking talents of Leonard Nimoy
Leonard Nimoy will be remembered for many things. Foremost is creating an iconic character known the world over, but his contributions to the world of entertainment go far beyond what he achieved in front of the camera. He was also a writer, an artist and a director. As a filmmaker, he actually helmed two of the biggest hits of the 1980s, "Star Trek IV: The Voyage Home" and "Three Men and a Baby." If moviegoers should have any regrets for Nimoy it's that he only made a few more films after those blockbusters. But his legacy lives on in many ways. It certainly lives on with me. When you talk to most "Star Trek" fans, they are either of the age where they became fans of the franchise during its initial 60s run, when it was syndicated in the 70s or when it returned to television with "Star Trek: The Next Generation.
See full article at Hitfix »

Sundance Film Review: ‘A Walk in the Woods’

Sundance Film Review: ‘A Walk in the Woods’
Robert Redford and Nick Nolte go for “A Walk in the Woods” in Ken Kwapis’ broad, bland adaptation of Bill Bryson’s 1998 tome. Like that mildly amusing travel-memoir-cum-elongated-humor-column, there’s light diversion but little substance in this tale of two grumpy old men making a predictable hash of their effort to hike the Appalachian Trail. The appeal of the cast names and the equally venerable scenic vistas should lure older audiences, though whether they’ll get out to theaters or wait for home-format delivery is an open question.

With his grandkids coming of age and peers dying off, Bill (Redford) here worries he’s losing his mojo with little time to spare; ergo his very random decision to hike the 2,200-mile trail, a determined whim that his English wife, Cathy (Emma Thompson), considers foolish and dangerous at his age. She insists that at least he not travel alone. No one
See full article at Variety - Film News »

The 31 Best Comedies on Netflix Right Now

Who doesn't love to laugh? Whether your taste runs to R-rated raunch, classic yuks or witty British humor, you'll find something hilarious to stream on Netflix.

Right now, there are movies starring Robin Williams, Walter Matthau, Jack Black, Goldie Hawn and a nice selection of films showcasing the comedy chops of Joan Cusack. (Availability subject to change, so get streaming now!)

1. "The Addams Family" (1991) PG-13

Everyone's favorite macabre family is wonderfully portrayed by Anjelica Huston as Morticia, Raul Julia as Gomez, Christopher Lloyd as Uncle Fester and Christina Ricci as Wednesday. Spooky fun, just in time for Halloween.

2. "The Bad News Bears" (1976) PG

Walter Matthau is a grumpy hoot as a reluctant little league coach, Tatum O'Neal is great as the tomboy pitcher and the Bears (including a young Jackie Earle Haley) are perfectly, awfully bad.

3. "Bernie" (2011) PG-13

Jack Black stars in the real-life story of a mortician who ends
See full article at Moviefone »

El Rey Network, Fans Mourn Passing of Elizabeth Peña

Sad news to report as actress Elizabeth Peña, known for early roles in films like ‘La Bamba,’ ‘Down and Out in Beverly Hills,’ and ‘*batteries not included,’ has died. Ms. Peña was 55, according to her nephew. Peña had recently wrapped an excellent first season of the El Rey Network series ‘Matador.’The news first broke at Latino Review, written by Peña’s nephew that the beloved actress had passed away at Cedars-Sinai Medical Center in Los Angeles last night.In his article he writes:Tonight, my family is heartbroken. There’s now a void that will never be filled. All we can do now is […]
See full article at Monsters and Critics »

Elizabeth Pena 'Modern Family' Actress, Dies At 55

Elizabeth Peña, the TV and movie actress, died on Tuesday after a brief illness. She was 55.

Elizabeth Peña Dies

Peña’s manager confirmed her untimely death to CNN. Details on the illness that took her life have not been revealed.

On Modern Family, Peña proved to be a scene stealer playing the mom of Gloria (Sofia Vergara), Pilar, in the show’s 2013 season. She’s also had memorable guest-starring roles on Major Crimes, Prime Suspect, Ghost Whisperer, Without a Trace, NCIS and more. Peña’s most recent leading role on a TV show was as Maritza Sandoval in Matador.

Peña, who had her first film role in 1979, has been in tens of moves. Over the decades, she’s appeared in They All Laughed, Down and Out in Beverly Hills, La Bamba, Free Willy 2: The Adventure Home, Rush Hour, Tortilla Soup and voiced the part of Mirage in The Incredibles.
See full article at Uinterview »
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