Shot in stylish black-and-white, this three-act fable, set in wartime Chongqing, focuses on the indifferent rich, the head clerk on a farm, and some young intruders. Based on a 1943 short ... See full summary »
A dying old lady reminisces about her happier moments. Her daughter, Hui Ying, decides to move her father's grave from his hometown to beside her mother's grave. However, his first wife, ... See full summary »
In the years after the Revolution that overthrew the Qing Dynasty in China and established the republic, China broken up into fiefdoms held by warlords, who are busy fighting each other. A ... See full summary »
Tony Chiu-Wai Leung,
Ching Wan Lau,
A retired old west killer sets up a hotel for vagrants and wayward souls called Peace Hotel. When a woman with a gang on her tail attempts to hide there the owner of the hotel must revert to his old ways to protect his hotel.
Two Young couples Lap (Joey Wang) and Rick (Kenny Bee) separates when Lap's Father (Kwan Hoi San) fails a mission, and Lap asks his father's partner Godfather Shen (Chan Wai Man) for help ... See full summary »
From World War, to revolution and ultimately rebirth, Forever Young is the story of four generations spanning a hundred years of modern Chinese history. Each generation faces its own unique... See full summary »
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
In a small seaside town, two schoolgirls are sexually assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she chooses to keep silence.
This is a film that has been unfairly saddled with criticism regarding its portrayal of the homeless and mentally ill, as well as its tendency to paint its titular subjects in violent terms. However, this is a rare breed of film for Hong Kong cinema, an unapologetic social commentary.
As subjects for film, mental illness and homelessness are not recognized as elements in the formula for success. Western society has no better answers for these social problems than the HK system presented in this movie. Social workers are usually overworked and underpaid. Social programs dealing with these problems often receive little public support and agencies charged with the oversight of such programs often have chronic funding issues.
"The Lunatics" casts big name HK stars as the homeless mental patients of its title. This pejorative term does not truly reflect on how the mentally ill are viewed by the film itself. By using the label as title, the film instead challenges the beliefs of the viewer.>
The film follows a social worker as he moves through his day, doing his best to make a difference in the lives of his clients. He is dogged by a reporter wishing to shine the questionable light of journalism onto the issues of mental illness and homelessness. Her presence proves problematic in ways that propel the plot forward.
Tony Leung Chiu Wai is almost unrecognizable in a book-ended performance as the inarticulate, childlike Doggie. Doggie hangs around a fish market, trying to connect with the people who shop and work there. His attempts to engage the fish market denizens in play instead create fear and panic. Leung Chiu Wai's performance is at once moving and frightening.
Chow Yun Fat is memorable in small but heartrending role as Chung, father of two who lives in the city dump and cares for his two small children. Chung ekes out a marginal existence, but does his best to be a good father all the same. The social worker chances across him on a street corner, and is informed that he "has trouble". The social worker and the reporter follow Chung to his shack. There they find one of Chung's children deathly ill, the other missing. Chow proves his versatility once again as he adopts the furtive eye movements and muttering speech of the untreated schizophrenic--completely unrecognizable as the suave sophisticate of films like John Woo's "The Killer".
The third mental paitent seems to be rehabilitated when he is introduced. Events in his life soon spiral out of control. His stability is threatened that soon affects everyone involved in his case.
Tragedy follows tragedy as the film concludes.Along the way it has shown the shortfall of social systems to care for the disenfranchised in an unflinching and compelling way unusual for HK cinema. This film shines a courageous, unwavering light on a difficult subject.
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