After one too many encounters with The Spiders (a rival gang), The Ravens' leader's girlfriend tells him to quit the gang or it's Splitsville. He does so, but the leader of The Spiders is ... See full summary »
Grief-struck after the death of his wife, a young man attempts to keep her with him forever - by gutting her, stuffing her and replacing her eyes with glass eyes, turning her into a doll. But his bouts of insanity are just beginning.
A horribly disfigured lawyer, wrongfully diagnosed dead after a terrible car accident, is taken to an asylum for dissection, only to come back alive, kill everyone, and make the asylum his killing grounds.
A priest comes to a small town to help get rid of a monster whose blood coagulates very fast. This creates problems as the monster is very hard to kill and then decides to go on a killing spree of its own.
Frankie is a war vet whose life sucks. He has no money, a nagging wife, junkie friends, and a deformed baby. This is the story of one day in his pathetic post-war life.Written by
Josh Pasnak <email@example.com>
If you want to see a very effective, considerably penniless drama filled with horror and despair you can't go past the Troma released "Combat Shock". Looking at the cover artwork, it doesn't do it any justice because it's far more than just an exploitative actioner but a thoughtfully raw and unsettling psychological character piece on the struggle to cope with the hardship of unflinching reality that faced Frankie a Vietnam Vet returning back to a decayed society that just doesn't care. It's a dog eat dog world. Other than the nightmares and flashbacks that plague his mind, he finds himself still battling a war and trying to survive along with his wife and baby son (which is a disturbing sight); only the jungle this time is in his own backyard. An urban jungle --- where pimps and thugs rule the nest. Nothing seems to go right, even when he tries it goes from bad to worse with no real luck and the powerfully downbeat finale is hard to wipe from your mind. It's as depressing as you can get, because the story actually gets your into this character's mindset making you feel every bit of pain and torture. There is some action and violence, but like I mentioned earlier it's more than just that. Ugly to look at with its seedy shot on locations, but the script emotionally unfolds slowly and remains captivating in its bleak intensity. Sometimes it might lull about with the spaced-out central character's aimless wandering, but it grimy edginess just sticks with you. Although the accompanying electronic score does amplify some oddly sounding cues. Performances are credible and Ricky Giovinazzo moodily solitude turn is picture-perfect as Frankie. Director/writer/producer Buddy Giovinazzo straight-up compact handling is tough and unsparing, making the production a true labour of love. Primitive, but challenging entertainment.
"I can't go home empty handed tonight"
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