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Stallone's 80's best underrated Action Horror film Cobra!
ivo-cobra86 October 2015
My favorite best Stallone action movie. But from the 80's that Stallone made action films is the first stand alone film not meaning Rocky and Rambo. Cobra will never stop been my favorite best action movie horror thriller from the 80's that is out there. It is one of my personal favorite movies. I wish only the movie wouldn't be that short but still it was directed by George P. Cosmatos who directed Rambo this movie was made right after Rambo: First Blood Part II was released.

Cobra is also a Cannon film and one of the best action horror thrillers that is out there. Cobra simply rocks! And it is a highly entertaining underrated action flick that guarantees the viewer a great show. Cobra is another one of those movies. It's not deep, it has a social message but doesn't really care about it. Its just pure old fun. The night slasher kills people randomly. He targets anyone, anywhere. The police don't have a clue, they can't stop him, all they can do is wait for the next death. But that all changes when Ingrid gets a good clear look at the chief of the gang. Yes, it's not one person, it's a group of killers that have set their minds on hunting the weak of society. Now they'll do anything to kill the only witness, the woman that can finish their 'dream' but they didn't count on one man: Marion Cobretti.

The movie plays with the idea that murderers use the system to get away with their crimes. It explores the fear in society, the impotence of the courts and introduces Cobretti, a cop who doesn't care about the law only his justice. Although I don't agree with this I still enjoyed the movie since Stallone didn't spend much time making his point, rather went fast for the action.


Cobra is a 1986 American action film directed by George P. Cosmatos, and written by Sylvester Stallone, who also starred in the title role. The film co-stars Reni Santoni, Brigitte Nielsen and Andrew Robinson. The film received negative reviews, with much criticism focused on the overuse of genre tropes, yet it debuted at the number one spot on the U.S. box office and became a financial success.

The film was loosely based on the novel Fair Game by Paula Gosling, which was later filmed under that title in 1995. However, Stallone's screenplay was originally conceived from ideas he had during pre-production of Beverly Hills Cop, whose screenplay he heavily revised. He had wanted to make Beverly Hills Cop a less comedic and more action-oriented film, which the studio rejected as being far too expensive. When he left that project, Eddie Murphy was brought in to play the lead role

A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans. The cult and their leader The Night Slasher are killing people all over the town in Los Angeles for believing in their New World so that will the strongest people survived but their is one tough cop that stands in their way and he must protect a surviving witness that cab identify the Slasher. I seriously love this film from the 80'a and I wish there would be more films like this. The Action sequences, the explosion, death scenes are fantastic after Rambo here comes Cobra.

Is one of my best Stallone Action movies beside Tango & Cash (1989), Rambo, Rocky, Cliffhanger, Demolition Man and The Specialist it is one of my favorite action movies of all time! 10/10 Grade: Bad Ass Seal Of Approval
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The Strong Arm Of The Law
dk7777 March 2021
An action film that borders on horror, with good actors and an atmosphere that is hard to achieve today.

Sylvester Stallone is a great choice for the role of a tough cop who is brutal towards criminals. Cobra despises crime and journalists, plays rough and does not forgive anyone.

Today, it is almost impossible to make a film like this, with such a great character and a vicious action full of bloodshed. The film is extremely entertaining, well directed, and the soundtrack is great.

The plot is simple, the villains are killing people and Cobra will stop them with all the means at his disposal, and that of course includes a large amount of extreme violence and bloodshed.

The soundtrack is a memorable, complete product of that time and fits the film perfectly.

The film looks like an interesting combination of action film with elements of slasher horror, although Cobra can definitely not be classified as horror, but as an action film that provides the viewer with a great amount of entertainment.

An underrated film that has definitely achieved cult status.
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Revenge of the 80's: Sylvester Stallone's hey days!
Captain_Couth26 September 2004
Cobra (1986) was one of the many star vehicles that showcased Sly Stallone. This happens to be one of his better ones. The cheese and sleaze factor hits the roof in this one as Stallone stars as maverick cop Cobratti (his first name is pretty silly and has to be heard). A group of underground psychos are brewing and have formed a cult of killing machines. Meanwhile a model (Brigitte Nielsen) has been marked for death after escapes from one of their minions clutches. It's up to Cobratti and his cop buddy (Reni Santori) to topple this blood thirsty cult. But can they do it?

I happen to enjoy this movie, it's so cheesy and sleazy and impossible not to like! Stallone mumbles and grunts his way through the film whilst Ms. Nielsen is nothing more than eye candy. Reni Santori mugs for the camera and does his best to deliver his goofy and inane dialog as the movie's designated comic relief. He also has bad timing in these movies because something always happens to him. The villains are pretty straight forward sweaty and delusional psychos who need to learn some basic manners.

If you like cheesy action movies with heavy doses of sleaze, this one's a sure winner. But if you're looking for something serious or poignant, look elsewhere because you ain't going to find it here!

Highly recommended!
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80's entertainment at it's best
Cobretti_198617 June 2003
First of all the people who bash this film, I have one question for you. Did you see the cover? If after seeing the cover, Stallone with sunglasses an Uzi in his hand and a match in his mouth, and you still rented this and hated it you deserve what you get. If you want to watch "Masterpiece Theater" and pretend not to be bored then go ahead. Leave action movies for the fans of the genre.

This movie doesn't pretend to be anything that it's not. It's a violent, campy, 80's Stallone vehicle that is a lot of fun.

Cobra is a cool character with catchy one liners and an awesome 50 Merc Coup. He wears sunglasses and a match in his mouth. A rouge cop who works the zombie squad and is a lonely guy until he meets an aspiring model who he's been hired to protect.

If you dont like Stallone then this film will not change you're mind.

4 **** stars

Ps. The movie is an editing masterpiece. Edited by Don Zimmerman who edited "Being There"
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SYNOPSIS: It made me want to kick my own *ss.
rootbeerbrains7 January 2005
YOU CAN'T TELL ME the first time you saw Stallone do a complete 180 in that pimped out ride, hang that sweet lookin' gun out of the window, and knock off a few caps at the bad guy as he drove in REVERSE (!!) that you didn't get a little tingly in your gut in a good way.

People... I think we need to have a Come-To-Jesus about this movie. I can't believe I actually saw such low approval stats from all age brackets. Lemme just holler and the children of the '80s: what the hell are you thinking? Stallone and Schwartzenegger were bigger than life back then, and there's no love.... Now there's nothing but CGI, bigger explosions, crazier guns, fake boobies, more authentic-looking aliens, all the things I like in movies -- wait a second.

You know, I realize Stallone will never win Best Actor... I realize Stallone will never die, probably, he's always in such damn good shape... and I also realize that his face will never straighten up so he can talk correctly, but there's one thing I do know... I give this movie a 10, and I hope it feels like the giant peanut butter sandwich you just ate without a glass of milk anywhere in sight!

I need a glass of rootbeer... BARTENDER!
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One of my favorite movies
tp3204 March 1999
Let me start by saying that I fully understand all the people who hate this film. After all, it is a violent, often extremely stupid macho-actioner which falls apart if you start to think it's contents for a second. Its characters are one-dimensional and there's really not much plot or dialogue. But while many others think of the above as a bad thing, I think I've just described the recipe for a perfect action film.

I recently watched "Vampires" on DVD and listened to John Carpenter's commentary and one comment amused me. When James Woods and his crew were outside a building supposedly filled with vampires, everyone was wearing vests and neckpieces which protected them from being bitten except James Woods and Carpenter said about this something like "You can see how everyone is wearing vests except James Woods because he's so tough". Such is the case with Cobra also. All the other cops are dressed like...well, cops, but Stallone, he really stands out from the crowd in a positive way with his tight jeans, T-shirts, a pair of really cool (and very 80s) sunglasses and a match in his mouth (which I thought was a very nice touch). And why does he look like this? You guessed it - because he's so tough.

As I said before, there's not much plot and what there is, is pretty stupid and generic. We have seen it many times before and we will (I hope!) see it many times in the future but hey, if it ain't broken, why fix it? Of course there are several people who think it has always been broken.. There are some sequences and dialogue in Cobra which are almost embarrassingly stupid such as the opening shot where the team of killers are weaving axes to the air and then there are the legendary lines "The court is civilized, isn't it...pig?" "But I'm not.. This is where the law stops..and I start..sucker!" but I'm just so glad that they included these scenes (even though they probably knew that the critics wouldn't like them) because they are my favorite scenes in the movie.

This is a movie which has a very, very specific target audience and the reason for all the bad reviews is probably the fact that unlike other movies like this, this was for some reason targeted to a wider audience and of course, many people didn't like it. Not because Cobra is a bad movie but because they just don't like films like this. Surprisingly the other movie which was also based on Paula Gosling's novel, the William Baldwin-Cindy Crawford -actioner "Fair Game" suffered the same fate. Needless to say, I also liked that film a lot.

I know most people don't like the movies that I like and that's OK but I want others to know that I personally have seen probably over a thousand action movies and this is one of my all-time favorites and that there are many, many others who have truly enjoyed Cobra and it has become a cult classic to action fans worldwide. And when everyone starts to really think about it, Cobra may just be the perfect movie. There are so many films made in the 90s which are OK. They are not great but they don't suck either. Cobra, however, has all the ingredients that action fans love and others hate. It doesn't leave anyone cold, you either love it or you hate it. But I'll say this: If you like films like "Schindler's List" or "Shakespeare in Love" and you rent a film with a tagline "Crime is a disease. Meet the cure. COBRA", you truly deserve what you see!

Cobra is an excellent action movie because of a great macho performance (I loved the deep voice!) and screenplay from Stallone, a truly phenomenal score from my favorite composer Sylvester Levay, tight editing by Don Zimmerman and good cinematography by Ric Waite (who was also the director of photography in my other favorite, "Marked for Death" starring Steven Seagal). I also praise the director, George P. Cosmatos, although I haven't liked his other movies as much as this.

Anyway, the name and the tagline really says it all. You're either going to love or hate this and all I can say is, if you look for any intelligence in a movie, don't see it. I do, but not in an action movie. Actually, I don't even want action films to be smart or sophisticated. For me, Cobra delivers! I give it a full 10/10.
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Some brilliant sequences jammed between the mediocrity
fertilecelluloid27 December 2004
George Cosmatos, the director of the dim-witted RAMBO: FIRST BLOOD PART 2, directs this schizophrenic exercise in style with some aplomb.

The title sequence is simply stunning. DOP Ric Waite's images exist in some sort of surreal world that the film can't possibly contextualize. At magic hour, a bad guy on a motorcycle is intercut with ludicrous but gorgeous images of other bad guys (in suits, no less) ritualistically banging axe handles together in some underground warehouse in Los Angeles in time with a dark, brooding synth score

The sequence that follows, a madman's bullet-ridden assault on a supermarket, is again stunningly shot and staged and a triumph of style over anything you want to name.

Once these bravura sequences have passed, mediocrity and Hollywood Plotting 101 cuts in and we're pulled back into a dull reality.

But don't fret. Sit tight for long enough and you get an enthusiastically staged car chase with ducks, machine guns, classic cars bursting from buildings, a Santa who comes close to being roadkill and badly uttered Stallone lines.

Fast forward then to the film's climactic shootout on motorcycles and you're left with an action film that spends forty minutes doing everything right.

Stallone emotes with cruise control and his wife-at-the-time Brigitte Nielson just wears the clothes and moves from first position to second.
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I Actually Hate Myself For Liking This Movie So Much
damianphelps20 February 2021
Fundamentally, this is, for all intensive purposes, a pretty awful movie.

The acting is deplorable and the story is not much better.

I like the persona of Cobra and the gun and I LOVE the car. I could have watched 90 minutes of the car, it would have been a much better version of the film.

I own a copy of this movie! I have never recommended it to anyone, ever.

Best scene, the supermarket assault.
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"I don't deal with psychos, I put them away!"
Nazi_Fighter_David13 April 2008
This time Sylvester Stallone is against a bunch of ax wielding serial killers, with nylons over their faces, who terrorize the LA nights…

When a fashion model happens to see the ugly face of a sadistic psychopath (Brian Thompson), Ingrid (Brigitte Nielsen) becomes the main target of the secret "New World" society stopping at nothing to slain her…

Lieutenant Marion Cobretti (Stallone), in his gun metal-gray classic Mercury, and armed with guns, knives, grenades, and firearms, is assigned to protect the statuesque blonde…

The movie is too violent and too bloody and contains one of the most interesting car chase sequences ever filmed
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beautiful script!
senin77720 November 2000
I'm very bad in english, i'm from Russia. But I'm fun of Stallone and don't keep silently. This film - classics! It don't have spare! All in it working for result. It's action in last type. In Russia, we have saying: all genius - simply. It's about this film. "Cobra" - as your picture at the wall - nice for your eyes. Sorry for my bad english! Now I'm go to gim - i want to be strong as Cobretti. Arnold and Van Damm, and Sigal - stupid before Stallone! They never made such beautiful script!
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A depressing reminder that for every rollicking action extravaganza like "Commando," we have a dozen more duds like "Cobra."
Li-115 April 2005
Rating: * 1/2 out of ****

Cobra is an 80s flick all the way, made back in the days when macho action flicks featuring one-man armies reigned supreme, so it's technically a movie that should be right up my alley. But watching it again for the first time in over ten years, it serves more as a reminder that making a macho classic isn't quite as easy as it seems, and why Schwarzenegger's Commando will always be the standard by which the one-man army genre will be judged. Hell, forget Commando, I'd estimate Cobra is only about half as good as Dolph Lundgren's The Punisher, if that says anything about where this rates in the annals of 80s macho action cinema.

Sylvester Stallone stars as Lieutenant Marion Cobretti, a trigger-happy L.A. cop who shows little mercy to the scum of society. Naturally, he's the perfect man to protect a model (Brigitte Nielsen) who's the target of the Night Slasher (Brian Thompson), the head of a nasty cult that wants to create a new world order. They've got their sights set on Nielsen because she saw the Night Slasher exerting one of his more intense facial expressions on a particularly dark night, and that's apparently enough to deem her an eyewitness to a murder she clearly didn't see.

Anyway, it's obvious how the rest of the movie will play out; Cobretti will make out with the model, somehow keep her completely unharmed even when getting the both of them into lots of chases and shootouts, and he'll kill all the scum before riding off with the "babe" into the proverbial sunset. If you think I'm giving too much away, then you definitely haven't seen enough action movies.

While its an unwritten rule that one usually doesn't watch these kinds of action movies for plot, I think it's fair to say that one at least hopes for a fairly consistent flow in its narrative, or for the writer (in this case, Stallone himself) to offer up a compelling MacGuffin that bridges the action scenes well enough to hold interest between the shoot 'em up action. No such luck here; a fair portion of the plot is structured around the cult and their serial killings, but the film just glances over the cult's motives, and what is revealed sounds like it was (badly) ad-libbed by Brian Thompson on the spot.

Just as bad is the main story revolving around Cobretti protecting the model. Despite being a real-life couple at the time, Stallone and Nielsen have no chemistry, making their scenes together painfully awkward and unconvincing. Even Schwarzenegger and Rae Dawn Chong worked way better together in Commando and there wasn't even any attempted romantic tension in that relationship. If you actually rooted for Cobretti and the chick to get together by the end, you are a better person than me.

Even with all these faults, what ultimately kills the movie is that it's just not much fun. The action scenes are fairly plentiful, and a few of them are even reasonably decent (the big car chase is well-shot and edited, and a later chase scene where Cobretti mows down a lot of bikers from the back of a pick-up truck hints at the fun flick this could have been if it had boasted more self-knowingly outrageous moments like that), but without any care towards plot or character, it's hard to get involved in all the mayhem, especially when a lot of these scenes are mired in boring clichés (the final showdown is set in a foundry; argghh, I hate that setting!).

Even worse is the fact that almost everyone involved seemed painfully unaware they were making pulpy escapist cinema. Aside from a few very unsuccessful one-liners, Cobra is too serious in tone to genuinely enjoy. A lot of action movies that take themselves seriously manage to work because of (at least mild) attention to plot and characters; without these elements, the laziness of the filmmakers becomes more obvious as we watch a film that wishes to be taken seriously (there's a half-hearted attempt at a message about the hypocrisy and ineffectiveness of justice) without going into the effort to deserve that merit, and that's just plain insulting.
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Stallone vehicle in which Cobra decides to deal out justice in his own hands against maniacal killers
ma-cortes24 December 2009
This entry in ¨Vigilante genre¨ contains amount of action and excessive violence. It concerns about Cobra(Silvester Stallone) a Rambo-alike , a rebel and violent cop. Various people are killed by furious band led by a punk (Brian Thomson). Furthermore, a beautiful cover-up(Brigitte Nielsen) is witness a mugging by the heinous criminals. The nasties stalk the gorgeous youngster who is submitted to a brutal hot pursuit and the cop protects her . Then Cobra with sun-glasses and his classic car takes the law into his own hands, searching vengeance on crooks, hoodlums, muggers, making the neighborhood safer. Cobra is determined to bring in psychotic serial killer , even if he has to break some rules. Finally, happens an exciting, edge-of-your-seat climax .

This new outing in this thrilling genre contains suspense, thrills,chills, noisy action-packed, gun-play and lots of violence. Stallone with his usual stoic acting displays amount of weapons arsenal killing nasties. Appears as secondary casting, Brian Thomson as a heinous murderous and Andy Robinson and Art Le Fleur as superior officers who are constantly arguing with Cobra . Furthermore secondaries as Val Avery,Nina Axelrod, David Rasche and the director John Herzfeld, among others. Colorful and atmospheric cinematography by Ric Waite. Outdated musical score is composed by means of synthesizer and full of songs of the 80s. The motion picture is middling directed by George Pan Cosmatos. He's a mediocre director who got a great success with ¨Tombstone¨and ¨Cassandra crossing¨ and flops as ¨Shadow conspiracy¨, ¨Leviatahan¨, ¨Escape to Athena¨ and ¨Massacre in Rome¨. This typical low grade story will appeal to Silvester Stallone fans.
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Do you have a lifejacket?
SuperfluousChap9 April 2004
This picture is classic 1980s action at its best and most cliche. My favorite scene is right at the top of the movie. Cobra is in a supermarket, on the trail of a guy who's killing safeway employees for fun. Cobra's in pursuit. He passes a 6-foot display case of Coors light. Stops. Cracks a can. Takes a sip. Tosses it on the floor. Continues in pursuit.

It reminds me of another 80s action flick few will remember called the Punisher with Louis Gossett Junior. Some dufus is carrying pizza into the torture chamber where LGJ is getting it. EXCEPT HE'S NOT GETTING IT, guys. He's already knocked the guy out with a punch and a pressure point maneuver. Then, Gosset neutralizes the pizza guy. But rather than let the pizza, which is all over the floor, go to waste, he kneels down, takes a couple of pieces, bites, then leaves the room as though nothing has happened.

I learned a lot from Cobra and Stallone's character, Marion Cobretti. First, I need to get a "nitro" option on my car so I can go as fast as he did. Second is a great line to reel in the girl, next time you're out on a date and she's using too much catsup on her fries.

"Do you have a lifejacket?" "Why" "To save all the french fries that are drowning."

This movie is a classic for 80s action lovers. I own the DVD and highly recommend it.
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Pizza scissors
BandSAboutMovies19 March 2022
Warning: Spoilers
Crime is the disease. He's the cure.

I've opined that if we compare the two God-tier action stars -- Arnold and Sly -- Arnold may have the best overall catalog, but Stallone has the better individual films. One wins the battle, the other wins the war. Or as he'd say, "Don't push it, or I'll give you war you won't believe."

Somehow Stallone was going to be in Beverly Hills Cop and wanted it to be not so funny, then he wanted to be in an adaption of Fair Game by Paula Gosling -- which got made nine years later and the less said the better -- and then he ended up making a movie that pretty much is every 80s over the top -- no pun intended -- action movie cliche all in one film.

And you know what? It's great.

Like honestly, non-ironically great.

It's Stallone suddenly deciding what if a slasher movie broke out in the middle of a one cop against the world movie? Zombie Squad cop Marion Cobretti against an entire cult of lunatics called The New World, led by the Night Slasher (Brian Thompson, who had to buy his own ticket to see the film), all to save the life of Ingrid Knudsen (Brigitte Nielsen)? Do you have any idea how many times I watched this movie? Stallone stealing Steve McQueen lines and saying, "This is where the law stops and I start, sucker!" is the kind of thing that made a young me continually watch and rewatch and take notes.

There's a two-hour plus X-rated -- for violence -- cut of this movie that I'm dying to see. Throat cuttings, hands sliced clean off, children discovering said hands, David Rasche getting killed with axes and an extended ending -- these are the things I want to see! We live in a world of re-releases, so why isn't this happening? Shout! Factory had a collector's edition release of this and nope, no footage!

Stallone has talked about making a sequel with Robert Rodriguez -- as late as 2019 -- but it just seems like cutting the robot out of Rocky IV, Sly sometimes likes to play with my heart.

In case you think George P. Cosmatos' name is familiar, his son -- using the royalties from this movie -- would go on to make Mandy and Beyond the Black Rainbow. And I'm not the only fan of this movie, as Nicolas Winding Refn used a toothpick in the hero's mouth in Drive to show his fandom.

So how is this Cannon? After all, the Cannon logo isn't anywhere in the movie. Golan and Globus only get a production credit, as it was mostly a Warner Brothers movie, but they got that title in return for voiding a prior agreement the Cannon had with Stallone.

Finally: I am a movie gun nut, so just like another Cannon actor, Charles Bronson, Stallone had his own custom gun made for this movie, a 9mm Colt Gold Cup National Match 1911 that fires Glaser Safety Slugs. This bullet was designed in 1974 in response to the possibility of having to use a handgun on an airplane by the Sky Marshals and having to deal with ricochets on hard surfaces and possible excess penetration. It's a pre-fragmented bullet that uses a traditional copper jacket, which means that instead of a solid lead core like conventional hollowpoint ammunition, it has a compressed core of lead shot.

It does not shoot through schools.

Finally, action movies are mirrors upon themselves. While Cobra reunites Dirty Harry actors Andrew Robinson and Reni Santoni, Sylvester Levay's song "The Chase" would end up in trailers for Bloodsport and Marked for Death.
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If This Is The Cure, Keep The Disease
slokes16 April 2005
"You gotta have faith," a cop played by Sylvester Stallone tells a fearful woman he is guarding. Not only is he stealing George Michael's lyrics, Sly is also pinching his wardrobe: Black leather gloves and matching jacket, tight jeans, boots, reflective sunglasses and chin stubble. What Lt. Marion Cobretti is doing on witness protection detail while he could be cruising men's rooms is beyond me.

"Cobra" is a very '80s film, sort of a stupid cousin to the many "Dirty Harry" wannabes being pumped out at the time. The plot is ridiculous even by the weak standards of this genre. A gang of axe-wielding psychos are taking out those they view as "weak" in pursuit of a New World Order. Man, you couldn't wake up any morning in the 1980s without hearing about some new gang of serial killers busting out.

At least Lt. Cobretti is on the job. Better known as "Cobra" or "the Cobra," he carries a special pistol with a cobra head illustration on the handle stock, not to mention an attitude, "just a little one," as he himself admits. Machine guns, grenades, all are found in his tool box, but he keeps a matchstick in his mouth instead of a cigarette, so kids won't get bad ideas.

The killer gang doesn't seem all that subtle, attacking one waitress inside her car on a city street. Yet they carefully guard their privacy to the point that when their facially-deformed leader is glancingly spotted in the act by a model played by Brigitte Nielsen, he pulls out all the stops to kill her. Sending his minions out to get whacked by the Cobra, the psycho sneaks into a hospital where she is being looked after. We get shades of "Halloween II" as she runs for her life through deserted corridors. You'd think he'd give up, especially as he risks being spotted by others trying to kill this one witness, but no, this guy continues after her through the movie, Ahab in a stocking mask.

Yes, indeed, "Cobra" is one stupid film. It's also unpleasant in its stale echoes of reactionary politics, punchy in its attempts at humor, and threadbare in terms of character and motivation. One police supervisor played by Andy Robinson (one of two actors from the cast of "Dirty Harry," Cobra sidekick Reni Santori being the other) whines about Cobra's strong arm tactics, which Cobretti effectively counters by physically assaulting him - twice.

What's good here? The lighting is very effective, giving the film a glitzy sheen very in tune with the time. Though his acting is stiff, Stallone never looked better, which may be why he does so little with his character – too busy vogueing. The cars and equipment are cool to look at, and there are some terrific stunts.

But the stunts are done in service of action scenes that don't work. Cobra fights off human-wave style attacks by dozens of motorcyclists who seem to be competing for the best wipe-out. The big shootout at the end is unbelievably protracted, with Cobra hitting everything he aims at with a snub machine gun while not one of the dozens of shootists firing at him manage much of anything.

"This whole sorry ordeal is some damn sick joke if you ask me," Robinson's police supervisor complains. Actually, "Cobra" isn't played as a joke at all, but very straight, a big part of the problem. One useful aspect of "Cobra" is it gives the lie to the phrase "mindless entertainment." In order to be entertaining, a mind has to be working somewhere. When one isn't, the result is this.
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The strong arm of the Law - one of Stallone's best movies to grace movie screen to home video ever my favorite of all time
NightmareOnElmStreetFan16 October 2019
The strong arm of the Law - one of Stallone's best movies to grace movie screen to home video. One of my all time favorite cop 80's action films of all time. I love Cobra (1986) to death it is a classic action slasher movie with horror elements in it. Sylvester Stallone was fired from Paramount pictures for Beverly Hills Cop (1984) movie, he wanted that movie to be Cobra, but Paramount pictures fierd him told him it is too expensive so after Rambo: First Blood Part II Stallone went into making this movie Cobra with Warner Bros and Cannon Group Inc.

"Crime is the disease. Meet the cure." First came Rocky, then he was Rambo, and now Sylvester Stallone ("The Specialist," "Cliffhanger," "Tango & Cash") plays his toughest character yet as a police officer dirtier than Harry, who must protect a beautiful witness from a cult of serial killers. Explosive action from the director of "Rambo: First Blood Part II."

I am fan of Cobra with Rambo: First Blood Part II, Rambo III, Rambo, Hard Target and Predator 2 it is in my top favorite action movies. Sylvester Stallone is Lieutenant Marion "Cobra" Cobretti, a Los Angeles police detective one man army against an army of killers. With his pearl-handled colt .45, laser-mount submachime and grenades he is a bad-ass the strong arm of the law. "This is where the law stops and I start... sucker!" This is my comic book hero my superhero and I love Marion Cobretti so much. I love his car, his gun his sun glasses this to me is an action hero ever.

"In America, there's a burglary every 11 seconds, an armed robbery every 65 seconds, a violent crime every 25 seconds, a murder every 24 minutes and 250 rapes a day. "

I know this movie is not likeable by many people I love this movie to death, it grow on me. George P. Cosmatos directed Rambo: First Blood Part II and Cobra. He directed this action masterpiece brilliant. Some people are saying that Stallone more directed the film not George P. Cosmatos whoever did, It did a great job. It is a top notch pure action , pure Adrenaline pure Testosterone that movies nowdays don't have. No CGI in the 80's all done for real, real actions, real explosions. Real practical effects, all done for real.

Stallone's best performance. Brigitte Nielsen is beautiful and gorgeous she looks like my mom like a model my mom was in the 80's. Brian Thompson was great as a Night Slasher. "The Night Slasher" is actually based on a real serial killer Richard Ramirez "The Night Stalker" he was a psycho in 1985 before he got caught. So the movie wasn't fiction at all, it was realistic. A murderous cult believes in a New World and they start killing off people one by one in Los Angeles. They kill the weak so that strongets survive. A cop must protect the only witness. I understood what the movie was about. I love the night scenes filmed I just love everything about this film.

Cobra to me is better than The Terminator (1984) or Raw Deal (1986) that Arnold Schwarzenegger made money and profit out of it. Cobra chews and spits these movies. Since Rambo: Last Blood come out this year all people are rushing to see that movie that made money profit. I rather watch Cobra. I will never choose new movies over Cobra. I love Rambo: First Blood Part II, Rambo III, Rambo (2008), Cobra, Hard Target, Predator 2, I will never choose Rambo 5 over those movies.

This is old school 80's action film where heroes were born. Chuck Norris was born in 1985 with his action movie Invasion U.S.A that's what I mean that is one of Chuck Norris bad-ass action films. This is mine Cobra I love this film to death. It is an action slasher film. I am not the only one who likes this movie. I would say Rambo: First Blood Part II, Rambo III and Cobra are underrated action films. I love love Rambo: First Blood Part II and Rambo III to death I am always greatful for my mom giving me money so I could rent Rambo III on VHS as a kid. I have a beautiful childhood memorie on that movie.

I love Cobra blasting bikers to pices or he shoots bad guys with his colt .45 gun but I absolutelly love his Submachine gun Jatimatic SMG with laser. I love how they filmed the film it is an anwser to Dirty Harry. I love the soundtracks: Feel the Heat by Jean Beauvoir, Hold on to Your Vision by Gary Wright and Angel of the City by Robert Tapper. The movie is fast paced, it is short and of course it was the first Stallone's action movie that wasn't Rocky or Rambo movie.

Rambo: First Blood Part II, Rambo III and Rambo (2008) and Cobra are the best action movies that come out ever on this planet. I am a huge Stallone fan I love this movie to death.

Cobra is my personal favorite bad-ass action movie of the 80's ever period.
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Mindless '80s mayhem - I love it!
Leofwine_draca10 April 2016
Warning: Spoilers
Typical action-packed mid '80s fare, along the lines of RAMBO: FIRST BLOOD PART II or COMMANDO in that it depicts a whole army of bad guys getting stylishly wiped out in various ways. This short, sharp movie is classic cheese action entertainment with little plot and lots of stuntmen. Sylvester Stallone is in his element as the charismatic loner, a clichéd maverick cop whose hard-as-nails wisecracks are actually funny for a change. Whether he's wasting a supermarket-siege psycho in the opening moments or machine-gunning an army of motorbike-riding weirdos in the film's eye-popping finale, Stallone is in his prime here although ironically the film bombed at the box office (which explains the lack of sequels). Those super-cool '80s-style sunglasses help too.

The plot rather successfully tries to emulate a slasher movie as it opens with repeated scenes of a psychopathic killer murdering innocent female victims with a rather nasty-looking shiny knife. Despite being gore-free the murders are rather sleazy, employing some fine mad acting from veteran hardman villain Brian Thompson and some icky sound effects to make up for the lack of claret on view. After a tense and surprisingly effective hospital stalk-and-slash sequence the film drops this mock-horror angle, instead moving into comic-book all-out action stuff as Stallone engages in a crowd-pleasing car chase, full of vehicles jumping over hills (like in every other '80s cop film), mindless destruction and a few cool stunts like the boat crash and the car-park jump. Then there's the acclaimed (in the realms of cheesy action fans, that is) finale, in which Stallone and his crew retreat to a countryside motel as a hideout and are attacked by an entire army of psychopaths who are mown down by Stallone's machine gun.

The climax takes place in one of those clichéd factory locations which gives Stallone further chance to burn, break and butcher the opposition, rarely breaking a sweat and tossing off more wisecracks at every opportunity (one quip - "You have the right to remain silent - forever" to a burning victim - was needlessly cut from the film by British censors for being too sadistic). Finally it's the one on one fight with the 'Night Slasher' (cool name), the head honcho who ends up being impaled on a hook and fried in a kiln. What more could one ask for? Well, a real story perhaps, a realistic script and good acting. They don't come close to any of those three in this film yet it remains a largely entertaining enterprise due to the fast-pacing and endless action, plus comic relief that works. It's funny because it's so clichéd and enjoyably brainless fun.

Stallone is supported by Brigitte Nielsen (RED SONJA), who doesn't really get to be anything else other than a damsel-in-distress as the witness who becomes a stalked victim, and veteran Andrew Robinson (HELLRAISER) as the antagonistic superior. Reni Santoni is effective as a likable sidekick whilst Brian Thompson excels in what is one of his scariest (in both physical appearance and hefty bulk) performances to date. Aside from this, there's not much to say. Endless explosions, destruction, people being shot repeatedly and more stuntmen than you can shake a stick at - if that sounds like your idea of fun then by all means give this mindless slice of '80s cheesiness a try.
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Very Underrated
vandammekick2 August 2003
This film deserves much more credit than it has received. Stallone is looking great with tight jeans and stubble chewing on a matchstick which comes in handy in the final bloodshed showdown. Stallone plays Marion Cobretti in a superb action packed thriller filled with one liners in a funny relationship with his partner played by Reni Santoni, sexual tension with his female witness in protective custody played by his then wife Brigitte Nielsen and a raging fury from Stallone intent on eliminating the ruthless killers headed by Brian Thompson (Arnold Schwarzenegger rips his heart out in The Terminator and Jean-Claude Van Damme knocks him out with one kick in Lionheart). These people mean business and Andrew Robinson (Scorpio in Dirty Harry) thinks that a subtle solution can easily be thought of to take them out but it is only Stallone's violent tactics that can ultimately save the day. Essentially Rambo with a badge with the heart of Rocky. Stallone fans will be very pleased in a film that combines all areas of cinema, not just action. Comedy, romance and a great cast complement this already excellent film that Stallone has written which incorporates material from Beverly Hills Cop when he was meant to play Axel Foley. Better that Eddie Murphy Played it because Stallone has a chance to make this two years on. Trivia: Eddie Murphy looks at the Cobra poster in Judge Reinhold's bedroom in Beverly Hills Cop II that Brigitte Nielsen is also in. If you like the Dirty Harry films, Steven Seagal cop films and a Stallone fan in general this is a great film with an excellent soundtrack. Talking of Steven Seagal and soundtrcks, on the trailer for Seagal's Marked For Death it features "Chase", a Sylvester LeVay track from Cobra.
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Prismark106 July 2020
Smarting over the success of Beverly Hills Cop that Stallone passed on.

Sylvester Stallone reworks elements of Beverly Hills Cop which ends up an an updated glossy Dirty Harry remake courtesy of the Golan-Globus Cannon boys.

This is loud, noisy, stupid and pumped with radio friendly 1980s soft rock.

The opening scene has a psycho shooting everyone in a supermarket. You know he is a rotter because he parks in a disabled spot. Only Lieutenant 'Cobra' Cobretti (Sylvester Stallone) from the Zombie Squad can stop him. He takes out all the worse scums, just like Dirty Harry who always gets the effluent end of the stick.

Cobra has to protect model Ingrid (Brigitte Nielsen) who has seen the Night Slasher. A leader of an underground supremacist group who attack random targets. They have an insider in the police department the Night Slasher and his gang are out to kill Ingrid.

The film recycles themes and lines from other Cannon films such as Death Wish and especially 10 to Midnight. You would think that if Stallone had pulled out of this movie, Charles Bronson was on standby.

Stallone does not have lot to do. Just look pretty with his shades on, handle a lot of firearms and mumble a few lines. The romantic scenes with his then wife Nielsen are laughable. The actions scenes are uninspired and cheesy.

It lacks any insights about organisations and the justice system that the movie Dirty Harry made. Just to highlight the connections with that movie. Andrew Robinson and Reni Santori who appear in Cobra also featured in Dirty Harry.
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Unforgiving Action
mrlinares-123834 February 2022
Classic 80s girls guns and raw meat American action. If you are sensitive easily triggered weakling this film is not for you .There's no need to be nice because film kicks major butt.

So get yourself some popcorn, beer and a babe to put your arm around.
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A truly beautiful, touching and thoughtful piece of sophisticated cinematic art from the glorious 80's
Woodyanders19 January 2007
Warning: Spoilers
This gloriously ghastly celluloid abomination is downright jaw-dropping in its flagrant absurdity and stupidity. For starters, Sylvestor Stallone as Lt. Marion "Cobra" Cobretti has to be one of the single most slimy and hateful would-be "heroes" to ever ooze his scummy way across the screen: With his three day stubble, tight jeans, long black overcoat, mirror shades, leather gloves and penchant for chewing on unlit matchsticks, Cobra exudes all the appeal and charisma of a damp sewer rat. He's also crass, vicious and morally reprehensible, the kind of vile he-man who strictly adheres to a crude "might makes right" mentality and uses excessive brute force as often as possible. Reni Santoni grumbles and mumbles his way into our hearts as Cobra's endearingly grubby junk food junkie partner Gonzales. Brian Thompson snarls, sneers and spits for all it's worth as the deranged head villain (Thompson's delirious climactic speech towards the end is uproarious; he keeps using the word "pig" until it becomes some sort of maniacal mantra). The cult of crazed lunatics terrorizing the city are a total campy hoot: For some inexplicable reason they engage in this bizarre ritual in which they clink axes over their heads. Some of them wear filthy t-shirts and dirty jeans; others are dressed in suits. The cult appears to be made up of a diverse cross section of insane folks who are brought together by their mutual love for unhinged psychotic violence. In addition, they want to blithely butcher all us nice law-abiding average weaklings in order to make way for some new world order of gleefully nihilistic murderous barbarians. Ahh, ain't that sweet?

The gorgeously statuesque Brigitte Nielson at least looks properly stunning as a lovely aspiring model the wackos target for annihilation. Considering that Brigitte is six feet tall and built like a Buick, the scenes of her running away in stark fear from the nuts are absolutely gut-busting. She could have easily taken out at least a dozen of these freaks by delivering roundhouse kicks to their groins with her incredibly long legs, but I guess I'm digressing here. Val Avery as a huffy police chief, Art La Fleur as an irate captain, and especially Andrew Robinson as a sniveling by-the-book geeky wimp mostly just stand around and voice their disapproval of Cobra's wildly unorthodox methods. Director George P. Cosmatos tackles the ridiculous premise with a slick punchy'n'polished hopped-up style as if he was making high art; there's a few alarmingly atrocious music montage sequences set to horrible head-banging hair band rock songs. Plus there's a shockingly abundant plethora of blatant product placements featured throughout. The amazing opening grocery store massacre set piece proudly has product placements for such items as Pepsi and Coors beer. The dialogue in this set piece is priceless: When a ranting fruitcake threatens to waste a few innocent people, Cobra flatly replies: "Go ahead, I don't shop here." "Motel Hell" 's Nina Axelrod briefly pops up as an ill-fated diner waitress and "Sledge Hammer" 's David Rasche does a similarly fleeting turn as an equally doomed sleazeball photographer. Moreover, there's a raw, gritty, seedy edge to the scuzzy proceedings which really makes this movie that much more gross and disgusting. A terrifically tacky'n'trashy kitsch riot.
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Awesomely bad (and hilarious)
Wizard-89 February 1999
What was Stallone thinking of when he wrote this? Everyone in this movie is an idiot, and there's no one sympathetic. Robinson's liberal character just seems to be in the movie so he'll get punched at the end. Cobra is a particularly repulsive character - the first glimpse of him shows a close up of his five o'clock shadow, uncombed hair, and a match in his mouth - ugh! Stallone has an acceptable voice in real life, but he gives Cobra a low, sometimes hard to make out, groan in his voice that makes it sound like he's talking in his sleep. The bikers are stupid even for bikers - why do they clank axes over their heads? Why don't they get out of the way when Stallone machine guns from the truck near the end? Movie also contains some of the most blatant product plugs in history, for Pepsi and "Toys R Us" (the latter by playing an _entire commercial_ on a TV Cobra watches.)

However, I will freely admit that I enjoyed COBRA - as a so-bad-its-good movie. Sure you'll groan several times - but you'll also find a lot of unintended laughs and giggles. It's even funnier than it could have been, because Stallone writer/star and director Cosmatos take the movie incredibly seriously. Plus, the fact Menahem Golan and Yoram Globus produced it makes it a must see. It should be noted, however, that the cinematography isn't bad, and a few action sequences are acceptable as well.
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Best Film Of Stallone's Career!!! An 80's Masterpiece. Real World Needs Vigilante Cops Like Cobra.
lukem-5276010 September 2021
Easily my favourite Stallone movie.

I grew up on Stallone as i did Schwarzenegger, Seagal, Van Damme & many more & each have their own Classic films & Cobra is definitely Stallone's!!!

Stallone here looks like a George Michael album cover but i love it lol yep there's 80's cheese here but i love it. Also i think we need tough vigilante cops like Cobra to really take out the scum!!!

Stallone's Cobra is a tough-as-hell vigilante cop in the mould of Eastwood's Classic Dirty Harry but actually more violent & it's Stallone's best character in my opinion.

If you put Eastwood's The Enforcer, Halloween 2 & Death Wish 3 in a blender, Cobra would come out!!!

What stands out about this dark action Thriller is the very creepy atmosphere that feels like a Horror or a Slasher flick & has many elements of those genre's too. It's a mix that just works perfectly for an 80's Action flick, we have the vigilante no-nonsense Bad-Ass cop who lives by his own rules & does what the bullshi# "Justice System" won't do!!! I love that about this movie that it's an Angry film about how the Justice system does not work & only protects the evil scum & the victims suffer & it's so TRUE!!!

Cobra is a product of it's time but it's truth is timeless.

The System does protect the evil out there so its nice to see someone fighting back. Cobra is a movie that fits in the same Vigilante genre as Bronson's Death Wish films & Eastwood's Dirty Harry films in a way. Here Cobra is on the trail of a sicko sadistic gang of psycho serial killers that call themselves the New World Order & they're a savage bunch too. Cobra is on the dark streets of a Los Angeles that looks & feels so dirty, dark & dangerous. The look & cinematography is excellent as is the music throughout with it's pure 80's goodness. All elements are 80's at it's best for what an action cop thriller should be.

Cobra should've been the start of a franchise for the character but hey I'm just glad we have this one Classic.

Stallone is ultra Cool as Cobra & ultra deadly too & really hates the corrupted rules & regulations of his job so he does it his way. Also his sweet tooth partner is good & fun in this flick.

The murders are fairly brutal & the mood of darkness & danger hangs over the movie but when it gets down & Dirty with the Action it is Fantastic!!! Such as the motel seige sequence near the end with all the bikers & gunmen after Cobra & the beautiful witness (Bridget Neilson) & what an ending fight sequence with Stallone & the Cult leader Brian Thompson (Fright Night part 2) who by the way makes a very scary & cold-blooded savage killer here know as the "Night Slasher" this guy is hulking huge & looks like Arnold Schwarzenegger & is one scary & sweaty muscled bad guy.

Cobra is a stunning action slasher Thriller that gets better with each Nostalgic viewing.
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Where Rambo stops, Cobra Begins
Cobra200315 September 2003
With two Rambo movies, First Blood (1982) and Rambo : First Blood part II (1985) under his commando belt, Sylvester Stallone had confidently confirmed himself as the Box Office king of the Action Thriller genre. With all the gingoism and American flag waving that went with the comic strip adventures of the worlds favourite fictional viet nam vet, Stallone steps up a gear into Cobra (1986), one of the tightest, exciting, well written and under-rated action movies of the past few decades. Stallone takes British crime novelette Running Duck (US - Fair Game} from celebrated writer Paula Gossling and gives it the full Rambo gloss treatment. Gone from the novel is the alcoholic schizoid lead character and in his place is Marion Cobretti, the typical, four square Stallone character, and the story is all the better for this. Stallone' screenplay is pretty simple, and so is the under lying message that evil is a force that must be met on its own terms. So what we have is a violent actioneer chock full of punch ups, car chases and shooting. Sadly, the script isn't developed enough, and the Rocky elemnts so typical of Stallone's movies at this point, IE, the underdog hero who everyone is against, is used to the maxim here. Unlike the Rocky movies, the glare of humour isn't up to scratch, and so a great many of the lead characters are unlikeable. So what? Wasn't this the case with thrillers such as Seven or Resovoir Dogs? However, Rambo Director George Pan Cosmatos gives a fresh coat of paint to this particular movie, adding stylish touches of film noir to the action genre in a way that precceeds Face/Off (1997) and a whole host of successors. Bridgette Nielsen is the movies real surprise, giving a likeable and sincere performance as Helgar, under the watchful eye of her then Husband. What is really surprising is that Cosmatos manages to succesfully blend into the action genre touches of classic and contemporary horror movies such as Friday the Thirteenth and John Carpenters Halloween with the chilling depiction of the Night Slashers. The movie also contains some of the most exhilerating action and chase sequences, particularly in the movies climax, where Cobra lets rip unto the Night Slashers men. This is an under-rated gem, a very efficient Stallone/George Pan Cosmatos vehicle, and very possibly the best ever Menahem Golan, Yoram Globus/Cannon Film Group picture ever produced. .......................................................................

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