Children of a Lesser God (1986)
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- R
- 1h 59min
- Drama, Romance
- 31 Oct 1986 (USA)
- Movie
- Won 1 Oscar. Another 5 wins & 13 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
William Hurt | ... |
James
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Marlee Matlin | ... |
Sarah
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Piper Laurie | ... |
Mrs. Norman
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Philip Bosco | ... |
Dr. Curtis Franklin
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Allison Gompf | ... |
Lydia
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John F. Cleary | ... |
Johnny
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Philip Holmes | ... |
Glen
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Georgia Ann Cline | ... |
Cheryl
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William D. Byrd | ... |
Danny
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Frank Carter Jr. | ... |
Tony
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John Limnidis | ... |
William
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Bob Hiltermann | ... |
Orin
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E. Katherine Kerr | ... |
Mary Lee Ochs
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John Basinger | ... |
Alan Jones
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Barry Magnani | ... |
Tom Schuyler
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Linda Bove | ... |
Marian Loesser
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Ann Hanson | ... |
Martha Franklin
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James Carrington | ... |
Mr. Harrison
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Max M. Brown | ... |
Glen's Father
(as Max Brown)
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María Cellario | ... |
Glen's Mother
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Jon-Paul Dougherty | ... |
Glen's Brother
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Linda Swim | ... |
Sarah's Friend
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Lois Clowater | ... |
Sarah's Friend
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Allan R. Francis | ... |
Waiter
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Richard Kendall | ... |
Cafeteria Cook
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Christopher Shay | ... |
Ricky
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Laraine Isa | ... |
Woman in Beauty Shop
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Nanci Kendall | ... |
Woman at Party
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Marie Brazil | ... |
Mother
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Charlene Legere | ... |
Child
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Leigh French | ... |
Announcer (voice)
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Archie Hahn | ... |
Announcer (voice)
(as Archie Hahn III)
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Jack Blessing | ... |
Announcer (voice)
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Nicholas Guest | ... |
Announcer (voice)
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Gigi Vorgan | ... |
Announcer (voice)
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Lynne Marie Stewart | ... |
Announcer (voice)
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Directed by
Randa Haines |
Written by
Mark Medoff | ... | (stage play) |
Hesper Anderson | ... | (screenplay) and |
Mark Medoff | ... | (screenplay) |
James Carrington | ... | () (uncredited) |
Produced by
Alan Collis | ... | supervising producer |
Candace Koethe | ... | associate producer |
Patrick J. Palmer | ... | producer (as Patrick Palmer) |
Burt Sugarman | ... | producer |
Music by
Michael Convertino |
Cinematography by
John Seale | ... | director of photography |
Editing by
Lisa Fruchtman |
Editorial Department
Mary Bauer | ... | associate editor |
Ron Lambert | ... | color timer |
Bryan McMahan | ... | colorist: mastering |
Tony Merzetti | ... | apprentice editor |
Jenny Weyman-Cockle | ... | first assistant editor: Canada |
Gregory Palmer | ... | assistant editor (uncredited) |
Bob Sarles | ... | apprentice editor (uncredited) |
Casting By
Gretchen Rennell |
Production Design by
Gene Callahan |
Art Direction by
Barbra Matis |
Set Decoration by
Rose Marie McSherry |
Costume Design by
Renée April | ... | (as Renee April) |
Makeup Department
Ann Brodie | ... | makeup designer |
Paul LeBlanc | ... | hair stylist |
Production Management
Alan Collis | ... | production manager |
Stéphane Reichel | ... | unit production manager (as Stephane Reichel) |
Second Unit Director or Assistant Director
Jim Kaufman | ... | first assistant director |
Patrick J. Palmer | ... | second unit director (as Patrick Palmer) |
Kim H. Winther | ... | second assistant director (as Kim Winther) |
Art Department
Guenter Bartlik | ... | head scenic artist |
Daniel R. Bradette | ... | assistant property master |
J. Tracy Budd | ... | property master |
Tom Doherty | ... | first assistant art director (as Thomas Doherty) |
Kathy Ebbinghaus | ... | art department trainee |
Mark S. Freeborn | ... | assistant set decorator (as Mark Freeborn) |
Barry Gardner | ... | stand-by painter |
Weits Jekel | ... | construction supervisor |
Gilles Léonard | ... | set dresser (as Gilles Leonard) |
Michael O'Connor | ... | set dresser |
Richard Reseigne | ... | construction design coordinator |
Sound Department
James Ashwill | ... | foley mixer |
George Berndt | ... | adr editor |
Ruth Bird | ... | assistant sound editor |
Paul Brown | ... | sound consultant |
Dody Dorn | ... | sound editor (as Dody J. Dorn) |
Dennis Drummond | ... | sound editor |
Patrick Drummond | ... | sound editor |
Ken Dufva | ... | foley artist |
Walter A. Gest | ... | sound re-recordist |
Robert Grieve | ... | supervising sound editor (as Robert A. Grieve) |
Richard Lightstone | ... | production sound mixer |
Robert J. Litt | ... | re-recording mixer |
Stephanie Lowry | ... | assistant sound editor (as Stephanie Ng) |
Steve Maslow | ... | re-recording mixer |
Jim Thompson | ... | boom operator (as James L. Thompson) |
Elliot Tyson | ... | re-recording mixer |
Linda Whittlesey | ... | foley editor |
John Roesch | ... | foley artist (uncredited) |
Donald C. Rogers | ... | technical director of sound (uncredited) |
Special Effects by
Ron Thiessen | ... | special effects assistant |
David Neil Trifunovich | ... | special effects supervisor (as Neil Trifunovich) |
Camera and Electrical Department
David Crone | ... | Steadicam services |
Robert Daprato | ... | dolly grip |
Steve Ferrier | ... | assistant head electrician |
Paul Gravel | ... | first assistant camera: second unit / focus puller |
Dave Grinstead | ... | grip |
Manfred Guthe | ... | director of photography: second unit (as Fred Guthe) |
Kevin Jewison | ... | first assistant camera |
Jill MacLauchlan | ... | second assistant camera |
Joseph Peters | ... | electrician |
Bill Pryde | ... | second assistant camera |
Ron Renzetti | ... | grip |
Paul Roscorla | ... | electrician |
Takashi Seida | ... | still photographer |
Randy Tambling | ... | key grip |
Rae Thurston | ... | head electrician |
Pauline Heaton | ... | cinematographer: underwater unit (uncredited) |
Casting Department
Ruth Lambert | ... | casting assistant |
Costume and Wardrobe Department
Fabienne April | ... | costumer |
Mario Davignon | ... | assistant costumer |
Arthur Rowsell | ... | costumer |
Location Management
Marie Brazil | ... | location assistant: Ms. Haines |
Michael Jewison | ... | location manager |
Music Department
Gary Barlough | ... | synthesizer programming |
Else Blangsted | ... | supervising music editor |
Chris Boardman | ... | orchestrator |
Michael Convertino | ... | additional orchestrator |
M.B. Gordy | ... | musician: Percussion |
Stephen Mitchell | ... | composer: additional music / musician |
James Thatcher | ... | musician: French horn |
Shirley Walker | ... | additional orchestrator / conductor |
Dan Wallin | ... | music scoring mixer |
Craig Harris | ... | music designer: Sarah's underwater silence (uncredited) / musician: synthesizers, score sequencing and studio production (uncredited) |
John Neufeld | ... | orchestrator (uncredited) |
Script and Continuity Department
Susanna David | ... | script supervisor |
Transportation Department
David Beaudrow | ... | driver captain |
Craig S. Kohne | ... | driver captain |
Nick Sweetman | ... | transportation coordinator |
Additional Crew
Alan R. Barwiolek | ... | sign language instructor: Mr. Hurt |
Bryan Blanford | ... | production assistant |
Stanley Brossette | ... | unit publicist (as Stanley R. Brossette) |
Jan A. Campbell | ... | assistant production accountant |
Eve Cantor | ... | assistant production coordinator |
James Carrington | ... | special actor's consultant |
Robin Chaykin | ... | production associate |
Brian Cole | ... | craft service |
Joyce L. Cole | ... | sign language interpreter: Ms. Matlin |
Christopher Cook | ... | producer's coordinator |
Marnie Craig | ... | caterer |
John Fredericks | ... | production assistant |
Terry Gould | ... | production assistant |
Stephen Jacobs | ... | sign language interpreter |
Margaret Johnson | ... | first aid |
Richard Kendall | ... | technical advisor |
Mary Beth Miller | ... | sign language instructor: Mr. Hurt |
Margaret Amy Moar | ... | stand-in: Marlee Matlin |
Leanne Moore | ... | production accountant |
Bonnie Palef | ... | producer's coordinator (as Bonnie Palef-Woolf) |
Toni Phillips | ... | production assistant |
Michel Pradier | ... | production assistant |
Valley Via Reseigne | ... | production coordinator |
Nikki Sahagen | ... | associate choreographer |
Patti Shore | ... | sign language interpreter: Ms. Matlin |
Dan Siretta | ... | choreographer |
Krista Steeves | ... | production assistant |
Joanne Tickle | ... | production secretary |
Pat Vaughan | ... | stand-in: William Hurt |
Carole Wattles | ... | accounting clerk |
Lou Fant | ... | sign language coach (uncredited) |
Greg Ferris | ... | marketing: Canada (uncredited) |
Paul F. McCarthy | ... | stand-in (uncredited) |
Production Companies
Distributors
- Paramount Pictures (1986) (United States) (theatrical)
- United International Pictures (UIP) (1987) (United Kingdom) (theatrical)
- Svenska Filminstitutet (SFI) (1987) (Sweden) (theatrical)
- United International Pictures (UIP) (1987) (Sweden) (theatrical)
- United International Pictures (UIP) (1987) (Norway) (theatrical)
- United International Pictures (UIP) (1987) (Greece) (theatrical)
- United International Pictures (UIP) (1987) (Netherlands) (theatrical)
- United International Pictures (1987) (Argentina) (theatrical)
- Home Video Hellas (HVH) (1987) (Greece) (video)
- Esselte CIC Video (1987) (Netherlands) (VHS)
- CIC Video (1987) (West Germany) (VHS)
- CBS (1990) (United States) (tv) (broadcast premiere)
- Paramount Films of India (1988) (India) (theatrical)
- United International Pictures (UIP) (1987) (Philippines) (theatrical) (distributed by UDIA Film Exchange)
- Argentina Video Home (Argentina) (DVD)
- Argentina Video Home (Argentina) (VHS)
- CIC Vídeo (Brazil) (VHS)
- CIC-Taft Home Video
- Canal+ (1989) (France) (tv) (dubbed version)
- Paramount Home Entertainment (2000) (Netherlands) (VHS)
- Paramount Home Entertainment (2002) (Brazil) (DVD)
- Paramount Home Entertainment (2002) (Germany) (DVD)
- Paramount Home Entertainment (2004) (Netherlands) (DVD)
- Paramount Home Entertainment (2008) (Netherlands) (DVD) (Award Winning Collection)
- Paramount Home Entertainment (United States) (laserdisc)
- Trifecta Entertainment and Media (2012) (United States) (tv) (syndicated print)
Special Effects
Other Companies
- Cinema Research (titles and opticals)
- Colossal Pictures (title design)
- MGM Negative Cutting (negative cutting)
- Panavision (camera equipment provided by)
- Reeltime Creative (trailer music)
- Warner Hollywood Studios (rerecorded at)
- William F. White International (grip and lighting equipment)
Storyline
Plot Summary |
Having taught at the best institutions in the country aside from other more eclectic jobs, James Leeds, with progressive methods, has just started teaching at a school for the deaf on an island off the New England coast, where he is assigned primarily to a speech class for the upper grades. At the school, he quickly notices the young cleaning woman, who he learns is twenty-five year old Sarah Norman and who, deaf herself, was once a student there and has been there since the age of five. He can see that she is bright, headstrong and angry, on top of which she doesn't speak, the latter issues a result of a troubled home life, her mother, her only touchstone to family, who she has purposefully not seen in eight years. As he is able to get through to most of his students to feel more and more comfortable in speaking for a more holistic life, Jim, with the reluctant blessing of the school's superintendent Dr. Curtis Franklin, who has always and still considers Sarah a proverbial pain in the you-know-where, tries to get Sarah to learn how to speak so that she can reach her full potential beyond being a cleaning woman, which he will further learn is a choice if only as it allows her to live her life somewhat in solitude in her silence and anger. Although unable to break through to her on the speaking side of the equation, he is able to break through on a more humanistic level as they end up falling for each other eventually embark on a relationship. The question then becomes if there is the possibility of a long term future for them, especially in being able to bridge their many divides - not only the divide between the world of the hearing and the deaf - and in Sarah never having had a sense of who she truly is as a complete human being and not just the deaf girl who may now see what Jim is doing as solely his latest "project". Written by Huggo |
Plot Keywords | |
Taglines | A love beyond words. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Box Office
Budget | $10,500,000 (estimated) |
Opening Weekend United States | $1,909,084, 05 Oct 1986 |
Did You Know?
Trivia | The first film directed by a woman (Randa Haines) to be Oscar nominated for the Academy Award for Best Picture. See more » |
Goofs | As Sarah is preparing for the poker party, she has a piece of paper in front of her with the rankings of poker hands. At the top it says "Five of a Kind" is the highest possible hand. The real highest hand is a Royal Flush. Moreover, five of a kind is an impossibility. See more » |
Movie Connections | Featured in Colorizing: Hollywood's New Vandalism (1986). See more » |
Soundtracks | Jump (For My Love) See more » |
Quotes |
James Leeds:
Do you think that we could find a place where we can meet - not in silence and not in sound? See more » |