Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to ...
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Eugene and Stanley Jerome try to break into show biz as comedy writers while their parents' marriage ends. When the boys' material is broadcast on radio, the family hears their private life played for laughs.
Eddy and Stuart share two-thirds of a dormitory suite. Due to bureaucratic error, a woman named Alex is added to their room. At first, relations among the three are tense. Soon, however, ... See full summary »
Lara Flynn Boyle,
Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.Written by
Jason Ihle <email@example.com>
This film was made and released about three years after its source play of the same name by Neil Simon was first performed in 1983. The original Broadway production of "Brighton Beach Memoirs" opened at the Alvin Theater on 27th March 1983 and transferred to the 46th Street Theatre on 26th February 1985. The play ran for a total of 1299 performances closing on 11th May 1986. The play was nominated for three 1983 Tony Awards, Best Featured Actress in a Play (Elizabeth Franz) and two for Best Featured Actor - Zeljko Ivanek and Matthew Broderick, with Broderick being the only successful actor to win. The New York Drama Critics Circle awarded "Brighton Beach Memoirs" the Best Play of its season. The play's setting is described in its intro as being "Brighton Beach, Brooklyn, New York. September, late 1930s". See more »
A sweetly nostalgic look at Neil Simon's childhood...
BRIGHTON BEACH MEMOIRS was the first of a trilogy of plays that Neil Simon wrote about his own life, renaming himself Eugene Morris Jerome. This play was a Broadway smash and made a star and Tony Award winner out of Matthew Broderick. When it was time to bring the play to the screen, Broderick was unavailable because he was back on Broadway in the second play of the trilogy, BILOXI BLUES, so Jonathan Silverman was pegged to star in the film version as Eugene, the slightly neurotic teen going through puberty and other realities of being a Jewish teen during WWII with the help of his loving family. Silverman makes a suitable replacement for Broderick and seems quite at ease speaking directly to the camera. I'm one of the few who really liked Blythe Danner as his strong willed mother...maybe the accent was a bit much, but Danner infuses the character with warmth and strength and Bob Dishy has one of his best roles as Eugene's father, a quiet tower of strength whose world weariness never allows him to neglect his family. Judith Ivey plays Danner's sister, a lonely woman whose lack of self-esteem seems to have stemmed from feeling she has lived in her sister's shadow her whole life and Brian Drillinger also scores as Stanley, Eugene's older brother, who loses his paycheck gambling and then loses his job and doesn't know how to tell Mom and Dad. Gene Saks directs with a loving, if loose hand and the film could have been more tightly paced, but the performances of Silverman, Danner, and Dishy made it worth my time.
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