During an argument, a divorced executive and his 11 year old son casually touch a magical Tibetan skull, releasing a mysterious power that transfers the father's mind to the body of the son and vice versa. Their problems have just begun.
Video game expert Alex Rogan finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack.
A socially inept fourteen-year-old experiences heartbreak for the first time when his two best friends - Cappie, an older-brother figure, and Maggie, the new girl with whom he is in love - fall for each other.
In this laid-back comedy, Wood Newton is a former pro American Football player who has retired and returned to his childhood home, the small town of Evening Shade, Arkansas. He's now the ... See full summary »
Charlene Michaelson, her two children - teen-aged Amelia 'Milly' Michaelson and precocious adolescent Louis Michaelson - and their dog Max move into a new house in a new neighborhood after the passing of Charlene's husband/the kids' father, Donald Michaelson. Beyond life without Donald, they are all nervous about starting a new life, which, for Charlene, means getting back into the workforce after thirteen years. Milly quickly settles into the neighborhood if only because she becomes fascinated with their next door neighbor, teen-aged Eric Gibb, who authorities believe is autistic. Orphaned Eric has never spoken a word, and without having been told about the incident, began to think he could fly at the exact moment his parents died in a plane crash. Many believe Eric's belief is because he felt he could thus save his parents. Eric's guardian is his dipsomaniac Uncle Hugo Gibb. Milly's high school teacher, Mrs. Carolyn Sherman, who used to be a special needs teacher, looks after Eric ...Written by
The band Thrice released a song based on the film, titled "A Song For Milly Michaelson" on their 2007 LP The Alchemy Index Vols. III & IV The song is based on the character Milly from this film.. See more »
Cables holding Eric can visibly be seen as he and Millie are falling off the roof of the school before they crash into Millie's mom. See more »
Tell me about your accident.
I was on a bridge, reaching for a flower and I fell over the railing.
You told your mother something about a boy who rescued you.
What are you, a shrink?
Great, now I'm wacko.
It's important that you tell me everything you remember about this. Let me be the judge of whether you're wacko or not, okay?
Yeah, okay. I fell fifty feet without a mark on me, except for this.
[points to the small bandage on her forehead]
And I got this when I hit the railing. I didn't ...
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The Disney Channel version of this film that aired in the late 1980's had been edited. Some scenes had been edited down or taken out, and the bad language had been dubbed. Also at the end of the program the star Jay Underwood gave a special message to young viewers telling them not to try anything they saw him perform in the film. He explained that they had special wires attached to him to make it look as though he could fly. See more »
In an atmosphere of fantasy, the movie explores several real human issues. The story centers on a mother (Bonnie Bedelia), her young teenage daughter (Lucy Deakins), and her pre-teen son (Fred Savage) as they struggle to cope after the beloved father's sudden passing. Their grief is intensified by the manner of his death and their almost immediately having to adjust to a new life, a new home, a new neighborhood, and for the kids, a new school and new friends. Into this mix enters Eric (Jay Underwood), the apparently autistic teenage boy next door, who is coping with demons of his own as a result of his parents' sudden death in an airplane crash. So grief is involved, and adjustment, and trying to fit in, and acceptance of human differences, and courage, and love - love within a family group and among people, as well as real boy/girl love. Writer-director Nick Castle deals with these issues with respectful sensitivity, as does the excellent ensemble cast of Lucy Deakins, Jay Underwood, Bonnie Bedelia, Fred Savage, Colleen Dewhurst, Fred Gwynne, and Mindy Cohn. That fantasy might be important to plot movement shouldn't be surprising, considering the movie's title. However, whether that fantasy is allegorical or real, or both, is in the eyes of the beholder. In any case, it's a warm and poignant tale, and it deserves a high place in the literature of motion pictures.
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