The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
College student Jeffrey Beaumont returns to his idyllic hometown of Lumberton to manage his father's hardware store while his father is hospitalized. Walking though a grassy meadow near the family home, Jeffrey finds a severed human ear. After an initial investigation, lead police Detective John Williams advises Jeffrey not to speak to anyone about the case as they investigate further. Detective Williams also tells Jeffrey that he cannot divulge any information about what the police know. Detective Williams' high school aged daughter, Sandy Williams, tells Jeffrey what she knows about the case from overhearing her father's private conversations on the matter: that it has to do with a nightclub singer named Dorothy Vallens, who lives in an older apartment building near the Beaumont home. His curiosity getting the better of him, Jeffrey, with Sandy's help, decides to find out more about the woman at the center of the case by breaking into Dorothy's apartment while he knows she's at work...Written by
Ranked #8 on the American Film Institute's list of the 10 greatest films in the genre "Mystery" in June 2008. See more »
After Frank and Ben received their glasses there's some froth topping Frank's beer, but not Ben's. However, in the close-up of Ben there's clearly a thin layer of froth. Back to both in frame, and again Ben's beer has no froth. See more »
It's a sunny, woodsy day in Lumberton, so get those chainsaws out. This is the mighty W.O.O.D., the musical voice of Lumberton. At the sound of the falling tree, it's 9:30. There's a whole lotta wood waitin' out there, so let's get goin'.
Mr. Beaumont? Your son Jeffrey's here to see you.
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Strange but utterly mesmerising, quite possibly Lynch's masterpiece
David Lynch is a very love-him-hate-him director, with people fascinated by his style and imagery and others who find his films not easy to follow and too weird for their tastes. As somebody who loves Lynch and a lot of his films(the only one I've disliked is Dune), Blue Velvet is up there at the top. The Elephant Man(never has there been a film that moved me more) may be my personal favourite but Blue Velvet is quite possibly Lynch's masterpiece. Loved Mulholland Drive as well, but it is not as accessible as Elephant Man or Blue Velvet- films that even those who aren't fans of Lynch are likely to love- and is his most polarising most likely.
Blue Velvet is an incredible-looking film. All of Lynch's films are beautifully shot and that is true of Blue Velvet as well, and the imagery is both hauntingly surreal and beautiful, all the different colours really popping out at you. The music is hypnotic with a very haunting undercurrent and really adds to the story's strangeness and mystery elements. The script is thoughtful and cohesive with a dose of weird but subtle humour as well as some deliberately not so subtle parts(especially with villain Frank Booth). The atmosphere created is the very meaning of scintillating and suspense levels are to the maximum. The story- one of the most coherent and accessible of any Lynch film- is always interesting and entertaining, the detective story elements are genuinely suspenseful and at times scary, Lynch has never directed a tenser scene than the climax here.
Lynch's direction is superb; along with Mulholland Drive it contains some of his best. The characters all serve a point to the story and they are very interestingly written, in the case of Frank Booth, one of the most evil and fascinating villains on films, iconic. The acting is superb as well, especially with Dennis Hopper who's terrifyingly sadistic and sometimes hilarious, he is very over the top but in a gleefully enjoyable way. Kyle MacLachlan has never been in a better film or given a better performance than here, he's certainly not had a character as interesting either, Laura Dern is great and sensual Isabella Rossellini has a challenging role that she plays to truly devastating effect. Look out for an oddball but memorable appearance from Dean Stockwell as well. Overall, a strange but utterly mesmerising masterpiece. 10/10 Bethany Cox
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