5.1/10
278
5 user 1 critic

Blindside (1987)

R | | Thriller | 29 June 1988 (USA)
Harvey Keitel plays Penfield Gruber, a once great scientist, reduced to managing a sleazy hotel. Gruber monitors the daily comings and goings of his tenants, mainly for his own interest, ... See full summary »

Director:

Paul Lynch

Writer:

Richard Beattie
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Cast

Cast overview, first billed only:
Harvey Keitel ... Penfield Gruber
Lori Hallier ... Julie
Lolita Davidovich ... Adele
Michael Rudder Michael Rudder ... Freelong
Cordelia Strube Cordelia Strube ... Dolman
Durango Coy Durango Coy ... Borden
Alan Fawcett Alan Fawcett ... Gilchrist
James Kidnie ... Sandy
Kenneth McGregor Kenneth McGregor ... Collinson (as Kenneth MacGregor)
Sam Malkin Sam Malkin ... Peters
Sugith Varughese ... Two Tone
Frenchie McFariane Frenchie McFariane ... Elvis Impersonator
Cheryl Wilson Cheryl Wilson ... Janine
Robert Ramsay Collins Robert Ramsay Collins ... Killer #1
Lawrence King-Phillips ... Killer #2
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Storyline

Harvey Keitel plays Penfield Gruber, a once great scientist, reduced to managing a sleazy hotel. Gruber monitors the daily comings and goings of his tenants, mainly for his own interest, until underworld figures ask him to spy on a suspected double-crosser. While watching the man, Gruber overhears a murder plot. Written by Brennan Storr

Plot Summary | Add Synopsis

Taglines:

First, he was paid to watch her. Now, he'd pay any price to have her.

Genres:

Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada

Language:

English

Release Date:

29 June 1988 (USA) See more »

Also Known As:

Caindo na Própria Armadilha See more »

Filming Locations:

Toronto, Ontario, Canada

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby

Color:

Color
See full technical specs »

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User Reviews

 
the parts do not sum
4 November 2009 | by jonathan-577See all my reviews

Here is a movie that really does not know what it wants to be. The triple-crossing gangster narrative might conceivably make some kind of sense if you applied yourself to it I guess. But who cares? Whenever Harry Caul, I mean Harvey Keitel, is on screen, the movie is a brooding surveillance procedural with dark overtones of tragedy and loss; when he's not, the movie is an overdrawn melodrama bordering on farce. All the 'clever ideas' - the surveillance tape in the hi-fi store, explaining the corpse at the RIDE checkpoint, the yelling at Santa Claus - make the Keitel stuff seem even more alienated, while simultaneously making the menacing criminals look like utter buffoons. Not that Michael Rudder's lead thug needed any help; his sneering grandstand routine makes you want to avert your eyes and plug your ears. And anyway why does everyone keep conducting their highly sensitive conspiratorial dialogues at top volume in public places like shopping malls and porcelain museums? Rudder and conspirator Alan Fawcett even rent adjacent rooms, but there they go trudging out to the gas station. Everyone was clearly so awestruck at having Keitel on set that they forgot to call upon him to act; he mostly just stands there, except for one scene where he throws an inexplicable hissy fit on Lolita Davidovitch and then they go camp out in a used car for no good reason. The most unforgivable botch yet from Paul Lynch, who was handed a mismatched bunch of parts and crafted them into...a mismatched bunch of parts.


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