Catherine is a black widow. "She mates and then she kills". Black Widow is the story of a lady (Catherine) who marries lonely millionaires, waits until they've changed their will to leave all to their beloved wives and then murders them to inherit the fortune. With each man Catherine marries, she changes her appearance to suit the mans personality. Only there's one problem. Alexandra is a smart cookie and has found a link between these unexplained mysterious deaths and the partners wives. But now her only problem is proving that a killer is on the loose and saving herself from the deadly Black Widow.Written by
Michael Feller <firstname.lastname@example.org>
Debra Winger shadows Theresa Russell on the top deck of the Seattle to Bainbridge Island ferry. The same mountains in the Olympic range are behind both actresses, even though one lady is on the starboard and the other is on the port side. See more »
When he didn't come to the office, 10:30, 11:00, I called the house. Catherine... he went in his sleep, peacefully. The doctor said if you'd been sleeping right next to him, you wouldn't have even known. You couldn't have done anything.
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Written and performed by Peter Rafelson See more »
Hilariously contrived and utterly compelling, Black Widow is always worth a re-viewing when the video shelves are dry. It's beautifully filmed, competently acted, and contains some of the most rousingly misguided plot twists known to this cinephile.
No spoilers here, but the ending is a knee-slapper, as is the otherwise quite capable Theresa Russell's foray into a southern belle accent. It's all very slick, but in a good way, with the considerable lily gilded by attempts at intellectualizing a movie which could be refilmed with startlingly few changes for a Cinemax Late Night soft-core extravaganza. Kudos to Russell, of course, Winger, James Hong and Mary Woronov just for being Mary Woronov for at least one scene; it's just a shame that a movie which makes a stab at well-rounded female characters (at the very least by making the male characters so weak [truth is, I can scarcely remember the names of any of the male characters] that one cannot help but invest all subjectivity with the female characters) operates under the notion that the Debra Winger character discovers her womanhood vicariously through the exploits of the sensuous, if surprisingly (in context) asexual, man-killer Russell, which is not exactly the most progressive notion. Essential viewing nonetheless.
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