Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
57 years after Ellen Ripley had a close encounter with the reptilian alien creature from the first movie, she is called back, this time, to help a group of highly trained colonial marines fight off against the sinister extraterrestrials. But this time, the aliens have taken over a space colony on the moon LV-426. When the colonial marines are called upon to search the deserted space colony, they later find out that they are up against more than what they bargained for. Using specially modified machine guns and enough firepower, it's either fight or die as the space marines battle against the aliens. As the Marines do their best to defend themselves, Ripley must attempt to protect a young girl who is the sole survivor of the decimated space colony.Written by
To create the effect of the chestburster bursting out of Mary's body, Barbara Coles wore a prosthetic chest piece made of foam through which the chestburster model emerged. A replica dummy of Barbara Coles was then used for shots where the Marines torched her body. See more »
All of soldiers don't strap on their helmets when they are in alert or combat mode for safety, except Sgt Apone . Hicks's and Frost's don't have ones . Pvt Drake and Pvt Vasquez don't even wear ones . It occurs because most of them are underestimating the potential danger of the mission when they show their irreverence attitude in front of Ripley during the briefing session . See more »
Salvage Team Leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
See more »
The ALIENS title forms slowly during the opening credits. The full title isn't seen until the opening credits are finished, and the "I" illuminates brightly. See more »
Before the scene where Ripley carries Newt into the infirmary, a single shot of the sentry guns silently scanning the hallways has been inserted. See more »
Excellent sequel--matches the brilliance of the first film
Series note: It is strongly advised that you watch this film only after seeing Alien (1979). This is a direct continuation of that story.
57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride.
For the difficult job of following up Ridley Scott's excellent Alien, director James Cameron decided to go a completely different route--to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.
Ripley is much more fully developed in this film, although unfortunately, some of the most significant scenes were deleted from the theatrical release (if at all possible, watch the 2-hour and 37-minute director's cut instead). Cameron fashioned Aliens into a grand arc where Ripley's actions at the end of the film have much more meaning as she's not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company.
The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes (as for viewers of that opinion, most of the action and the film overall is likely to be too cartoonish), but for anyone more agreeable to that kind of caricatured exaggeration, it's a joy to watch. I'm a big fan of both Bill Paxton and Lance Henriksen, and both turn in wonderfully over-the-top performances, at their diametrically opposed ends of the emotional spectrum--Paxton as the spastic surfer/redneck and Henriksen as the intense, moody sage, with a surprising reality and an even more surprising conscience to go along with it. We also get a cigar-chomping Sergeant, a crazy, butch Private, and a complex, pensive Corporal as main characters, and a mysterious, bright young girl (played in a terrific performance by Carrie Henn). Much of the center section of the film hinges on the interrelationships of these characters, despite the action trappings going on around them.
Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite "cat fights" in any film. It's also worth noting the influence this film may have had on Paul Verhoeven's Starship Troopers (1997)--although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well. Throughout all of the varied action sequences, as well as the important early scenes of colonists on LV-426, Cameron is able to clearly convey the logistics of very complex sets, so that viewers remain on the edges of their seats.
Part of what makes the monsters so effective is that we're not told too much about them. We only get glimpses into their physiology's, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn't corrode instruments and objects when a dead alien is examined.
Aliens is yet another example of a sequel that is just as good as an original film in a series. Just make sure you watch both in order, and try to watch the director's cuts.
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