Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
57 years after Ellen Ripley had a close encounter with the reptilian alien creature from the first movie, she is called back, this time, to help a group of highly trained colonial marines fight off against the sinister extraterrestrials. But this time, the aliens have taken over a space colony on the moon LV-426. When the colonial marines are called upon to search the deserted space colony, they later find out that they are up against more than what they bargained for. Using specially modified machine guns and enough firepower, it's either fight or die as the space marines battle against the aliens. As the Marines do their best to defend themselves, Ripley must attempt to protect a young girl who is the sole survivor of the decimated space colony.Written by
James Cameron had the actors (the Marines) personalize their own costumes (battle armor and fatigues) for added realism (much like soldiers in Vietnam wrote and drew things on their own helmets). Actress Cynthia Dale Scott, who plays Corporal Dietrich has the words "BLUE ANGEL" written on the back of her helmet, a reference to Marlene Dietrich in Der blaue Engel (1930) or Blue Angel. Bill Paxton has "Louise" written on his armor. This is a dedication to his real-life wife, Louise Newbury. See more »
Burke tells Bishop to keep the facehuggers alive for return to the company labs. Given the harm they would inevitably have caused, complying would seem to be a violation of Bishop's programming. If not, then Bishop is being remarkably candid, meaning Burke didn't tell him to keep that order secret. See more »
Salvage Team Leader:
Bio-readouts are all in the green, looks like she's alive. Well, there goes our salvage, guys.
See more »
As the final credits fade, there is the sound of a facehugger scurrying across from left to right. See more »
After Ripley's confrontation with Burke, the sequence involving the aliens attempting to make their way past the sentry guns in the service tunnel has been restored. See more »
There are really good movies and then there's that select few that change your life. For me movies like Jaws, Raiders of the Lost Ark, JFK, Titanic and Star Wars did that. By viewing a movie you see life in a different light. Aliens also did that to me. I didn't think a movie could scare me as much as Halloween did but this one certainly did that and more. The atmosphere in this movie, and the lighting and cinematography and of course the direction are top notch, and some of the scenes are some of the scariest I've seen in my life time. But what puts this movie over the top as one of the all time greatest films ever made is the casting.
Sigourney Weaver is terrific but it is her supporting cast that shines and makes you feel like you know the crew that is heading to that desolate planet.
Paul Reiser is perfect as Burke,the slimy corporate kiss ass that cares about profit before human lives. Lance Henriksen shines as Bishop, the cyborg with a heart. Jeanette Goldstein is the rough around the edges female marine that more than holds her own with all the testosterone floating around and Michael Biehn ( another Cameron favourite )is the perfect quiet leader that leads by example and not so much a loud demonstrative voice. But the show stopper in this flick ( just as he always is in any movie that he is in ) is Bill Paxton.
Paxton and Cameron have worked on Terminator 1, True Lies, Titanic and Aliens and Bill is one of those actors that steals scenes from every actor and was always a recognizable face even before Titanic. Here, his Hudson character is the comic relief but he is also perhaps one of the true characters that we can all identify with. His tough exterior is nothing more than camouflage for his frightened fragile interior. He realizes the dire situation that they are all in and he can't hide his fear. When he finds out that they won't be rescued for at least seventeen days, his response is " Hey man, we're not going to survive 17 hours man! Those things are going to come in here and they're going to get us and..... " ( Ripley ) This little girl survived longer than that with no weapons and no military training. " ( Hudson ) " Why don't ya put her in charge!!! "
Paxton is a gift to any and every movie that he is in and this is his finest work. He should have won a best supporting actor that year. And if you haven't seen this movie, rush to see it if only for Bill Paxton. He steals the show. But if a tightly wound, brilliantly technical and unbelievably scary movie is your thing, then you can't go wrong here. This is easily a ten out of ten, and one of the best ever made. If Spielberg is the king is Hollywood, then Cameron is his heir apparent. Oh, and one more thing, Paxton will win an Oscar one day.
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