A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...Written by
Michael Brooke <email@example.com>
The character of "Harry Charms" was based on a real-life British manager and impresario of the period, Larry Parnes, who was famous for hiring unknown singers and giving them extravagant stage names (his most famous client was Billy Fury). In 1960 he hired an unknown Liverpool band called The Beatles to accompany one of his lesser stars, Johnny Gentle, on a tour of Scotland, but he decided not to take the Beatles on as clients because he was only interested in handling solo singers, not groups. See more »
When Harry Charms is auditioning young singers with Colin, there is a boom mic visible when Harry and Colin first enter the studio. See more »
I remember that hot, wonderful summer. When the teenage miracle reached full bloom and everyone in England stopped what they were doing to stare at what had happened. The Soho nights were cool in the heat, with light and music in the streets. And we couldn't believe that this was really coming to us at last. Nobody knew exactly why. But after so many dreary years of bombs and blitz and slow rebuilding; no sugar, no jam, nothing sweet anywhere; with the whole English ...
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First, I must respectfully disagree with the other reviewer who hated this movie. It has a complex set of plot lines that deal with a number of issues revolving around the lives of a young up-and-coming "pop photographer", and his love interest -- played by Patsy Kensit. Then, there is the "old queen" (also an unscrupulous real estate developer) who marries Patsy. Now, add to that the ad agency aspect (David Bowie's song and dance routine to "Selling Out" is a classic), plus the racial tensions in 1950's or 1960's London, and you have a multi-layered plot tapestry.
Personally, I don't mind that David Bowie is only in the movie for ten minutes -- I am a fan of Bowie, but this is really not "his movie".
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