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1/2 Man (1986)

1/2 Mensch (original title)
A visual documentary of Einstuerzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and ... See full summary »

Director:

Gakuryû Ishii (as Sohgo Ishii)

Writers:

Gakuryû Ishii (screenplay) (as Sohgo Ishii), Goro Nakajima (screenplay) | 1 more credit »
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Cast

Cast overview:
Einstürzende Neubauten Einstürzende Neubauten
Blixa Bargeld
Mark Chung Mark Chung
FM Einheit FM Einheit
N.U. Unruh N.U. Unruh
Alexander Hacke
Isamu Ohsuga Isamu Ohsuga
Byakko-Sha Byakko-Sha
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Storyline

A visual documentary of Einstuerzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks (which was scheduled for demolition; footage of same was incorporated into the movie) and a brief appearance on stage. Written by Serdar Yegulalp <syegul@ix.netcom.com>

Plot Summary | Add Synopsis

Genres:

Documentary | Music

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Details

Country:

Japan

Language:

German | Japanese

Release Date:

7 September 1986 (Canada) See more »

Also Known As:

Halber Mensch See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Soundtracks

Der Tod ist ein Dandy (Live)
Performed by Einstürzende Neubauten
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User Reviews

 
Welcome to electro-smog therapy
26 July 2013 | by Zbigniew_KrycsiwikiSee all my reviews

Noise band Einsturzende Neubauten, filmed performing in a seemingly post apocalyptic abandoned warehouse in Japan, which looks as though the entire building may collapse around them at any minute during the film. Completely devoid of anyone in the building to interfere, the only "audience" is the ghosts of the old building and its machinery. Anything within reach of the band could be, and was, used as instruments: springs and coils, sheet metal, saws, hammers and mallets, concrete blocks, even a shopping cart.

Film slightly reminds me, in principle anyway, of Pink Floyd's Live at Pompeii. Floyd filmed their performance at an empty amphitheatre for the music to stand or fall on its own merit, Neubauten filmed their performance in a completely empty and crumbling warehouse, without any audience and let the music stand or fall on its own merit.

Personally I'm more of a fan of Neubauten's more recent music (Ende Neu, and Tabula Rasa in particular) and this film was marred by putting its two best songs (Armenia, from Zeichnungen des Patienten O. T. (Drawings of Patient O. T.), and Sehnsucht, from Kollaps) at the very start of the film.

It's interesting to watch this haunting, mesmerising, and genuinely creepy mini movie in segments at a time; its oppressiveness and gloominess wears a person down after a while, and made me want to shower afterward.


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