Lightning Jack Kane is an Australian outlaw in the wild west. During a bungled bank robbery he picks up mute Ben Doyle as a hostage. The two become good friends, with Jack teaching Ben how ... See full summary »
Cuba Gooding Jr.,
Michael J. "Crocodile" Dundee is an Australian crocodile hunter who lives in the Australian outback and runs a safari business with his trusted friend and mentor Walter Reilly. After surviving a crocodile attack, a New York journalist named Sue arrives to interview Mick about how he survived and learns more about the crocodile hunter. After saving Sue from a crocodile, Sue invites Mick to visit New York City, since Mick has never been to a city. Mick finds the culture and life in New York City a lot different than his home and he finds himself falling in love with Sue.Written by
The Sydney Harbour Bridge is shown in the beginning of the movie from the hotel window while Sue is on the phone to New York. Paul Hogan helped paint this bridge before he started his life as an actor and was said to have kept his co-workers laughing a good bit of the time. See more »
The roo-shooter's camo-painted jeep has its "OEM" headlights go off when the windshield is shattered, yet in the next shots of the truck backing up swiftly, both the headlights and the "add-ons" are all blazing brightly again. See more »
Michael J. "Crocodile" Dundee:
Of course it took me a week to crawl this far. I thought I was a goner. I said to meself, "Mick old son, find yourself a nice comfortable spot and lay down and die".
Weren't you afraid?
Michael J. "Crocodile" Dundee:
Of dying? Nah. I read The Bible once. You know God and Jesus and all them apostles? They were all fishermen, just like me. Yeah, straight to heaven for Mick Dundee. Yep, me and God, we'd be mates.
[they continue along the way followed by Mick after he had been attacked and injured by a crocodile]
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The cinema (theatrical) version included a scene where Mick was in the kitchen at a party and saw a guy snorting cocaine. He takes it and puts it into a bowl of hot water, thinking that the guy has a cold or flu. This scene is missing in some TV and video editions. These editions also remove a scene where a girl smokes Dundee's roll up cigarette, mistaking it for a joint, and describes it as 'good shit'. See more »
New York reporter Sue Charlton hears of a guy in the outback of Australia who survived an attack by a crocodile. For research she meets up with "Crocodile Mick Dundee" and spends time with him out in dangerous Bush Country. Finding a rapport during their time together, Sue convinces Mick to go back with her to New York, which brings interesting results as Mick becomes a big hit by treating the Big Apple, and all that comes his way, the same as he would the Outback.
Crocodile Dundee has a standard fish out of water comedy premise, yet with a number of truly funny sequences and an appealing turn from Paul Hogan as Dundee, it became a monster smash hit that the cinema watching public lapped up with glee. In a decade that is often considered or debated to be the worst for film, it may just be that cinema goers were desperate for a pick me up movie? Possibly, but undoubtedly Crocodile Dundee most assuredly is that type of escapist piece. However, to give that credence would, I feel, be doing it a disservice, for in spite of the rickety concept and the obviousness of where we will ultimately end up, it has bundles of earthy charm, a charm that many can identify with.
As Dundee goes about his way, meeting pimps, transsexuals and muggers et al, they are not only very funny scenes, they are also points of reference to the ever changing way of the Continents. Not that the film doesn't come dangerously close to falling into a sugary rom-com mire, but with a strong performance from Linda Kozlowski as Sue, and Hogan introducing an icon to 80s cinema, Crocodile Dundee safely hits the target that it was surely aiming for. Besides, the love story here is very easy to get on side with, to support it and hanker for this opposites attract coupling to work out.
Two sequels would follow, the first one was a retread reversal and just about passable, the second one, after a gap of 13 years, was bad and evidence that the joke had long since passed. Crocodile Dundee 86 holds up well as the escapist piece of cinema that it is. A nice film to revisit every other year, for it be simple, warm, and yes, I'll say it again, damn funny. 8/10
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