Sledge runs into his best bud from high school, now a defense lawyer. Rekindling of their friendship comes to a halt when he learns that his friend is about to marry his ex-wife. Sledge is forced to ...
A bevy of bikini-clad 'terrorettes' steal a nuclear warhead and threaten to blow up the city unless their billion dollar demand is met. Sledge and Dori trace the suspects to a health spa operated by ...
An old friend of Captain Trunk's, Roy Talbot, asks for help in cracking one last case before he retires. They are staking out a drug deal that's going down at a hotel. Hammer and Doreau go undercover...
This timeless modern slapstick-format doesn't really have a plot, but is an irresistible rapid succession of independent short, comical scenes, mostly without any text, often using ... See full summary »
A one-off special from Benny Hill, produced for ATV in 1967, featuring musical numbers from The Seekers (who sing "When Will the Good Apples Fall" and "Music of the World A'Turning") and ... See full summary »
This show-stopping digital collection of The Benny Hill Show contains Benny's raucous 20-year reign over television's sketch-variety genre, from the naughty early years to the debut of the nubile Hill's Angels, through the final episodes.
Max Headroon, the stylish, charming and egotistical artificial intelligence program with a speech impediment, gets to host his own talk show. Done in the same style as Late Night and The ... See full summary »
A collection of sketches and musical numbers from his long running comedy/variety series, culled from shows produced and originally aired between 1969 and 1972; this film's production is ... See full summary »
"HAMMERED: The Best of Sledge" (Laserdisc) - Prepare yourself for four crime stories that pack more punch than Sledge Hammer's trusty Magnum. And loaded with more misadventure than there is air between Sledge's ears. Our hero find himself up against the likes of the infamous Elvis impersonator serial killer, a powerful Mafioso Don, the sex-starved Elizabeth, and a violent revolutionary. Armed only with a Magnum, grenades, several Uzi machine-guns, and a bazooka, our hero singlehandedly makes the streets safe again for law-abiding citizens.Written by
Episode 7, "All Shook Up", featured a sarcastic jab towards the series' lead-in at the time, Mr. Belvedere (1985), and caused a subsequent feud between the two shows. This bad blood carried over to The Tonight Show Starring Johnny Carson (1962), where "Mr. Belvedere" star Bob Uecker made a wisecrack about "Sledge Hammer" while guesting. This would lead Spencer to hurl an even more vicious insult at "Belvedere" in a later episode. See more »
When am I on?
You follow a guy from Dallas & precede a guy from Miami.
Between Dallas & Miami... what a terrible place to be!
[in reference to the show's no-win timeslot opposite both 'Dallas' & 'Miami Vice']
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Before the first episode of the second season was shown, this "disclaimer" appeared: The following season of Sledge Hammer! takes place five years before that nuclear explosion. Thank you. See more »
DVD release omits the laugh track heard on the original broadcasts. See more »
Ah, the comedies of the 1980s. The Cosby Show, Family Ties, Night Court. There are shows like those, classics indeed, for their own reasons, and then there is "Sledge Hammer!"
It's just a _bit_ different. Imagine if you will the ability of a show to consistently spoof movies, or whole genres of tv show/film, and consistently nail it dead on in a 30 minute time slot. That's the quality of writing the show had, but the execution is what made it work. The three leads had consistent timing and brutally funny comic delivery. David Rasche, as the lead, was a standout, often getting the most manic material, though Page and Martin made it truly a triple threat. On one of the shows, Martin's character takes on Hammer's personality, and she nails that stuff pretty well.
In short, Hammer is the ultimate send-up of the classic loose cannon police detective. Dirty Harry is a great inspiration, but there are other aspects that work their way in as well. A few of the shows sent up the film noir detective genre. While some have compared it to "Get Smart" or "Police Squad," the thing that amazed me about it was how it reminds me at times of British comedies like "Blackadder" or some of Monty Python's skits. It is great that send-ups this consistently good got on American TV. Especially as there was almost always another, more subtle layer of humor under the more over-the-top gags. The main running current of humor was the sending up (by exaggeration) of the ultra-violent tone the action genre had taken on at the time. Yet underneath the people involved managed to work in genuine warmth, sybtle moments of humor, and genuine emotion across the board.
The show only ran for two seasons, agaist stiff competition (Put in a timeslot for example, against CBS' "Dallas" and NBC's "Miami Vice.") If only there was a better timeslot.. and maybe more budget, though the show did quite well with what they had.
I saw this in it's initial ABC run, then a few years later when a local station in Philadelphia put it on in reruns. Some of it held up very well, especially when classic genres/films were "given tribute." Some of the 80s references date it, but it wasn't bad. In fact, it rocked. Plus I remember seeing the first run as a kid, and the scene with the bazooka in the first show hooked me. Hilarious. In short, although it struggled, it built a pretty strong following among fans, and that is the definition of a cult classic. Websites have sprung up in recent years, allowing fans to chat about this truly unique show. When they put this one together, they really did know what they were doing.
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