The firm worries about its reputation when Kittredge takes a high-profile criminal case of defending a mobster leader for allegedly murdering a rival mob leader and the new D.A., Ruby Thomas, becomes...
J.R. Ewing, a Texas oil baron, uses manipulation and blackmail to achieve his ambitions, both business and personal. He often comes into conflict with his brother Bobby, his arch-enemy Cliff Barnes and his long-suffering wife Sue Ellen.
This popular TV drama depicted life in a large Los Angeles law firm. The plots were strongly character-based and dealt with both the personal lives and professional activities of the partners, associates, and staff. Scenes centered around the courtroom and the law offices. Often, an episode would open with a surprising twist, which would then be played out during the rest of the show.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
In a recent "Emmy TV Legends" interview, Diana Muldaur (Rosalind Shays) said she refused to do the infamous Rosalind-falls-to-her-death-in-the-elevator-shaft scene, when the director asked her to do it herself. She said it took the stuntwoman fifteen times before they got the shot right. "I would have broken my neck!" she said. See more »
Douglas Brackman, Jr.:
I'm more like my father than I thought. I wanted to be the lawyer he was, the man he was. Turns out we both just like to cheat on our wives.
See more »
L.A.Law was a standout drama from '86-'94. At the end, as many drama's have happen, it became somewhat stale and may cause many to forget the gripping storylines Bochco, Kelley etc. created. The acting was superlative from the mainstays Dysart, Rachins, Tucker, Eikenberry, Ruttan, Bernsen, Hamlin etc. As the show expanded Law brought forth additional characters played by Dey, Smits, Greene, Underwood, Donohoe, Spencer, Drake, Muldaur etc. These actors made their roles and characters as unforgettable as the originals made there's.
Probably the best thing that can be said about this show is that no one player was the focal point. No one character had to be the "lightning rod" for the show to be great. In an interview for the 100th show Richard Dysart, who played Leland McKenzie, the paternal "glue" of McKenzie, Brackman, Cheney, Kuzack, and Becker, told Jane Pauley that the actors weren't the genius of the show...the writers were. Awful high praise from an actor at a very candid moment.
Catch it in syndication on A&E each Monday thru Friday. You'll love it the second time around.
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